Amit Majmudar

Poems inspired by the strong women in award-winning poet Amit Majmudar's life, celebrating the influence and energy of the ones who nurtured him, loved him, and made possible his journey as person and poet This marvelous collection opens with the practical wisdom and unforgettable wit of the poet's grandmother, who said (among other things), "Turmeric can heal anything / but a broken heart" and "Read that to me at / my funeral, boy, right now my show is on." From the foundation of the matriarchal, Majmudar turns to the impact of women as lovers and partners, exploring the contours of passionate, romantic, and married love; he and his wife are "two fireflies/ scooped out of the same evening" to meet in the jar where their constancy contains and sustains them. In the end, all this love transforms into the gift of language: Majmudar writes of how the Goddess in all her forms has charmed his life, giving rise to the creativity and personhood that allows him to seek and find his mother country in poetry. A remarkable work from a man celebrating the power of the feminine to shape us and define who we are.

In this essay collection, Amit Majmudar meditates on the poetic canon of the West and the traditions of world literature. In The Great Game, poet, critic, translator, and literary omnivore Amit Majmudar ranges widely, writing with characteristic verve on canonical authors such as Milton, Byron, and Emily Dickinson, contemporaries like Kay Ryan, and other traditions of world literature. He examines verse drama and philosophy and even touches on writers of popular prose like Robert Ludlum and Ray Bradbury. A radiologist as well as a writer, Majmudar brings together the diagnostician’s precision with the poet’s imagination and an encyclopedic base of knowledge. He practices literary criticism as a global art, one with the intensity of verse, the depth of philosophy, and the scope of history—and does so with the infectious curiosity of a passionate reader. Some of the most powerful essays here are synoptic meditations on science and poetry in which Majmudar shows that anyone trying to make fresh sense of the world, be it Milton or Kepler or Dickinson or Darwin, is practicing something like poetic meaning-making. The collection’s diverse inquiries are held together by Majmudar’s sustained, thoughtful, delightfully inventive attention to poetic form as an idea, to specific forms like the ghazal and the epic, and by his nimble, empathetic readings of individual writers. The Great Game is an intellectually thrilling tour of poetry across centuries, geographic divides, and even the disciplinary boundaries that separate science from philosophy from poetry.

Shortly after learning they would become the parents of twins, the physician-writer Amit Majmudar and his wife received a devastating in utero diagnosis: one of the twins had a potentially fatal congenital heart defect. Written in the form of an extended letter, Twin A recounts the epic story of the open-heart surgeries, complications, and prolonged recoveries that Majmudar's son survived in infancy and early childhood. But the narrative turns into something much richer and more expansive than the mere description of a surgical history. Thanks to Majmudar's ample gifts as a wordsmith, medical and scientific information frequently give way to original poetry and fables, family history, and a series of evocative religious and philosophical reflections about matters of life and death. The result is a fresh, captivating exploration of the events that transform his son and everyone around him. Drawing strength and beauty from catastrophe, Majmudar's Twin A creates a moving portrait of a family's love and a child's extraordinary resilience.

Shortly after learning they would become the parents of twins, the physician-writer Amit Majmudar and his wife received a devastating in utero diagnosis: one of the twins had a potentially fatal congenital heart defect. Written in the form of an extended letter, Twin A recounts the epic story of the open-heart surgeries, complications, and prolonged recoveries that Majmudar's son survived in infancy and early childhood. But the narrative turns into something much richer and more expansive than the mere description of a surgical history. Thanks to Majmudar's ample gifts as a wordsmith, medical and scientific information frequently give way to original poetry and fables, family history, and a series of evocative religious and philosophical reflections about matters of life and death. The result is a fresh, captivating exploration of the events that transform his son and everyone around him. Drawing strength and beauty from catastrophe, Majmudar's Twin A creates a moving portrait of a family's love and a child's extraordinary resilience.

The first nonfiction collection by internationally acclaimed writer and translator Amit Majmudar, Black Avatar combines elements of memoir, biography, history, and literary criticism. The eight pieces in this deeply engaging volume reflect author Amit Majmudar’s comprehensive studies of American, European, and Indian traditions, as well as his experiences in both suburban Ohio and the western Indian state of Gujarat. The volume begins with the title piece, a fifteen-part examination of “How Colorism Came to India.” Tracing the evolution of India’s bias in favor of light skin, Majmudar reflects on the effects of colonialism, drawing upon sources ranging from early Sanskrit texts to contemporary film and television. Other essays illuminate subjects both timely and timeless. “The Ramayana and the Birth of Poetry” discusses how suffering is portrayed in art and literature (“The spectrum of suffering: slapstick on one end, scripture on the other, with fiction and poetry . . . in the vastness between them”), while in “Five Famous Asian War Photographs”—a 2018 Best American Essays selection—Majmudar analyzes why these iconic images of atrocity have such emotional resonance. In “Nature/Worship,” another multi-part piece, the author turns his attention to climate change, linking notions of environmentalism to his ancestral tradition of finding divinity within the natural world, connections that form the basis of religious belief. Perhaps the greatest achievement of these wide-ranging essays is the prose itself—learned yet lively, erudite yet accessible—nimbly revealing the workings of a wonderfully original mind.

