Alexandra Teague

In Spinning Tea Cups: A Mythical American Memoir, Alexandra Teague explores cycles of family trauma and both the dangerous and recuperative powers of fantasy. Teague attempts to understand and contextualize her “feral Victorian” family in terms of trauma and mental health, but also with deep love and humor. How did people who prided themselves on making everything from scratch take annual trips to Disney World? What did it mean that Teague’s mother claimed to have psychic abilities? How did her sensitive youngest nephew end up talking in a voice that wasn’t his own? Why did Teague, the daughter of educated non-conformist parents, marry as a teenager (with her parents’ blessing) and spend seven years in an abusive relationship? How do family legacies of grief and dysfunction and creativity intersect? How do any of us make meaning or escape our circumstances without replicating the fantasies or escapism with which we’ve been raised? Teague is carefully attuned to the vagaries of geographical cultures, and she weaves her family’s history and weighty explorations of trauma and psychology not just with pop culture but with the specific cultures of the places she and her family pass through: the Bay Area, a tiny college town in the Inland Northwest, a Southwest ghost town, a Texas city, an Arkansas hippie bubble, and Central Florida suburb. Spinning Tea Cups will appeal to readers interested in American cultural studies, those concerned with the ongoing crisis of mental illness in this country, and those who simply love strange, quirky, richly told stories.

This heartrending and darkly playful new collection by Alexandra Teague tries to understand the edges of self in a patriarchal culture and in relation to a family history of mental illness and loss. In poems that mix high art and popular culture (from classical Greek statues to giant plaster artichokes, Cubism to Freudian Disney dolls), Teague interweaves self-reflection with the stories and lives of mythic and historic female figures, such as the dangerous-wise witch Baba Yaga and early-20th-century sculptors' model Audrey Munson--calling across time and place to explore desire, grief, and the representation and misrepresentation of the female form.

Echoing Swamplandial and Tell the Waves I'm Home, a perfect debut for anyone who's navigated the seas of adolescence and lived to tell the tale. A.Z. McKinney is on the shores of greatness. Now all she needs is a boat. When the Sea of Santiago appeared overnight in a cow pasture in Arkansas, it seemed to some a religious miracle. But to high school sophomore A.Z. McKinney, it's her chance to make history– as its first oceanographer. All she needs, in the summer of 1989, is to get out on the water. Her plan is easier said than done, since the Sea's eccentric owner is only interested in using it as a tourist destination for beachgoers and devout pilgrims. A.Z. finally thinks she's found a co-captain and potential boyfriend in the edgy conceptional artist, Kristoff, who seems to want to help her build a boat. But between fighting with her best friend to searching for a tourist-terrorizing alligator (that may or may not be a crocodile) to getting caught between feuding churches and her controling parents, distractions are everywhere. With her self-determined oceanic destiny on the line, A.Z. finds herself at odds with everything she thought she knew about life, love, and the Sea. To know the truth about the Sea, and what she wants, A.Z. will have to decide whether to sink or float . . . But which one comes first?

Echoing novels like Karen Russell's Swamplandia! and Carol Rifka Brunt's Tell the Wolves I'm Home, Alexandra Teague's lighthearted coming-of-age debut is perfect for anyone who's navigated the strange seas of adolescence, and lived to tell the tale. A.Z. McKinney is on the shores of greatness. Now all she needs is a boat. When the Sea of Santiago appeared overnight in a cow pasture in Arkansas, it seemed, to some, a religious miracle. But to high school sophomore A.Z. McKinney, it's marked her chance to make history--as its first oceanographer. All she needs is to get out on the water. Her plan is easier said than done, considering the Sea's eccentric owner is only interested in its use as a tourist destination for beachgoers and devout pilgrims. Still, A.Z. is determined to uncover the secrets of the Sea--even if it means smuggling saline samples in her bathing suit. Yet when a cute, conceptual artist named Kristoff moves to town, A.Z. realizes she may have found a first mate. Together, they make a plan to build a boat and study the Sea in secret. But from fighting with her best friend to searching for a tourist-terrorizing alligator (that may or may not be a crocodile), distractions are everywhere. Soon, A.Z.'s dreams are in danger of being dashed upon the shore of Mud Beach. With her self-determined oceanic destiny on the line, A.Z. finds herself at odds with everything she thought she knew about life, love, and the Sea. To get what she wants, she'll have to decide whether to sink or float . . . But which one comes first?

This chilling new collection by the author of Mortal Geography (winner of the California Book Award in poetry) is a verse exploration of American progress and its consequences, featuring rifle heiress Sarah Winchester and her unsettling Mystery House, with cameos by Harry Houdini, Annie Oakley, Calamity Jane, Buffalo Bill and many other fascinating figures. Steeped in history yet wildly imaginative, these poems commune with Winchester s haunted legacy and that of westward expansion, connecting voices from a troubled past with their irrepressible present-day echoes. The Wise and Foolish Builders is an unmistakable accomplishment by a poet of remarkable formal skill and fantastic originality."