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447 tulosta hakusanalla Zadie Smith; Nick Laird
A warm and endearing story about the quiet power of being yourself from Zadie Smith, Nick Laird and Magenta Fox. Maud - a judo-suit wearing guinea pig and proud weirdo - is off into the wild, as is Kit, her owner. Both are slightly nervous about what they'll find in the great outdoors, but with a pinch of bravery - and a few Signature Moves - they'll make new friends and explore new worlds.Praise for Weirdo:"A sweet, tightly written tale about the benefits of not fitting in, cheered on by Magenta Fox's gorgeous illustrations" The Times’ Best Children’s Books for Summer 2021"As cockle-warming as a cuddle from a favourite pet, Weirdo ought to be a smash hit" Observer"it's delightful" the i
One of the Observer's Best Children’s Books of 2024A warm and endearing story about the quiet power of being yourself from Zadie Smith, Nick Laird and Magenta Fox. Maud - a judo-suit wearing guinea pig and proud weirdo - is off into the wild, as is Kit, her owner. Both are slightly nervous about what they'll find in the great outdoors, but with a pinch of bravery - and a few Signature Moves - they'll make new friends and explore new worlds.Praise for Weirdo:"A sweet, tightly written tale about the benefits of not fitting in, cheered on by Magenta Fox's gorgeous illustrations" The Times’ Best Children’s Books for Summer 2021"As cockle-warming as a cuddle from a favourite pet, Weirdo ought to be a smash hit" Observer"it's delightful" the i
This back-to-school season, individuality is in Nothing makes a splash like being uniquely yourself--and celebrating what makes you different.From acclaimed authors Zadie Smith and Nick Laird, with art from exciting newcomer Magenta Fox, comes a powerful picture book debut " A] delightful tale for little oddballs everywhere."--Entertainment Weekly Meet Maud: a guinea pig who inexplicably wears a judo suit--and not everyone understands or approves. When Maud is thrown into a new and confusing situation, it takes brave decisions and serendipitous encounters for her to find her place and embrace her individuality. The Surprise is an endearing story about the quiet power of being different by New York Times bestselling author Zadie Smith and award-winning writer Nick Laird, and introduces an exciting debut illustrator, Magenta Fox. Together they have created a picture book that adults and children alike will treasure.
Livet är för kort för att inte vara ett knäppo. MÖT MAUD. Hon är ett marsvin som klär sig i judodräkt. Kit fick henne i födelsedagspresent. Och vissa tycker att Maud är lite knäpp ... Men med mod, vänlighet och en gnutta tur så börjar Maud äga den tysta kraften i att vara annorlunda - och i att vara sig själv. Lika hjärtevärmande som ett gos från ett favorithusdjur. Observer En rar, komprimerad berättelse om fördelarna med att inte passa in, upplyft av Magenta Fox underbara illustrationer. The Times
An introduction to the work of Zadie Smith, placing her fiction in a clear historical and theoretical context, and exploring her work in relation to contemporaneity and postcolonialism. Including a timeline of key dates, this guide offers an accessible reading of Smith's work and an overview of its critical reception.
Zadie Smith
Peter Lang Publishing Inc
2008
nidottu
Zadie Smith: Critical Essays is a timely collection of critical articles examining how Zadie Smith’s novels and short stories interrogate race, postcolonialism, and identity. Essays explore the various ways Smith approaches issues of race, either by deconstructing notions of race or interrogating the complexity of biracial identity; and how Smith takes on contemporary debates concerning notions of Britishness, Englishness, and Black Britishness. Some essays also consider the shifting identities adopted by those who identify with both British and West Indian, South Asian, or East Asian ancestry. Other essays explore Smith’s contemporary postcolonial approach to Britain’s colonial legacy, and the difference between how immigrants and first-generation British-born children deal with cultural alienation and displacement. This thought-provoking collection is a much-needed critical tool for students and researchers in both contemporary British literature and Diasporic literature and culture.
Zadie Smith
MANCHESTER UNIVERSITY PRESS
2026
sidottu
Zadie Smith’s fiction reimagines subjectivity, relationality, and the conditions of contemporary life. This book offers a timely reassessment of her work, addressing identity, urban experience, and the category of the human. Moving beyond postcolonial and multiculturalist readings, it brings psychoanalytic, historical, symptomatic, and cultural materialist perspectives to bear across her novels, stories, essays, and plays. The collection explores how Smith’s characters, shaped by diverse backgrounds and settings, challenge fixed ideas of Britishness and personhood. It argues that her writing opens up a new ontological space—defined by fluid identities, shifting subjectivities, and evolving forms of relationality. By reconsidering both the human and the spatial in Smith’s work, the book makes a valuable contribution to contemporary literary criticism and to current thinking on narrative, identity, and urban life.
