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Yves Congar's Theology of the Holy Spirit
Elizabeth Teresa Groppe
Oxford University Press Inc
2004
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The French Dominican theologian Yves Congar is recognized by many as the most important Roman Catholic ecclesiologist of the 20th century. He was the thinker behind some of the major decrees of the Second Vatican council. He was also a leader in the ecumenical movement in Europe throughout most of the century. Despite his importance, there are few books about Congar in English. Congar's pneumatology, argues Groppe, can enrich various ongoing theological discussions, including reflection as to whether the church should be hierarchical or a democracy, the development of "persons in communion" as a framework for contemporary theological anthropology and ecclesiology, and deliberations about the personhood of the Holy Spirit.
This volume explores how poets use different kinds of formal experimentation to change the way we think, and to allow us to try out new ways of perceiving existence and positioning ourselves within the world. Yves Bonnefoy and Jean-Luc Nancy: Ontological Performance examines the affinities that exist between Bonnefoy's poetry and Nancy's philosophy. It analyses how Bonnefoy experiments with the poem's act of address, its material disposition, and sonorous performance. It scrutinises how he foregrounds the bodily and material forces that are at play within language in order to makes us feel the diverse worldly forces that are active within us and to make us perceive our own human existence in more interconnected ways. Exploring how Bonnefoy and Nancy share the desire to resist detached ways of perceiving existence, this book analyses how they present interaction as the generative dynamic that drives all existence and use the text's resonant play to make us aware of how all bodies--human, material, or poetic--emerge from a complex interplay of worldly forces.
An Yves R. Simon Reader is the first collection of texts from the entirety of the philosopher's work. French Catholic (and then American) political philosopher Yves R. Simon was a student of Jacques Maritain and one of the most important figures in the revival of Thomism. His work, however, is still little known in English, and there is as yet no English biography of him. In An Yves R. Simon Reader: The Philosopher's Calling, Michael D. Torre provides an erudite and helpful introduction to Simon's life and thought. The volume contains selected key texts from all of Simon's twenty books, half of which were published posthumously, dividing them into three sections. The first fundamentally defends the Aristotelian and Thomistic account of human knowing. The second begins with his groundbreaking discussion of human freedom and ends with his account of practical wisdom. The third then expands this account to cover the chief concerns of his social and political philosophy. The selections are long enough to be substantive and contain sustained and complete arguments. Each selection has its own foreword by an eminent commentator, familiar with Simon's work, who lays out the necessary context for the reader. An Yves R. Simon Reader includes sections from several of Simon's last and most important essays: on sensitive knowledge and on the analogous nature of "act." It includes a number of excerpts from his justly famous account and defense of democratic government. The hallmarks of his work—his careful conceptual analysis, his genius for finding undervalued examples, and his talent for creating expressions that revivified an outworn idea—are on display throughout. Indeed, as one of the book's contributors says, Simon touched nothing that he did not adorn. The result is a highly readable introduction to the thought of a key and underappreciated modern philosopher. Contributors: Michael D. Torre, Jude P. Dougherty, Raymond Dennehy, John C. Cahalan, Steven A. Long, Ralph Nelson, John P. Hittinger, Ralph McInerny, David B. Burrell, CSC, Laurence Berns, Catherine Green, W. David Solomon, V. Bradley Lewis, Joseph W. Koterski, SJ, James V. Schall, SJ, George Anastaplo, Walter J. Nicgorski, John A. Gueguen, Jr., Thomas R. Rourke, Jeanne Heffernan Schindler, and Robert Royal.
An Yves R. Simon Reader is the first collection of texts from the entirety of the philosopher's work. French Catholic (and then American) political philosopher Yves R. Simon was a student of Jacques Maritain and one of the most important figures in the revival of Thomism. His work, however, is still little known in English, and there is as yet no English biography of him. In An Yves R. Simon Reader: The Philosopher's Calling, Michael D. Torre provides an erudite and helpful introduction to Simon's life and thought. The volume contains selected key texts from all of Simon's twenty books, half of which were published posthumously, dividing them into three sections. The first fundamentally defends the Aristotelian and Thomistic account of human knowing. The second begins with his groundbreaking discussion of human freedom and ends with his account of practical wisdom. The third then expands this account to cover the chief concerns of his social and political philosophy. The selections are long enough to be substantive and contain sustained and complete arguments. Each selection has its own foreword by an eminent commentator, familiar with Simon's work, who lays out the necessary context for the reader. An Yves R. Simon Reader includes sections from several of Simon's last and most important essays: on sensitive knowledge and on the analogous nature of "act." It includes a number of excerpts from his justly famous account and defense of democratic government. The hallmarks of his work—his careful conceptual analysis, his genius for finding undervalued examples, and his talent for creating expressions that revivified an outworn idea—are on display throughout. Indeed, as one of the book's contributors says, Simon touched nothing that he did not adorn. The result is a highly readable introduction to the thought of a key and underappreciated modern philosopher. Contributors: Michael D. Torre, Jude P. Dougherty, Raymond Dennehy, John C. Cahalan, Steven A. Long, Ralph Nelson, John P. Hittinger, Ralph McInerny, David B. Burrell, CSC, Laurence Berns, Catherine Green, W. David Solomon, V. Bradley Lewis, Joseph W. Koterski, SJ, James V. Schall, SJ, George Anastaplo, Walter J. Nicgorski, John A. Gueguen, Jr., Thomas R. Rourke, Jeanne Heffernan Schindler, and Robert Royal.
