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72 tulosta hakusanalla Yve-Alain Bois

Painting as Model

Painting as Model

Yve-Alain Bois

MIT Press
1993
pokkari
Informed by both structuralism and poststructuralism, these essays by art critic and historian Yve Alain Bois seek to redefine the status of theory in modernist critical discourse. Warning against the uncritical adoption of theoretical fashions and equally against the a priori rejection of all theory, Bois argues that theory is best employed in response to the specific demands of a critical problem. The essays lucidly demonstrate the uses of various theoretical approaches in conjunction with close reading of both paintings and texts.
Robert Rauschenberg

Robert Rauschenberg

Yve-Alain Bois

Yale University Press
2007
sidottu
The first comprehensive look at Rauschenberg’s Cardboard series, a previously unexplored realm of the artist’s oeuvre Robert Rauschenberg (b. 1925) began to investigate the boundaries between painting and sculpture in the 1950s, working with a variety of found objects in his Combine paintings and freestanding Combines. Later, in his Cardboard series (1971–72), he confined himself to the use of cardboard boxes, eliminating virtually all imagery, reducing the palette to a near monochrome, and commenting in subtle ways on the materialism and disposability of modern life. This book is the first to focus exclusively on Rauschenberg’s rarely seen Cardboards, along with related works from his Made in Tampa Clay, Cardbirds, Egyptian, and Venetian series. Approximately eighty-eight Cardboards and related sculptural pieces, many from the artist’s personal collection, are reproduced in the book. Full provenance and exhibition history are provided for each work, along with a complete bibliography. In addition, distinguished scholar Yve-Alain Bois offers an insightful essay that discusses the Cardboards and situates these lesser-known but critical pieces within the context of Rauschenberg’s long and creative career.Distributed for The Menil CollectionExhibition Schedule:The Menil Collection, Houston (February 23 – May 13, 2007)
Oblique Autobiography, An

Oblique Autobiography, An

Yve-Alain Bois

No Place Press
2022
nidottu
Essays and reminiscences by one of the preeminent art historians of our time, spanning more than four decades. An Oblique Autobiography assembles a new collection of essays and reminiscences by one of the preeminent art historians of our time. Spanning more than four decades of Yve-Alain Bois's work as a scholar, journal editor, and occasional curator, this volume traces a deeply personal itinerary through an important era of art history, in which the discipline--in part occasioned by Bois's own journey from France to the United States--was significantly reformulated by new methodologies. Detailing Bois's early relationships with figures such as Roland Barthes, Hubert Damisch, Lygia Clark, and Jacques Derrida, as well as his extended engagements with Rosalind Krauss, Ellsworth Kelly, and Martin Barr , these essays track Bois's intellectual commitments against the backdrop of an evolving academic field. With texts that range from academic journal articles to obituaries, written from 1976 to 2021, An Oblique Autobiography reveals the range of Bois's authorial voice and offers a remarkable self-portrait of one of art history's primary protagonists.
Ellsworth Kelly: Catalogue Raisonné of Paintings and Sculpture
This is the long-awaited catalogue raisonne of Ellsworth Kelly, one of the greatest living painters and sculptors. Edited by Kelly scholar Yve-Alain Bois, the multi-volume publication contains exhaustive documentation of each of Kelly's paintings, sculptures, and reliefs. The catalogue's inclusion of insightful texts and high quiality images of individual works and preparatory drawings, along with prvenance information, exhibition history, and bibliographic information, will make it an irreplaceable reference tool for institutions, collectors, and admirers.
Ed Ruscha: Extremes and In-betweens

Ed Ruscha: Extremes and In-betweens

Yve-Alain Bois; Ben Eastham

Rizzoli International Publications
2017
sidottu
These powerful works, all completed in 2016, are reproduced in this stunning new volume in beautiful colour-saturated plates to which black and white installation photos, as well as studio shots, provide a striking contrast. New texts by art historian Yve-Alain Bois and art critic Ben Eastham situate these new works within Ruscha s larger oeuvre and provide detailed insight into particular works. In the restrained paintings that comprise Extremes and In-Betweens, Ruscha sets into motion a dynamic interplay of words and their meanings in ascending and descending shifts of scale and tone that echo the relation of macrocosm to microcosm. Although his images are undeniably rooted in the signs and symbols of American reality closely observed, his elegant and laconic art speaks to more complex and widespread issues regarding the appearance, feel, and function of the world and our tenuous and transient place within it.
Building Culture

