Alan Finlayson

Whether accompanying a march, a sit-in, or a confrontation with police, songs and protest are inextricably linked. As a tool for political activism, the protest song spells out the issues at the heart of each cause. Over a surprisingly long history, it has been used to spread ideas, inspire political imagination, and motivate political action.The protest song is - and has always been - a form of political oratory as vital to political representation as it is to performance. Investigating five centuries of English history, Our Subversive Voice establishes that the protest song is not merely the preserve of singer-songwriters; it is a mode of political communication that has been used to confront many systems of oppression across its many genres, from street ballads to art song, grime to hymns, and music hall to punk. Our Subversive Voice traces the history of the protest song, examines its rhetorical forms, and explores the conditions of its genesis. It recounts how these songs have addressed discrimination and inequality, exploitation and the environment, and immigration and identity, and how institutions and organizations have sought both to facilitate and to suppress them. Drawing on a large and diverse corpus of songwriters, this book argues that song does more than accompany protest: it choreographs and communicates it.The protest song, Our Subversive Voice shows, is an enduring, affecting, and effective means of expression and an essential element in understanding the drive to create political change, in the past and for the future.

This book makes sense of New Labour by interpreting its ideas and practices as symptoms of the times in which we live. Making Sense of New Labour is an in-depth study, interpreting a wide range of material, including party political broadcasts and other election material, Tony Blair's speeches, and internal policy discussion. Finlayson disentangles and analyses the different elements of New Labour's political philosophy, which he argues is in large part a reflection of the culture and politics of contemporary capitalism. As such the party inevitably finds itself managing a status quo rather than driving genuine change. The book considers: - Labour's marketing strategy and susceptibility to consumer culture - the rhetoric and practice of modernisation - the place of the Third Way in the context of recent British political and intellectual history - the meaning of the 'knowledge economy' and significance of welfare-to-work - Labour's conception, and management, of the state Alan Finlayson is a Lecturer in the Department of Politics and International Relations, University of Wales Swansea.