A. E. Housman

The Last Poems by A.E. Housman is a collection of poems published posthumously in 1922. The book includes 33 poems that were written by the author during the last years of his life. The poems touch on themes of love, loss, and mortality, and are characterized by Housman's signature style of concise and evocative language. Many of the poems in the collection reflect on the passing of time and the inevitability of death, as well as the beauty and transience of life. The Last Poems is considered to be one of Housman's most poignant and reflective works, and is a testament to his enduring legacy as a poet.This Is A New Release Of The Original 1922 Edition.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

One of the best books of all time, 1936's A Shropshire Lad by A.E. Housman. If you haven't read this classic already, then you're missing out - read A Shropshire Lad by A.E. Housman today

A.E. Housman was one of the best-loved poets of his day, and A Shropshire Lad and Other Poems is a collection of poems whose elegant simplicity of form belies their hidden complexities. This Penguin Classics edition is introduced by Nick Laird with revisions by Archie Burnett and an afterword by John Sparrow.'What are those blue remembered hills,What spires, what farms are those?'In this collection, A. E. Housman's poems, including'To an Athlete Dying Young', 'Loveliest of Trees, the Cherry Now' and 'When I Was One-and-Twenty', conjure up a potent and idyllic rural world imbued with a poignant sense of loss and sadness. Their scope is wide - ranging from religious doubt and doomed love to intense nostalgia for the countryside and patriotic celebration of the life of the soldier - and they are made all the more memorable by their distinctive diction and perfectly modulated rhythm and sound. This volume brings together the works Housman published in his lifetime, A Shropshire Lad (1896) and Last Poems (1922), along with the posthumous selections More Poems and Additional Poems, and three translations of extracts from Aeschylus, Sophocles and Euripides that display his mastery of Classical literature.This edition has been revised by Archie Burnett and includes updated notes on the text and indexes of first lines and titles. In his afterword, John Sparrow discusses Housman's methods of writing and melancholic temperament.Alfred Edward Housman (1859-1936) usually known as A.E. Housman, was an English poet and classical scholar, now best known for his cycle of poems A Shropshire Lad.If you enjoyed A Shropshire Lad and Other Poems, you might like John Clare's Selected Poems, also available in Penguin Classics.

In this series, a contemporary poet selects and introduces a poet of the past. By their selection of verses and by the personal and critical reactions they express in their introductions, the selectors offer a passionate and accessible introduction to some of the greatest poets in history.A. E. Housman (1859-1936) was born in Fockbury, Worcestershire, and educated at St John's College, Oxford. His first collection, A Shropshire Lad, was published in 1896.

Authoritative edition of one of the enduring classics of English poetry — 63 poems on the nature of friendship, the passing of youth, the vanity of dreams, other human concerns. Long prized by literary scholars for their perfection of form and feeling, and loved by generations of readers for simplicity, sensitivity, direct emotional appeal.

This is the first complete edition of A. E. Housman's poetry, unprecedented in the extent to which it reveals the shaping processes of his poetic thought. To the major poetry of The Collected Poems (1939) it adds a substantial body of light verse and juvenilia, some of it printed, or collected, for the first time; and it revises the texts - particularly the posthumously published poems and notebook fragments - in the light of a comprehensive survey of manuscript and printed sources, recording all textual variants. As well as charting his compositional practices, the edition illuminates the many sources, from Biblical and Classical to contemporary, which influenced Housman - consciously or unconsciously - in his choice of ideas, images, and phraseology. Drawing on the poet's two commonplace books, works he is known to have read, and volumes from his library, the editor's commentary traces the remarkable range of his echoes and allusions, which have never before been explored in such detail. The introduction and commentary also cover dating and other textual matters, information on persons, places, and historical context, and Housman's linguistic usage.

This volume constitutes the authorized canon of A.E. Housman's verse as it was established in 1939, three years after his death. In contains "A Shropshire Lad," "Last Poems," "More Poems," the "Additional Poems," and the three translations from A.W. Pollard's anthology, "Odes from the Greek Dramatists."

Lovers of Housman's poetry and admirers of his scholarship have long been aware, from the Introductory Lecture of 1892 and The Name and Nature of Poetry, 1933, that he was also master of a highly individual prose style; and others besides classical students have relished the pungency of the famous preface to his edition of Manilius. Here, in addition to these, is a selection of Housman's writings, both scholarly and general, gathered from periodicals and other out-of-the-way sources, which decisively confirms his reputation as a prose stylist. The prefaces, the adversaria and the reviews, in particular, give the layman an idea of the precision and the penetration of exact scholarship. Housman's comments and judgements on other men illuminate his own nature: withdrawn, austere, even crusty, yet gentle with the unassuming; ruthless in exposure of arrogance and pretension.