Yves Saint Laurent: The Complete Haute Couture Collections, 1962-2002
YALE UNIVERSITY PRESS
2019
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A spectacular visual journey through 40 years of haute couture from one of the best-known and most trend-setting brands in fashion Founded in 1962 by Yves Saint Laurent and his partner, Pierre Berg , the fashion house Yves Saint Laurent has for more than half a century been synonymous with excellence in modern and iconic style. From Yves Saint Laurent's revolutionary and enduringly popular tuxedo suit for women, le smoking, to iconic art-inspired creations, from Mondrian dresses to precious Van Gogh embroidery and the famous Ballets Russes collection, the house's haute couture line has been hugely influential in changing the way modern women dress. This definitive publication opens with a concise history of the house before exploring the collections themselves, organized chronologically and ending in 2002, the year that Yves Saint Laurent retired from the company he started. Each collection is introduced by a short text elucidating its influences and highlights and is illustrated with carefully curated catwalk images, each season styled as the designer intended and worn by the world's top models. The book showcases hundreds of spectacular clothes, details, accessories, beauty looks, and set designs.
Yves Zurstrassen
Yale University Press
2019
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The recent work of Belgian abstract artist Yves Zurstrassen is explored in depth in this handsome volume, designed in close collaboration with the artist himself The decade of work produced between 2010 and 2019 by Belgian abstract painter Yves Zurstrassen (b. 1956) is the focus of this beautifully designed and illustrated book. Although he originally studied graphic art, Zurstrassen was inspired by Abstract Expressionists such as Jackson Pollock and Willem de Kooning to pursue painting. The book’s essays delve into the artist’s process and offer a critical analysis of the work. Also included are a detailed biography and insightful, informal conversations with the artist. Featuring full-page illustrations of Zurstrassen’s recent work, the book situates the artist both within abstract art and the broader context of contemporary painting.Distributed for MercatorfondsExhibition Schedule:Centre for Fine Arts, Brussels (September 1–December 31, 2019)
Yves Saint Laurent: Dreams of the Orient
Madison Cox; Charles Ange Ginesy
Thames Hudson Ltd
2018
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Asia has long fascinated European artists. The gradual arrival of art objects and textiles from the Orient were inexhaustible sources of inspiration for painters, sculptors and of course couturiers. Yves Saint Laurent was no exception. He proposed both a literal and imaginary vision of Asia, based on a solid knowledge of its history, culture and arts, as evidenced by his personal library and the collection of works of art that he brought together with Pierre Bergé. Yves Saint Laurent’s exhibition Dreams of the Orient brings together some fifty models, accompanied by original drawings, jewelry and Asian objects that will demonstrate the process of creating clothes while establishing a visual link with their sources of inspiration. Objects from the Musée Guimet in Paris (Asian Arts Museum) and the Samuel Myers collection will be on display alongside the designer’s creations
Yves Saint Laurent Catwalk
Thames Hudson Ltd.
2019
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'A photographic encyclopaedia of one of the 20th century's greatest creators' The Business of FashionFounded by Yves Saint Laurent and Pierre Berge in 1961, shortly after the young couturier left his post at the helm of Christian Dior, Yves Saint Laurent would soon become one of the most successful and influential haute couture houses in Paris. Introducing Le Smoking, the first tuxedo suit for women, in 1966, Saint Laurent also presented iconic art-inspired creations, from Mondrian dresses to precious Van Gogh embroidery and the famous Ballets Russes collection. This definitive publication opens with a concise history of the house, followed by a brief biographical profile of Yves Saint Laurent, before exploring the collections themselves, organized chronologically. Each collection is introduced by a short text unveiling its influences and highlights, and illustrated with a gallery of carefully curated catwalk images. These showcase hundreds of spectacular clothes, details, accessories, beauty looks and set designs - and, of course, the top fashion models who wore them on the runway. A rich reference section concludes the book.
