Andrea Gibson

We Will be Shelter, edited by poet and activist Andrea Gibson, is an anthology of contemporary poems that addresses issues of social justice. Unique to this anthology is its focus on creating positive social change through gorgeous, gusty poetry. Alongside and embedded in featured poems are concrete ways to address social and political issues raised. The goal of We Will be Shelter is to raise awareness, encourage critical self-reflection, and call readers to action.

You Better Be Lightning is a poetry collection guided by self-reflection. It is queer, political, and feminist.

In this post-apocalyptic tale, modern warfare meets medieval. A friend turned enemy rules the land through fear and famine. One man will have the courage to lead a rebellion as they fight to take back their country. Graham Mitchell believes the only way to protect his family is to be by their side. This belief causes him to leave the SAS. He will soon find out that protecting his country and his family go hand in hand. He cannot do one without doing the other. Though each person may have a troubled past, it is the choices they make in the present that will define them as hero or villain.

Andrea Gibson's latest collection is a masterful showcase from the poet whose writing and performances have captured the hearts of millions. With artful and nuanced looks at gender, romance, loss, and family, Lord of the Butterflies is a new peak in Gibson's career. Each emotion here is deft and delicate, resting inside of imagery heavy enough to sink the heart, while giving the body wings to soar.

For readers of Rupi Kaur (Milk and Honey) and Cheryl Strayed, a book small enough to carry with you, with messages big enough to stay with you, from one of the most quotable and influential poets of our time. Andrea Gibson explores themes of love, gender, politics, sexuality, family, and forgiveness with stunning imagery and a fierce willingness to delve into the exploration of what it means to heal and to be different in this strange age. Take Me With You, illustrated throughout with evocative line drawings by Sarah J. Coleman, is small enough to fit in your bag, with messages that are big enough to wake even the sleepiest heart. Divided into three sections (love, the world, and becoming) of one liners, couplets, greatest hits phrases, and longer form poems, it has something for everyone, and will be placed in stockings, lockers, and the hands of anyone who could use its wisdom.

Alex Tucker faces discrimination in the military. She goes on to face the same issues as a police officer, she polices based on her perception of justice invoking punishment for assailants and helping those who have just fallen on hard times that the law may have viewed as criminals. Alex will work together with her partner, Owen, to bring down their corrupt police chief and to uphold justice. Stereotypes are overcome, differences are put aside, and people of every gender and ethnicity work together to make a difference.

In PANSY, Gibson balances themes of love, gender, politics, sexuality, illness, family and forgiveness with stunning imagery and a fierce willingness to delve into the exploration of what it means to truly heal. Each turn of the page represents both that which as been forgotten and that which is yet to be released. While this book is a rally cry for political action, it is also a celebration of wonder and longing and love.

In PANSY, Gibson balances themes of love, gender, politics, sexuality, illness, family and forgiveness with stunning imagery and a fierce willingness to delve into the exploration of what it means to truly heal. Each turn of the page represents both that which as been forgotten and that which is yet to be released. While this book is a rally cry for political action, it is also a celebration of wonder and longing and love.

Andrea Gibson's second book of poems, The Madness Vase, offers a breathtaking continuation of the poet's most tender and honest work. Their fist book, Pole Dancing to Gospel Hymns, opened the door to Gibson's unapologetic voice, yet The Madness Vase manages to take an even more intimate look at the subjects of family, war, spirituality, gender, grief and hope. The poem's topics range from hate crimes to playgrounds, from international conflict to hometowns, from falling in love to the desperation of loneliness. Gibson's work seizes us by the collar and hauls us inside some of her darkest moments, then releases out the other side. Moments later, we find ourselves inhaling words that fill us with light. Their luminous imagery is a buoy that allows us to resurface from their world clutching new possibilities of our own. Throughout their career, Gibson's poems have always been a call to social justice, but this collection goes beyond awareness. Their images linger in our psyches and entreat us to action. They challenge us to grow into our own skin. The journey may be raw at times but we are continuously left inspired, held, and certain we are not alone. By the time you finish reading The Madness Vase, you too will believe, "Folks like us/ We've got shoulder blades that rust in the rain/But they are still G-sharp/Whenever our spinal chords are tuned to the key of redemption/So go ahead world/Pick us/To make things better."

Four-time Denver Grand Champion, Pushcart Prize nominee, and winner of the 2008 Women of the World Poetry Slam, Andrea Gibson's dynamic and energetic first book, Pole Dancing to Gospel Hymns, challenges us to not only read, but to react. Hauntingly vivid, the poems march through a soldier's lingering psychological wounds, tackle the curious questions of school children on the meaning of "hate", and tangle with a lover's witty and vibrant description of longing. Gibson's poems deconstruct the current political climate through stunning imagery and careful crafting. With the same velocity, the poignant and vacillating love poems are equally capable of sweeping the air out of the room. Pole Dancing to Gospel Hymns has a bold and unforgettable internal voice and is rich with the kind of questioning that inspires action.

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