This monograph analyses Zadie Smith’s White Teeth, On Beauty, NW, The Embassy of Cambodia, and Swing Time as trauma fictions that reveal the social, cultural, historical, and political facets of trauma. Starting with Smith’s humorous critique of psychoanalysis and her definition of original trauma, this volume explores Smith’s challenge of Western theories of trauma and coping, and how her narratives expose the insidiousness of (post)colonial suffering and unbelonging. This book then explores transgenerational trauma, the tensions between remembering and forgetting, multidirectional memory, and the possibilities of the ambiguities and contradictions of the postcolonial and diasporic characters Smith depicts. This analysis discloses Smith’s effort to ethically redefine trauma theory from a postcolonial and decolonial standpoint, reiterates the need to acknowledge and work through colonial histories and postcolonial forms of oppression, and critically reflects on our roles as witnesses of suffering in global times.
This is part of a new series of guides to contemporary novels. The aim of the series is to give readers accessible and informative introductions to some of the most popular, most acclaimed and most influential novels of recent years - from 'The Remains of the Day' to 'High Fidelity'. A team of contemporary fiction scholars from both sides of the Atlantic has been assembled to provide a thorough and readable analysis of each of the novels in question.
This monograph analyses Zadie Smith’s White Teeth, On Beauty, NW, The Embassy of Cambodia, and Swing Time as trauma fictions that reveal the social, cultural, historical, and political facets of trauma. Starting with Smith’s humorous critique of psychoanalysis and her definition of original trauma, this volume explores Smith’s challenge of Western theories of trauma and coping, and how her narratives expose the insidiousness of (post)colonial suffering and unbelonging. This book then explores transgenerational trauma, the tensions between remembering and forgetting, multidirectional memory, and the possibilities of the ambiguities and contradictions of the postcolonial and diasporic characters Smith depicts. This analysis discloses Smith’s effort to ethically redefine trauma theory from a postcolonial and decolonial standpoint, reiterates the need to acknowledge and work through colonial histories and postcolonial forms of oppression, and critically reflects on our roles as witnesses of suffering in global times.
Scholarly Paper (Advanced Seminar) aus dem Jahr 2002 im Fachbereich Anglistik - Literatur, einseitig bedruckt, Note: 1,3, Veranstaltung: Contemporary London in Literature, Sprache: Englisch, Abstract: Content 1. Introduction 2. White culture a) Archie Jones b) The Chalfen Family 3. Black culture a) Clara Bowden-Jones b) Hortense Bowden c) Irie Bowden-Jones 4. Islamic culture a) Samad Miah Iqbal b) Alsana Begum c) Neena d) Magid and Millat Iqbal 5. The relation between the three different cultures a) White-Black culture b) White-Muslim culture c) Black-Muslim culture 6. Conclusion: Multiculturalism in White Teeth
Zadie Smith's "White Teeth" - Irie as an example for 2nd generation immigrants' desperate search for their place in a multicultural society
Stefanie Brunn
Grin Publishing
2011
pokkari
Reading Zadie Smith
Bloomsbury Academic USA
2013
sidottu
Since the publication of White Teeth in 2000, Zadie Smith has become one of the most popular contemporary writers and also one of the mostly widely studied. Taking criticism of Smith's work beyond its traditional focus on postcolonialism and multicultural identity, Reading Zadie Smith brings together leading international scholars to open up new directions in criticism of Smith's work. Covering such key topics as posthumanism, ‘hysterical realism', religion, identity and ethics, this book brings together a full range of current critical perspectives to explore not only Smith's novels but also her short stories, her criticism and her non-fiction writing.
Reading Zadie Smith
Bloomsbury Academic USA
2013
nidottu
Since the publication of White Teeth in 2000, Zadie Smith has become one of the most popular contemporary writers and also one of the mostly widely studied. Taking criticism of Smith's work beyond its traditional focus on postcolonialism and multicultural identity, Reading Zadie Smith brings together leading international scholars to open up new directions in criticism of Smith's work. Covering such key topics as posthumanism, ‘hysterical realism', religion, identity and ethics, this book brings together a full range of current critical perspectives to explore not only Smith's novels but also her short stories, her criticism and her non-fiction writing.
