Alison Keith

Ovid's stories melt moral conventions, explore ambiguities, and dissolve boundaries between men, women, animals, gods, plants, and the mineral world; in doing so they contrive to seduce readers. Ovid's dark pleasure in telling such stories with a full register of tones is palpable. But the stories of sexual encounter in the Metamorphoses are also infused with deep questions. What does it mean to have thoughts and passions trapped inside a changeable body? What is a self, and where are its edges? If someone can pierce you in sex and in love, how do you survive? And if your outer form changes, what lasts? In Change Me, Jane Alison, critically acclaimed author of The Love-Artist, renders substantial portions of Ovid's great epic into elegant and remarkably faithful English. Her focus is on episodes that involve desire, sexuality, and the transformations brought about by powerful emotion; because these themes are so central to the Metamorphoses, Alison introduces them with a selection of elegies from Ovid's Amores, the collection with which the poet launched his career. When these selections are taken together, Alison's Ovid comes alive; the Roman poet's great ability to perform contemporary themes through mythical subject matter, and vice versa, is Alison's guiding principle and Muse. Change Me will transform forever readers' experience of this most ingenious of poets. FEATURES The thematically organized translations are lucid, apt, precise, and playful Elaine Fantham's Foreword places Ovid in his Augustan context Alison Keith's introduction offers an overview of gender and sexuality in the ancient world Incorporates sixteen color plates from classical antiquity that illustrate Ovidian themes Audio recordings (read by Alison) of sixteen selected passages are available at www.oup.com/us/alison

This is the first full-length biography of Sulpicia, the earliest extant female author of classical Latin poetry. Unmentioned by her contemporaries, Sulpicia belonged to the pinnacle of the Roman aristocracy and wrote openly about her life and love affair in the same literary forms as Ovid, Propertius, and Tibullus. This study investigates Sulpicia's family background, the societal expectations for a woman of her aristocratic rank, and the literary ferment that swept Rome in her day and to which she contributed. In Sulpicia: Life, Love, and Literature in Ancient Rome, Alison Keith takes the discovery of Sulpicia's poetry as a point of departure, before turning to in-depth exploration of her aristocratic family background and her literary achievement in the heyday of Latin love poetry. She also probes the difficulty many male critics have had in believing that an aristocratic Roman woman could write poetry about love and sex.

Dyadic Developmental Psychotherapy (DDP) is a therapeutic approach that uses attachment theory to support children and families who have experienced relational trauma. By consciously offering PACE (playfulness, acceptance, curiosity, and empathy), adults can help children - and each other - to feel more secure and open to others. This guide explains how to apply the principles of DDP to every level of working with children and families in the social care system. It covers how DDP can be used to support everything from building relationships between children and carers to decision-making on an organisational scale. It also explores ways to adapt DDP-based strategies to take different cultural and social considerations into account, allowing social workers to ensure their practice is tailored to each family's individual needs.

Unlike many studies of the family in the ancient world, this volume presents readings of mothers in classical literature, including philosophical and epigraphic writing as well as poetic texts. Rather than relying on a male viewpoint, the essays offer a female perspective on the lifecycle of motherhood. Although almost all ancient authors are men, this book nevertheless aims to carefully unpack the role of the mother – not as projected by the son or other male relations, but from a woman’s own experiences – in order to better understand how they perceived themselves and their families. Because the primary interest is in the mothers themselves, rather than the authors of the texts in which they appear, the work is organized according to the lifecycle of motherhood instead of the traditional structure of the chronology of male authors. The chronology of the male authors ranges from classical Greece to late antiquity, while the motherly lifecycle ranges from pre-conception to the commemoration of offspring who have died before their mothers.

The works of Virgil (70–19 BCE) define the ‘golden age’ of Latin poetry and have inspired a long tradition of interpretation and adaptation that starts in his own time and extends to important modern authors. His ascent from the lesser genre of pastoral (the Bucolics) through a more ambitious didactic mode (the Georgics) to the soaring heights of epic (the incomparable Aeneid) shaped the canonical writings of other authors, from his younger contemporary Ovid through the medieval writers Dante and Petrarch to the early modern poets Spenser and Milton and well beyond. Virgil, as Alison Keith shows, has never gone out of critical or popular fashion. This wide-ranging introduction appraises a figure of central importance in the history of Western music, art and literature. Offering close readings of the Bucolics, Georgics and Aeneid, Keith places Virgil and his poetry in historical context before tracing their impact at key moments in the culture of the West. Emphasis is placed on Virgil’s reception of the classical literary and philosophical traditions, and on how his poetry has attracted modern interest from writers as diverse as T. S. Eliot and Ursula K. Le Guin.

The works of Virgil (70–19 BCE) define the ‘golden age’ of Latin poetry and have inspired a long tradition of interpretation and adaptation that starts in his own time and extends to important modern authors. His ascent from the lesser genre of pastoral (the Bucolics) through a more ambitious didactic mode (the Georgics) to the soaring heights of epic (the incomparable Aeneid) shaped the canonical writings of other authors, from his younger contemporary Ovid through the medieval writers Dante and Petrarch to the early modern poets Spenser and Milton and well beyond. Virgil, as Alison Keith shows, has never gone out of critical or popular fashion. This wide-ranging introduction appraises a figure of central importance in the history of Western music, art and literature. Offering close readings of the Bucolics, Georgics and Aeneid, Keith places Virgil and his poetry in historical context before tracing their impact at key moments in the culture of the West. Emphasis is placed on Virgil’s reception of the classical literary and philosophical traditions, and on how his poetry has attracted modern interest from writers as diverse as T. S. Eliot and Ursula K. Le Guin.