Interpreting the Environment at Museums and Historic Sites

Kirjan Interpreting the Environment at Museums and Historic Sites (2019) on kirjoittanut Debra A. Reid. Kirjan kieli on englanti, ja sen on kustantanut Rowman Littlefield. Kirja on laajuudeltaan 226 sivua ja se on sidottu.

State and local history collections provide a foundation for telling stories of the ways that humans have interacted with their environments over time, changing them, destroying them, conserving them, sustaining them. This book re-focuses thinking about the environment to thinking from the perspective of place and time, and people within that place-time continuum. The book provides a primer on “major problems” in researching and thinking about the environment. It addresses human perspectives on land distribution (Indian compared to English, Spanish, French approaches), the range of land use from conservation to exploitation, the disconnect between garbage and reduce-reuse-recycle campaigns; the histories of environmental movements and back to the land movements and their consequences, and the different experiences that become evidence when research documents race, class, gender and ethnicity in one place over time. The book moves beyond “nature,” distinguishing between natural environments and human-manipulated environments and ecosystems. Both have relevance to "interpreting the environment at museums and historic sites. " It proposes a multi-disciplinary approach that requires expertise in the Humanities as well as the sciences and social sciences to best understand space and place over time. It incorporates case studies of the theory and method in relation to human goals – creating working environments, getting water, growing food, traveling and trading, building things, and preserving remarkable natural landscapes. Interpreting the Environment at Museums and Historic Sites is for anyone who wants to better understand the environment that surrounds us and sustains us, who wants to become a better steward of that environment, and who wants to share lessons learned with others. The process starts by focusing attention on the environment – the physical space that constitutes the largest three-dimensional object in museum collections. It involves conceptualizing spaces and places of human influence; spaces that contain layer upon layer documenting human struggles to survive and thrive. This evidence exists in natural environments as well as the city center. The process continues by adopting an environment-centric view of the spaces destined to be interpreted. This mind-set forms the basis for devising research plans to document the ways humans have changed, destroyed, conserved and sustained spaces over time, and the ways that the environment reacts. Interpretation built on evidence, then becomes the basis for cross-disciplinary engagement with the environment.