Ailsa Cox

What in terms of Alice Munro’s creative artistry and creative power allowed her to become the first and only short story writer, the first and only Canadian, and just the thirteenth woman in history to win the Nobel Prize in Literature? And exactly when during Munro’s career did her artistry and power advance to ensure that she would earn such world-wide renown? The answers lie in studying the boldly innovative yet greatly under-examined group of her four mid-career breakthrough books. Our volume therefore provides a carefully orchestrated analysis of Munro’s subtle yet potent handling of form, technique and style both within individual stories and across these special collections. Reading Alice Munro’s Breakthrough Books: A Suite in Four Voices not only addresses a significant vacancy in Munro criticism – and, by extension, in all short story criticism – but, equally importantly, offers an exciting new model for how criticism can be collectively written.

The third edition of Writing Short Stories has been revised and updated to provide a complete guide to the craft of writing short stories. It emphasizes the importance of voice as a foundation for work on characterization, imagery, dialogue and pace, as readers move from their first sketches to working on more complex narrative structures. Ailsa Cox guides readers through key aspects of the craft, providing a variety of case studies of classic and contemporary core texts. The wide range of writers discussed includes Edgar Allan Poe, Katherine Mansfield, Angela Carter, Alice Munro, Ali Smith, Iphgenia Baal, Octavia E. Butler and William Gibson. The diversity and flexibility of the short story genre is highlighted throughout, along with the specific challenges the writer faces. The book considers a range of genres, such as fantasy, science fiction, horror, autobiography, romance, comedy and satire. The new edition also includes extra insights into getting published, including publishing a first collection, with an updated list of resources and trends in short story writing.This inspiring guide is the ideal companion for those new to the genre or for anyone looking to improve their technique. Each chapter contains a series of engaging exercises to help readers develop their skills and build confidence in their writing. There are also bolded key terms, with an extensive glossary at the end of the book.

The third edition of Writing Short Stories has been revised and updated to provide a complete guide to the craft of writing short stories. It emphasizes the importance of voice as a foundation for work on characterization, imagery, dialogue and pace, as readers move from their first sketches to working on more complex narrative structures. Ailsa Cox guides readers through key aspects of the craft, providing a variety of case studies of classic and contemporary core texts. The wide range of writers discussed includes Edgar Allan Poe, Katherine Mansfield, Angela Carter, Alice Munro, Ali Smith, Iphgenia Baal, Octavia E. Butler and William Gibson. The diversity and flexibility of the short story genre is highlighted throughout, along with the specific challenges the writer faces. The book considers a range of genres, such as fantasy, science fiction, horror, autobiography, romance, comedy and satire. The new edition also includes extra insights into getting published, including publishing a first collection, with an updated list of resources and trends in short story writing.This inspiring guide is the ideal companion for those new to the genre or for anyone looking to improve their technique. Each chapter contains a series of engaging exercises to help readers develop their skills and build confidence in their writing. There are also bolded key terms, with an extensive glossary at the end of the book.

What in terms of Alice Munro's creative artistry and creative power allowed her to become the first and only short story writer, the first and only Canadian, and just the thirteenth woman in history to win the Nobel Prize in Literature? And exactly when during Munro's career did her artistry and power advance to ensure that she would earn such world-wide renown? The answers lie in studying the boldly innovative yet greatly under-examined group of her four mid-career breakthrough books.?Our volume therefore provides a carefully orchestrated analysis of Munro's subtle yet potent handling of form, technique and style both within individual stories and across these special collections. Reading Alice Munro's Breakthrough Books: A Suite in Four Voices not only addresses a significant vacancy in Munro criticism and, by extension, in all short story criticism but, equally importantly, offers an exciting new model for how criticism can be collectively written.

This new edition of Writing Short Stories has been updated throughout to include new and revised exercises, up-to-date coverage of emerging technologies and a new glossary of key terms and techniques. Ailsa Cox, a published short-story writer, guides the reader through the key aspects of the craft, provides a variety of case studies and examples of how others have approached the genre and sets a series of engaging exercises to help hone your skills. This inspiring book is the ideal guide for those new to the genre or for anyone wanting to improve their technique.

Alice Munro's standing as a major contemporary author has long been acknowledged in her native Canada, especially among her fellow writers. Her reputation developed slowly, from small magazines and radio in the fifties, to three Governor General's Awards and regular appearances in The New Yorker. As a short story writer she is working within a critically neglected genre. Yet short fiction displays an intensity of language and experience that is rarely sustainable across longer forms. Drawing on Bakhtinian theory, Ailsa Cox looks at ways in which Munro develops the short story's affinity with the present moment to suggest a fluid and ever-changing reality.

Alice Munro's standing as a major contemporary author has long been acknowledged in her native Canada, especially among her fellow writers. Her reputation developed slowly, from small magazines and radio in the fifties, to three Governor General's Awards and regular appearances in The New Yorker. As a short story writer she is working within a critically neglected genre. Yet short fiction displays an intensity of language and experience that is rarely sustainable across longer forms. Drawing on Bakhtinian theory, Ailsa Cox looks at ways in which Munro develops the short story's affinity with the present moment to suggest a fluid and ever-changing reality.