Building Culture

Julian Rose; Yve-Alain Bois

CHRONICLE BOOKS
2024
sidottu
An insider's look at art museums and how they shape the ways we view art, through the eyes of the architects who design them. Architects and art lovers everywhere will enjoy this remarkable collection of interviews from sixteen of the world's most celebrated, thoughtful, and innovative architects who have designed many of the world’s greatest museums. Spanning generations, geographies, and methods of architectural practice, these architects share the complex and fascinating process of creating spaces for art. Building Culture includes interviews with:?? Frank Gehry, who reveals how a half-century of dialogue with the visual arts influenced his revolutionary Guggenheim Bilbao?. Kulapat Yantrasast, who describes his rethinking of exhibition design and how it expands the presentation of work in venerable institutions like the Metropolitan Museum of Art, where he is currently redesigning the galleries for the arts of Africa, Oceania, and the Americas?. Walter Hood, whose long interest in improvisational techniques in music informed his design for outdoor performance spaces in the Oakland Museum?. Elizabeth Diller, whose conception of the Shed in New York City's Hudson Yards was influenced by decades of work in conceptual and performance art. Esteemed architects who have designed, renovated, or created galleries for MoMA, the New Museum, and the American Museum of Natural History in New York; the National Gallery and the Tate Modern in London; the Pérez Art Museum Miami; the CentrePompidou in Paris, the 21st Century Museum of Contemporary Art, Kanazawa in Japan; the Museum of West African Art (currently under construction) in Nigeria; and many others. ? This lively compendium reveals intensely varied architectural philosophies from a diverse group of established and up-and-coming professionals. Engaging personal recollections of relationships with artists and curators, along with 80 captivating images, provide further insight into the design process and timeless inspiration for architecture students, artists, museum professionals, and anyone fascinated by architectural design, public space, and museum culture.
Art Since 1900: 1900 to 1944

Art Since 1900: 1900 to 1944

Hal Foster; Rosalind Krauss; Yve-Alain Bois

THAMES HUDSON
2016
nidottu
Art Since 1900 introduces students to the key theoretical approaches to modern and contemporary art. A flexible year-by-year structure and extensive cross-referencing allow teachers and students to pursue a chronological approach and/or to study the currents of art since 1900 by medium, theme, country, or region. This completely updated and expanded third edition contains over 125 essays, each focusing on a crucial event in the history of art from 1900 to the present. Ten new essays cover subjects such as Moscow conceptualism, abstract film, postmodern architecture, and queer art, as well as artists from emerging economies and the impact of the market on current art practice. Text boxes provide further information on key figures and issues. Five introductions explain the different methods of art history at work in the book. There are two roundtable discussions between the authors, and all reference material has been updated.
Art Since 1900: Volume 1: 1900 to 1944; Volume 2: 1945 to the Present

Art Since 1900: Volume 1: 1900 to 1944; Volume 2: 1945 to the Present

Hal Foster; Rosalind Krauss; Yve-Alain Bois

THAMES HUDSON
2016
nidottu
Art Since 1900 introduces students to the key theoretical approaches to modern and contemporary art. A flexible year-by-year structure and extensive cross-referencing allow teachers and students to pursue a chronological approach and/or to study the currents of art since 1900 by medium, theme, country, or region. This completely updated and expanded third edition contains over 125 essays, each focusing on a crucial event in the history of art from 1900 to the present. Ten new essays cover subjects such as Moscow conceptualism, abstract film, postmodern architecture, and queer art, as well as artists from emerging economies and the impact of the market on current art practice. Text boxes provide further information on key figures and issues. Five introductions explain the different methods of art history at work in the book. There are two roundtable discussions between the authors, and all reference material has been updated.
Art Since 1900: 1945 to the Present

Art Since 1900: 1945 to the Present

Hal Foster; Rosalind Krauss; Yve-Alain Bois

THAMES HUDSON
2016
nidottu
Art Since 1900 introduces students to the key theoretical approaches to modern and contemporary art. A flexible year-by-year structure and extensive cross-referencing allow teachers and students to pursue a chronological approach and/or to study the currents of art since 1900 by medium, theme, country, or region. This completely updated and expanded third edition contains over 125 essays, each focusing on a crucial event in the history of art from 1900 to the present. Ten new essays cover subjects such as Moscow conceptualism, abstract film, postmodern architecture, and queer art, as well as artists from emerging economies and the impact of the market on current art practice. Text boxes provide further information on key figures and issues. Five introductions explain the different methods of art history at work in the book. There are two roundtable discussions between the authors, and all reference material has been updated.
Ellsworth Kelly – Windows / Fenêtres