Yves Saint Laurent is a name synonymous with style, elegance and high fashion. When he came on the scene at Dior and then started his own line, he quickly changed the way people regarded haute couture and the world of fashion itself. He revolutionized women’s evening wear when he introduced Le Smoking, a woman’s tuxedo, and made couture accessible to a younger generation. Yves Saint Laurent is Roxanne Lowit’s personal photographic history of Saint Laurent, the man and the fashion, from 1978, the year she first met him, to the last show he gave in 2002. With contributions from YSL’s muses and admirers, including Catherine Deneuve, Betty Catroux, Lucie de la Falaise, Pat Cleveland and Valerie Steele, this book represents the backstage experience at YSL’s shows as Lowit experienced them herself. Whether surrounded by beautiful models or peeking at the catwalk from the wings, every moment was a magnificent photo opportunity. Lowit shares magical moments of YSL with the world – intimate, social, absorbed in fashion – and creates a unique portrait of this towering figure of postwar couture.
A Financial Times Book of the Year: An intimate exploration of Yves Saint Laurent’s creative world, captured by photographer – and son of the couturier’s right-hand woman, Anne-Marie Muñoz – Carlos Muñoz-Yagüe. Yves Saint Laurent: Inside Out presents an extraordinarily intimate insight into a fascinating world of creativity in the latter, sumptuous phase of Saint Laurent’s career, between 1989 and his final collection in 2002. The book offers a comprehensive and multi-faceted exploration of the life of an haute couture house: from informal, atmospheric portraits of Yves Saint Laurent at work in his studio, drawing and creating, to the behind-the-scenes work of the ‘petites mains’ in the ateliers, the skilled army of artisans whose activity is rarely documented. The house’s world-famous models also feature, captured during pre-collection fittings in the house’s grandiose salons and in electric backstage moments before the shows. Private archive materials – letters, documents, drawings, and ephemera – that situate the protagonists and give context to the unique position that the young Carlos enjoyed as a ‘fly on the wall’ in this rarefied universe are also included in the book, and published here for the first time. A moving and visually stunning tribute to the iconic Yves Saint Laurent house as you’ve never seen it before, Yves Saint Laurent: Inside Out will be a must-have for fashion and photography fans.
An unforgettable journey through art history with Yves Saint Laurent as a guide. January 1962 saw the launch of the very first collection by Yves Saint Laurent. To celebrate the 60th anniversary of the founding of his couture house, the Musée Yves Saint Laurent Paris is organizing a unique retrospective of the couturier’s work that juxtaposes his creations with art works from the collections of four major Paris institutions: the Musée d’Orsay, the Centre Pompidou, the Musée d’Art Moderne de la Ville de Paris and the Musée Picasso, as well as presenting a behind-the-scenes glimpse into the secrets of couture at the Musée Yves Saint Laurent. From the ancient world to pop art, Yves Saint Laurent regularly took inspiration from art history as he combined colours, carved out new forms and rethought the structure of garments in order to create his own masterpieces. Here, androgynous silhouettes and Proustian gowns stand alongside Manet’s Le Déjeuner sur l’herbe, feather patterns respond to Jackson Pollock’s drip paintings, flowing silhouettes merge with a mural by Raoul Dufy, Lucio Fontana’s neon lights make metallic fabrics sparkle and the motifs on a coat echo The Dance by Henri Matisse. Exploring the couturier’s deliberate homages to the masters of art and his never-ending quest for new means of aesthetic expression, this book takes readers on an unforgettable journey through art history with Yves Saint Laurent as a guide.