Now in paperback--a fresh, strikingly immediate and elegant verse translation of the classic, with an introduction and helpful guides to each section, by the rising American poet. Born in the United States into a secularized Hindu family, Amit Majmudar puzzled over the many religious traditions on offer, and found that the Bhagavad Gita had much to teach him with its "song of multiplicities." Chief among them is that "its own assertions aren't as important as the relationships between its characters . . . The Gita imagined a relationship in which the soul and God are equals"; it is, he believes, "the greatest poem of friendship . . . in any language." His verse translation captures the many tones and strategies Krishna uses with Arjuna--strict and berating, detached and philosophical, tender and personable. "Listening guides" to each section follow the main text, and expand in accessible terms on the text and what is happening between the lines. Godsong is an instant classic in the field, from a poet of skill, fine intellect, and--perhaps most important--devotion.

A captivating, no-holds-barred collection of new poems from an acclaimed poet and novelist with a fierce and original voice Dothead is an exploration of selfhood both intense and exhilarating. Within the first pages, Amit Majmudar asserts the claims of both the self and the other: the title poem shows us the place of an Indian American teenager in the bland surround of a mostly white peer group, partaking of imagery from the poet's Hindu tradition; the very next poem is a fanciful autobiography, relying for its imagery on the religious tradition of Islam. From poems about the treatment at the airport of people who look like Majmudar ("my dark unshaven brothers / whose names overlap with the crazies and God fiends") to a long, freewheeling abecedarian poem about Adam and Eve and the discovery of oral sex, Dothead is a profoundly satisfying cultural critique and a thrilling experiment in language. United across a wide range of tones and forms, the poems inhabit and explode multiple perspectives, finding beauty in every one.

With grace, acuity, and wry compassion, in Abundance, Amit Majmudar has written anew the immigrant experience, the clash of cultures, the conflicts of assimilation, and, most poignant, the tangled ties between generations. When Mala and Ronak learn that their mother has only a few months to live, they are reluctantly pulled back into the Midwestern world of their Indian immigrant parents. In the brief time between diagnosis and deterioration, busy, efficient Mala commits to mastering her mother's slow art of Indian cooking. Perfecting the raita and the rotli, the two begin not only to work together but also to talk, confronting their deepest divisions and failures. But when Ronak hits upon the idea of selling their cooking-as-healing experience as a high-concept memoir, immigrant and native-born must find a way to cross this last divide.

Mala and Ronak are adults now. They've married, begun their own families and moved away from the suffocating world of their first generation immigrant parents. But when they learn their mother has only months to live, the focus of their world returns to her home. Having shown little interest in the Indian cuisine they eat at every gathering, Mala decides to master the recipes her mother learned at her own mother's knee. And as they cook together, mother and daughter begin to confront the great divisions of their lives, and finally heal their fractured relationship. But when Ronak comes up with a plan to memorialise his mother, the hard-won peace between them is tested to its limits. Written with tenderness and wry compassion, Amit Majmudar has captured anew the immigrant experience, the clash of cultures, the conflicts of assimilation, and, most poignantly, the tangled ties between generations.

"Unforgettable." --Boston Globe As India is rent into two nations with the creation of Pakistan, communal violence breaks out on both sides of the new border and streaming hordes of refugees flee from blood and chaos. At an overrun train station, Shankar and Kenshav, twin Hindu boys, lose sight of their mother and go in search of her. A young Sikh girl, Simran Kaur, has run away from her father who would rather poison her than see her defiled. And Ibrahim Masud, an elderly Muslim doctor, limps toward the new Muslim state of Pakistan, rediscovering on the way his role as a healer. A dramatic, luminous story of families and nations broken and formed, Partitions, "written with piercing beauty, alive with moral passion and sorrowful insight, is] a rueful masterpiece" (Kirkus Reviews, starred review).

As India is rent overnight into two nations, sectarian violence explodes on both sides of the new border, with tidal waves of refugees fleeing the blood and chaos. Fighting to board the last train to Delhi, Shankar and Keshav, six-year-old Hindu twins, lose sight of their mother and plunge into the whirling human mass to find her. A young Sikh woman, Simran Kaur, flees her father, who would rather poison his daughter than see her defiled. And Ibrahim Masud, an elderly Muslim doctor driven from the town of his birth, limps towards the new Muslim state of Pakistan.