Ellsworth Kelly – Windows / Fenêtres

Serges Lasvignes; Bernard Blistène; Jean-Pierre Criqui; Yve-Alain Bois; Staffan Ahrenberg

Cahiers d'art
2023
nidottu
The window as motif in the drawings and paintings of Ellsworth KellyThis monograph was copublished by Cahiers d'Art and Centre Pompidou on the occasion of the 2019 exhibition Ellsworth Kelly: Windows, which brought together, for the first time, the six Windows made by Ellsworth Kelly (1923-2015) in France between 1949 and 1950. Kelly's years in France were a period of perpetual invention, and are fundamental to an understanding of his work. As he wrote in 1969, "After constructing Window with two canvases and a wood frame, I realized that ... painting as I had known it was finished for me." This signal moment is evoked through more than 80 works, paintings, drawings, sketches and photographs, along with two beautiful essays by Yve-Alain Bois and Jean-Pierre Criqui. Ellsworth Kelly is one of the most important abstract artists of the 20th and 21st centuries, as well as a key figure in the rebirth of Cahiers d'Art: the publishing house was reopened in 2012 with an exhibition of Kelly's work in its legendary gallery, and, in collaboration with Yve-Alain Bois and the Ellsworth Kelly Foundation, it published the first volume of Kelly's Catalogue Raisonn of Paintings, Reliefs, and Sculpture, 1940-1953.
Morgan Fisher

Morgan Fisher

Thom Andersen; Rainer Bellenbaum; Sabeth Buc; Yve-Alain Bois

Verlag der Buchhandlung Walther Konig
2012
sidottu
Morgan Fisher (born 1942) gained prominence in the early 1970s as an experimental filmmaker in the Los Angeles Structuralist school. In the mid 1990s he turned to monochrome painting. This volume surveys two recent shows in Austria and Germany.
The Adventure of Snowy the Owl

The Adventure of Snowy the Owl

Yve

Yvonne Smith Collins
2017
sidottu
The Adventures of Snowy the Owl continues the saga of Drizzz of Christmas, the enchanting story of a young girl who discovers a magic orb, which transports her to the magical land of Drizzle, where she meets new friends who teach her about the magic of Christmas
The Runaway Ostrich

The Runaway Ostrich

Yve

Yvonne Smith Collins
2019
sidottu
Olivia the Ostrich likes to run away when things get difficult, but she finds out that running away from her problems is not the solution.From the author of the Drizzz of Christmas book series.
I'm Cool Where I'm At
From the author of The Runaway Ostrich and the Drizzz of Christmas book series comes a heartwarming story of Pax. As Pax journeys through the winter cold, he meets many creatures and discovers something amazing about himself.
Indigenizing California Mission Art and Architecture

Indigenizing California Mission Art and Architecture

Yve Chavez

UNIVERSITY OF WASHINGTON PRESS
2025
pokkari
Examines how native artists kept their culture alive by creatively adapting under colonial ruleBetween 1769 and 1823, the Franciscans established twenty-one missions in California, colonizing the ancestral territories of many Native communities between present-day Sonoma and San Diego. In Indigenizing California Mission Art and Architecture, Gabrieleno Tongva scholar Yve Chavez highlights how these communities preserved their cultural practices amid colonial oppression. Rooted in Chavez's ancestral homeland and the neighboring Chumash region in coastal Southern California, her book focuses on Mission San Gabriel, Mission San Buenaventura, and Mission Santa Barbara. Recasting these sites as spaces of Native cultural heritage, Yve Chavez examines how Indigenous artists resisted assimilation while accommodating foreign ideas into their established practices.Drawing on Indigenous knowledge and art historical research of performance and regalia, basketry, sculpture, and architecture, Chavez demonstrates how Native artists navigated colonial power structures, ensuring the survival of their customs during the mission era and beyond. Rather than replacing Indigenous identity, the missions became spaces through which Native people asserted their connection to the landscape and its resources. This analysis not only recasts mission art and architecture within an Indigenizing framework but also serves as a vital resource for understanding the ongoing significance of these sites for the descendants of mission survivors.