Aisha Franz

Är det möjligt att hitta balans i sitt arbetsliv samtidigt som vi matas med kurser, hälsoprogram och fortbildningar om hur vi kan må bättre på jobbet? Denna smått absurda fråga är allt för verklig i dagens digitala och smått nippriga tidevarv men den tyska serieskaparen Aisha Franz kanske har lösningen på problemet. Kanske behöver vi bara bli guidade av en skicklig terapeut för att hitta balans i vårt arbetsliv. I hennes skruvade och komiska seriebok Work-Life Balance får vi möta tre desillusionerade medarbetare som alla vänder sig till Dr. Sharifi, en lätt självupptagen terapeut som gör mer skada än nytta. Serier av Aisha Franz har tidigare publicerats på svenska i tidskriften Det grymma svärdet, men detta är hennes första bok på svenska.

A cutting portrayal of the pursuit of work-life balance from the cartoonist of Shit is Real. To achieve the proper work-life balance perhaps we just need the right therapist to coach us through our day-to-day. Anita, Sandra, and Dex have ambitions. Anita wants to move from making utility ceramics to fine art sculpture but her pent up dissatisfaction results in an outburst that puts her studio mate s work at risk. Sandra juggles her practical administrative day job at a startup with her wellness influencer channel, finding both in jeopardy when a messy affair with her coworker comes to light. In another corner of the same startup, Dex s innovative ideas are rejected, leading him to spend his days hacking and working as a bike courier. All three are disillusioned with their daily grinds. As the pressure for self-improvement builds they all end up looking to the same therapist for answers. Soon the boundaries between work and life begin to bleed into each other and it becomes increasingly impossible to find balance. All the solace the characters expect their therapist to provide is obscured by her quirks, whims, and psycho-parlance, leading to sessions that are neglectful at best and actively inhibit growth at worst. In striking colors and trippy transformational sequences, Aisha Franz captures the comedic absurdity of contemporary work-life and wellness culture.

Under fullskaligt pandemikaos har vi på något sätt lyckats sammanställa ett riktigt praktnummer av Det Grymma Svärdet. Om det finns ett tema så har det uppstått omedvetet uppstått under den redaktionella processen och är i så fall det gamla vanliga: livets elände och vägar ut från det. Aisha Franz skildrar hårt frilansliv, Joanna Hellgren skildrar callcenter-jobb, Henrik Bromander skildrar främlingsfientlighet och rasism, HTMLflowers och Grace Wilson berättar om kronisk sjukdom, Magdalena Nordin om jobbigt pendlarliv, Marlene Krause om en skuldsatt familj och Megg och Mogg trakasseras (i o f s ganska rättmätigt) av såväl hyresvärd som polis. Exempel på vägar ut från eländet: Industrilegendaren Kai Parviainen berättar för Lars Nilsson om samlande av loppisvinyler, Katia Zolotova berättar om samizdatförfattaren Viktor Jerofejevs egensinniga sätt att hantera livet under Brezjnevtidens absurditet och Moa Romanova visar oss att det går att hitta hål i Gunnebostängslet trots allt.

After an unexpected breakup, a young woman named Selma experiences a series of reveries and emotional setbacks. Struggling to relate to her friends and accomplish even the simplest tasks like using a modern laundromat, she sinks deeper into depression. After witnessing another couple break-up and chancing upon the jilted male of the couple, Anders, at his pet store job, Selma realises that her mysterious neighbor is the woman of that same couple. Her growing despair distances her from from her eager and sympathetic friend. One day, as the mysterious glamorous neighbor is leaving for a business trip, Selma discovers the woman has dropped her key card to her apartment. Selma initially resists but eventually she presses the key to her neighbors lock and enters. Aisha Franz is a master of portraying feminine loneliness and confusion while keeping her characters tough and real. Her artwork shifts from sparseness to detailed futurist with ease. Her characters fidget and twirl as they zip through a world both foreign and familiar. Base human desires and functions alternate with dreamlike symbolism to create a tension-filled tale of the nightmare that is modern life.

German cartoonist Aisha Franz's debut graphic novel de--tails a few short days in the life of two sisters and their single mother. Set in a soulless suburb populated by block after block of identical row houses bordered by empty fields and an industrial no-man's land, Earthling explores the loneliness of everyday life through these women's struggle to come to terms with what the world expects of them. Earthling unveils a narrative rich with surrealist twists and turns, where the peas on the dinner plate and the ads on television can both literally and figuratively speak to the most private strife and deepest hopes in a person's life. As the sisters begin to come to terms with their sexuality, they are confronted by harsh realities and a world that has few escape routes for young women. Drawn in deep grey pencil, the claustrophobia of Franz's crosshatching and smudging matches the tone of the book perfectly. Earthling is an atmospheric and haunting account of the inevitability of losing the dream worlds of childhood.