Alexandra Harris

An accessible introduction to a writer whose work is of timeless significance and whose unconventional life is a continuous source of fascination. In 1907, when she was twenty-five and not yet a published novelist, Virginia Stephen had everything still to prove. She felt herself to be at a crossroads: ‘I shall be miserable, or happy; a wordy sentimental creature, or a writer of such English as shall one day burn the pages.’ Today her prose is still blazing; perhaps it burns brighter than ever. This is the story of how a determined young woman with a notebook became one of the greatest writers of all time. It is a story that sparkles with wit and friendship, language and love, wicked jokes and passionate appreciation of ordinary things. Hers was a life lived with intensity from moment to moment, courageous and defiant of convention, and shaped into the lasting patterns of art. Considering each of Woolf’s novels in context, this gripping account shows why, eighty years after her death, Virginia Woolf continues to haunt and inspire us.

Archipelago is one of the most important and influential literary magazines of the last twenty years. Running to twelve editions, it was edited by Andrew McNeillie, with the assistance later of James McDonald Lockhart, and began as an attempt to reimagine the relationships between the islands of Ireland and Britain. Archipelago has brought together established and emerging artists in creative conversations that have transformed the study of islands, coasts and waterways. It journeys from the Shetlands to Cornwall, from the Aran Islands to the coast of Yorkshire, tracing the cultures of diverse zones through some of the best in contemporary writing about place and people. This collection gathers poetry, prose and visual art in clusters grouped around the Irish and British archipelago, with contributions from an array of significant artists. It includes newly commissioned work as well as an interview between Andrew McNeillie and Robert Macfarlane on the development of Archipelago across the years.

'Remarkable.' THE TIMES'Wonderful.' GUARDIAN'Fascinating.' DAILY TELEGRAPH'A landscape-keyhole onto the whole world . . . Glorious.' Robert Macfarlane'A thrill akin to discovering buried treasure.' RICHARD MABEYWhen Alexandra Harris returned to her childhood home of West Sussex, she realised that she barely knew the place at all. As she probed beneath the surface, excavating layers of archival records and everyday objects, hundreds of unexpected stories and hypnotic voices emerged from the area's past. These electrifying encounters - ranging from those with the painter John Constable and the modernist writer Ford Madox Ford to the lost local women who left little trace - inspired her to imagine lives that, though seemingly distant, are deeply connected through this shared landscape. By focusing on one small patch of England, Harris opens vast new horizons.

A SPECTATOR AND TLS BOOK OF THE YEAR'Remarkable.' THE TIMES'Wonderful.' GUARDIAN'Fascinating.' DAILY TELEGRAPH'As a portrait of a place, it's hard to better.' COUNTRY LIFE'A thrill akin to discovering buried treasure.' RICHARD MABEY'Humane, humorous and joyful.' RUTH SCURRWhen the celebrated critic and cultural historian Alexandra Harris returned to her childhood home of West Sussex, she realised that she barely knew the place at all. As she probed beneath the surface, excavating layers of archival records and everyday objects - bringing a lifetime's reading to bear on the place where she started - hundreds of unexpected stories and hypnotic voices emerged from the area's past. Who has stood here, she asks; what did they see? From the painter John Constable and the modernist writer Ford Madox Ford to the lost local women who left little trace, these electrifying encounters - spanning the Downs, Poland, Australia, Canada - inspired her to imagine lives that seemed distant, yet were deeply connected through their shared landscape.By focusing on one small patch of England, Harris finds 'a World in a Grain of Sand' and opens vast new horizons.

This publication offers a rich and expansive visual record of Julie Brook’s artistic practice, and proposes a unique collaboration between Brook and distinct voices from the nature writing and craftsmanship traditions. Situating Brook’s practice in the context of critical reflections by Robert Macfarlane, Alexandra Harris and Raku Jikinyu, the publication presents a striking visual narrative of Brook's landscape and tidal sculptural work, and a sense of its timeless yet contemporary resonance. Documenting in depth a number of recent works made in the Hebrides, Japan and Namibia, their shared attention to the elements and their key pre-occupations of the fleeting, mobile forces of light, time, and gravity demonstrate Brook’s coherent vision within vastly contrasting environments. Throughout her oeuvre, the balance between what Brook makes in relation to the environment and materials themselves is paramount. Including film stills, photography and drawing, which are all integral languages for conceptualising and communicating the work, plus insightful extracts from Brook’s notebooks, this beautiful publication succeeds in providing the reader with a unique understanding of the artist’s ‘monuments to the moment’.

As the twenty-first century unfolds, notions of our cultural past and how our history has influenced our present shift almost daily. Within this, accepted artistic trajectories are being questioned and new connections made. In this wide-ranging and thought-provoking publication, experts in their field address specific aspects of British art of the twentieth century. Presenting new perspectives on established narratives, subjects range from British Surrealism and the rise of corporate and private patronage, to nationality and British identity. Complemented by a range of striking images, this publication succeeds in showing the strength of the British artistic tradition while also encouraging the reader to rethink and explore the existing narrative.

Dive into a short story that encourages, empowers, and motivates young readers to embrace who they are. Young readers will learn that their skin is an amazing asset and that it is a beautiful treasure that they should love and embrace. Teach your little one self-love and self-awareness at an early age through colorful illustrations and meaningful words.

Dates are invented things. Nothing in nature decrees that today is today. But for millennia humans have divided time into portions, and given those portions names which are shared widely across cultures, creating a common agreement on the date. This convention is useful in practical ways: we can make arrangements and can communicate time elapsed or time ahead. But the calendar also makes a certain kind of truth and establishes that today is today. As calendars and almanacs developed, art from their specific time and place was naturally incorporated. In this small book showcasing the finest and most interesting art that has gone into almanacs, from the eight century onwards, Alexandra Harris brings in everything from Benedictine calendars to Old Moore's Almanack.

An account English weather, which is at the very heart of English life and culture, as it is experienced physically, emotionally and spiritually. It catches the distinct voices of compelling individuals: 'Bloody cold', says Jonathan Swift in the 'slobbery' January of 1713; Percy Shelley wants to become a cloud and John Ruskin wants to bottle one.