Andrew Blauvelt

This is the first volume to document and contextualize Sonya Clark’s large-scale, collaborative artworks. These projects demonstrate Clark’s career-long commitment to addressing the urgent issue of racial inequality in American society and her philosophy of creatively engaging the viewer in reflection on the nation’s history of slavery and our roles in dismantling systemic racism today. As an extension of her abiding commitment to issues of history, race, and reconciliation in her work, Clark is also distinctive as an artist for her use of textiles and other everyday materials, which she aligns with the intertwined histories of art and craft. For marginalized people (African Americans and women, in particular) handwork has been essential to survival and consequently has functioned, and continues to function, as an important means of creating a group identity. Hence, for Clark, craft is essential to the question of equality.

The first comprehensive monograph on the daring, irreverent, and fantastical art of the Haas Brothers Step into a world where design meets art in the most audacious, subversive, and captivating ways. Haas Brothers: Uncanny Valley is the much-anticipated first monograph on the daring, irreverent, and fantastical art of Niki and Simon Haas. Known for their boundary-pushing creative practice, the duo work across the fields of art, craft, design, and technology with an approach that is at once conceptual, yet formal, and intellectual, yet playful. The book accompanies the first major touring mid-career retrospective devoted to the Haas Brothers at the Cranbrook Art Museum in Michigan in Fall 2025, and highlights more than 100 of their most iconic works, from almost ridiculous, conversation-starting furniture to cheeky life-size sculptures. Rich texts, including first-hand personal stories from the brothers and an interview by avant-garde mother-daughter artists Lita and Isabelle Albuquerque, complement the book’s vivid imagery. Featuring a padded, hot pink cover, Haas Brothers: Uncanny Valley proves these iconoclastic visionaries are two of the most exciting and innovative figures in contemporary art and design.

Hippie Modernism examines the art, architecture and design of the counterculture of the 1960s and early 1970s. The catalog surveys the radical experiments that challenged societal norms while proposing new kinds of technological, ecological and political utopia. It includes the counter-design proposals of Victor Papanek and the anti-design polemics of Global Tools; the radical architectural visions of Archigram, Superstudio, Haus-Rucker-Co and ONYX; the installations of Ken Isaacs, Joan Hills, Mark Boyle, H lio Oiticica and Neville D'Almeida; the experimental films of Jordan Belson, Bruce Conner and John Whitney; posters and prints by Emory Douglas, Corita Kent and Victor Moscoso; documentation of performances by the Diggers and the Cockettes; publications such as Oz and The Whole Earth Catalog; books by Marshall McLuhan and Buckminster Fuller; and much more.While the turbulent social history of the 1960s is well known, its cultural production remains comparatively under-examined. In this substantial volume, scholars explore a range of practices such as radical architectural and anti-design movements emerging in Europe and North America; the print revolution in the graphic design of books, posters and magazines; and new forms of cultural practice that merged street theater and radical politics. Through a profusion of illustrations, interviews with figures, including Gerd Stern of USCO, Ken Isaacs, Gunther Zamp Kelp of Haus-Rucker-Co, Ron Williams and Woody Rainey of ONYX, Franco Raggi of Global Tools, Tony Martin, Clark Richert and Richard Kallweit of Drop City, as well as new scholarly writings, this book explores the conjunction of the countercultural ethos and the modernist desire to fuse art and life.