Adam D. Weinberg

An in-depth look at a public art project by David Hammons with an overview of the enigmatic artist’s career Published to commemorate David Hammons’s (b. 1943) public art project Day’s End, located in New York City, this book documents the sculpture and offers broader context into Hammons’s enigmatic work. In 2014, Hammons sent the Whitney Museum of American Art a sketch for a monument to Gordon Matta-Clark (1943–1978), paying homage to Matta-Clark’s legendary Day’s End (1975)—an industrial, cathedral-like space of altered architecture—once located near today’s Whitney in Manhattan’s Meatpacking District. Completed in 2021, Hammons’s work, also titled Day’s End, was realized by the Whitney in collaboration with Hudson River Park, and is on permanent view. One of the most important artists working in the United States, Hammons makes art across mediums, often outside traditional venues. In addition to photographic documentation, the book includes essays on the origins of Day’s End, Hammons’s career scope, and a contribution by poet Ben Okri. Distributed for the Whitney Museum of American Art

A fascinating survey of pioneering work in experimental cinema and art from 1905 to the present day, revealing the high stakes and transformative potential of these forms This generously illustrated publication surveys the work of filmmakers and artists who have pushed the material and conceptual boundaries of cinema. Over the past century, the material, optical, abstract, spatial, and tactile properties of film have been tested at a level of experimentation and utopian ambition that is generally unrecognized. Whether creating synesthetic or 3-D environments, projective or non-projective installations, generations of leading-edge artists have explored how technology transforms experience. The essays published here offer an intensive look at the themes of cinematic space, formats of the screen, animation and CGI, the body and the cyborg, and the materiality of film. Contributors place particular emphasis on the idea of the cinema as a sensorium and on the ways in which it defines the human body, both through representation and in relation to the projected image. An immersive plate section brings together rarely seen and previously unpublished stills, in addition to concept drawings from historic and contemporary films.Distributed for the Whitney Museum of American ArtExhibition Schedule:Whitney Museum of American Art, New York (10/28/16–02/05/17)

The Addison Gallery of American Art, located at Phillips Academy in Andover, Massachusetts, is internationally recognised for its outstanding collection of paintings, sculpture, prints, drawings, and photography. When its founder, Thomas Cochran, opened the Addison to the public in 1931, it was one of the few museums in this country devoted solely to American art. Cochran initially donated four hundred significant works of art, commissioned a building, and provided generous endowments. Today the holdings total over 12,000 objects that span the history of American art from the seventeenth century to the present. Among the some 240 notable examples from the collection included in this tiny tour are paintings from the eighteenth century by Gilbert Stuart and John Singleton Copley; from the nineteenth century by Thomas Eakins, Winslow Homer, James McNeill Whistler, John Singer Sargent, and F. Childe Hassam; and from the early twentieth century by John Sloan, Georgia O'Keeffe, Jackson Pollock, and Andrew Wyeth; and contemporary works by Frank Stella, Sol Lewitt, and Brice Marden. Also featured here are images from such masters of photography as Walker Evans, Eadward Muybridge, Berenice Abbott, and Robert Frank. In addition, there are outstanding works of sculpture from Paul Manship and Elie Nadelman to Alexander Calder and Martin Puryear.