Since founding his studio fuseproject in 1999, Yves Béhar has redefined the role of the designer, expanding his work to encompass client commissions alongside public-sector work and entrepreneurial engagements. In doing so, Béhar has produced groundbreaking, award-winning designs that have had a positive impact on the well-being of people in developing countries and impoverished communities, creating everything from laptops and spectacles for children to stylish electronics. His clients have included MIT Media Lab, BMW, Microsoft, Swarovski and many more. A comprehensive retrospective of Béhar’s twenty-year career, this book presents his work in topical thematic chapters – 'Reducing', 'Sensing', 'Transforming', 'Giving', 'Humanizing' and 'Scaling' – and explores over sixty projects in detail, through text descriptions, sketches and exquisite studio photography. Offering thorough and sometimes personal insights into the conception, process and production of some of the most recognized pieces of contemporary design, this monograph illuminates the designer’s particular fusion of creativity and commercial savvy, as well as his studio’s expertise in combining the latest Silicon Valley technologies with social responsibility and business acumen.With 730 illustrations in colour
An exclusive homage to – and retrospective of – the iconic fashion designer's couture accessories. ‘One can never overstate the importance of accessories. They are what turns a dress into something else. I like dresses to be sober and accessories to be wild’ – Yves Saint Laurent, 1977. Yves Saint Laurent Accessories is the first book to date to shed light on the breathtaking accessories created by one of the most influential fashion designers of all time. From his first collection in 1962 to his acclaimed final presentation in 2002, Yves Saint Laurent created exquisite jewellery, hats, shoes, and handbags to complement and enhance each of his couture creations. Beautifully designed, in a small format evocative of a jewellery box, the book offers an unprecedented glimpse into the highly confidential archives of The Yves Saint Laurent Foundation in Paris, which is home to over 20,000 remarkable accessories. The book features specially commissioned photography of the accessories alongside a treasure trove of rare materials including preparatory sketches, intimate portraits of Saint Laurent at work, behind-the-scenes snapshots of models, catwalk photographs, and advertising campaigns. Yves Saint Laurent Accessories introduces readers to a prominent yet rarely seen side of Saint Laurent's art, leading them backstage and through the history of a house that helped to shape the course of fashion.
Yves Congar's Vision of the Church in a World of Unbelief
Gabriel Flynn
Ashgate Publishing Limited
2004
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Yves Congar (1904-1995) was one of the chief architects of a remarkable renewal in Roman Catholic ecclesiology in the twentieth century. His vision for ecclesial renewal led to a profound transformation of the Roman Catholic Church, its relationship with other churches and the world. This book considers the contribution made by Congar to that transformation. Situating Congar’s ecclesiology in the context of his whole theology, the book presents for the first time a comprehensive study of two related aspects of Congar's thought - unbelief and the notion of 'total ecclesiology'. Dr Flynn shows how unbelief provides the common inspiration for Congar's thought on the Church and constitutes the raison d’être for his entire programme of ecclesial reform at the Second Vatican Council. This study demonstrates how Congar's 'total ecclesiology' contributes to the restoration of unity and helps to redress unbelief. Congar's vision for the future and his programme for ecclesial renewal, centering on a church committed both to the preservation of its heritage and an openness to true reform, is shown to be still pertinent to the churches in the third millennium, a point accented by Pierre-Marie Gy, OP in his Preface to the work.
One of the most distinctive and influential designers of the second half of the twentieth century, Yves Saint Laurent takes his place in the pantheon of French couturiers, alongside Coco Chanel, Christian Dior, and Jeanne Lanvin. Yves Saint Laurent, the first comprehensive retrospective of his life’s work, will accompany an exhibition of some 250 garments from the collection of the Fondation Pierre Bergé–Yves Saint Laurent at the Petit Palais in Paris. From his early days working under Dior and heading the House of Dior after his mentor’s death, to the opening of his first prêt a porter shop on the Rive Gauche and the debut of the Le Smoking tuxedo, to the muses he adored, Loulou de la Falaise and Catherine Deneuve among them, this volume reveals the breadth and scope of the designer’s entire career. With a preface by Pierre Bergé, author Faride Chenoune explores the sources of inspiration that drove Saint Laurent’s continuous innovation, drawing upon painting, sculpture, theater, opera, literature, and cinema.
Once described by the New York Times as "the quintessential French Romantic, half adventurer, half-intellectual," actor, singer, and political activist Yves Montand won the hearts of audiences around the world with a charisma and talent that transcended physical and linguistic borders. Born in Italy as Ivo Livi, Montand achieved international recognition for his singing and performances in films such as Salaire de la Peur (1952) and Let's Make Love (1960) with Marilyn Monroe, with whom he had a passionate but short-lived affair. An Oscar and BAFTA Award winner who was also twice nominated for a César Award for best actor, Montand's success was not limited to his work in film. Discovered and mentored by Edith Piaf, his interpretations of French songs were intense and intoxicating. His mellow baritone voice led to Broadway stardom and sent him on tour, making him one of the best-known entertainers of his day. Yves Montand: The Passionate Voice profiles Montand's complex, dynamic, and extraordinary life. From his birth in an Italian village near Florence in 1921 to his "accidental" immigration to France, his international success as an actor, singer, and activist to his sudden death from a heart attack in 1991, Joseph Harriss covers every aspect of Montand's life and career. Drawing on foreign-language biographies, Montand's autobiography, specialized studies, interviews, and other archival materials, Yves Montand is a riveting and multidimensional account of Montand's story and legacy.