Andrew McNellie

Archipelago is one of the most important and influential literary magazines of the last twenty years. Running to twelve editions, it was edited by Andrew McNeillie, with the assistance later of James McDonald Lockhart, and began as an attempt to reimagine the relationships between the islands of Ireland and Britain. Archipelago has brought together established and emerging artists in creative conversations that have transformed the study of islands, coasts and waterways. It journeys from the Shetlands to Cornwall, from the Aran Islands to the coast of Yorkshire, tracing the cultures of diverse zones through some of the best in contemporary writing about place and people. This collection gathers poetry, prose and visual art in clusters grouped around the Irish and British archipelago, with contributions from an array of significant artists. It includes newly commissioned work as well as an interview between Andrew McNeillie and Robert Macfarlane on the development of Archipelago across the years.

In November 1968, at the age of twenty-two, Andrew McNeillie left his job and his girlfriend in Wales and travelled to Inishmore. He was not a tourist: he stayed eleven months in Aran, living alone in a tiny house. An Aran Keening is a richly lyrical memoir of that time, a celebration of the island and its people, a lament for a way of life that was infused with a deep sadness then and that no longer exists. Based closely on a contemporary journal and on letters home – which are quoted at length, and which show the author to have been an immensely gifted young writer – An Aran Keening tells of a time before electricity and landing strips, a time of true poverty for many. Island life was, in both mind and body, more stark and dramatic then than now; it stood closer to the candle- and horse-powered nineteenth century than to the digitized twenty-first. McNeillie fished and trapped for his food – his accounts of his methods are among the most dazzling passages in the book – and writes with great love, but without a trace of romanticism, about the natural world of Aran. With extraordinary sensitivity and subtlety, he recounts the awkward, sometimes fraught, but ultimately enriching interactions between the green outsider he was and the people of Inishmore, and the islanders’ tragic internal struggles. An Aran Keening commemorates both the immortality of youth, in all its courage, folly and quick tenderness of heart, and the passing of a world. It is a singular addition to the literature of Aran and, in this age of two-a-penny memoirs, one of the finest works in that genre to come out of these islands in recent decades.

To Aran, I tells how a young man from north Wales found the means to give shape a youthful dream of going to live on Inis Mór, an adventure recorded in his acclaimed first memoir An Aran Keening. This beautiful, high-spirited story blends moments of high farce, poetry and serious social observation, as the young McNeillie – a self-described ‘quare fellow’ – pursues his dream with a kind of fatalistic abandonment. Down but not quite out, he works his way towards Aran - first as a local news reporter on £5 a week in mining towns and villages in the Amman Valley in Wales. From there, he washes up in a condemned property at Waterloo on the Mersey shore in outer Liverpool and finally, aged twenty-one, finds himself in central London and the BBC’s Radio Newsroom at Broadcasting House. After amassing enough money to keep him afloat on Inis Mór for a year, he sets out and, at the end of October 1968, he waved goodbye to a highly promising career, his colleagues, friends and even to his future wife: all to fulfil a dream he had when sixteen, first looking into J.M. Synge’s The Aran Islands, as if it was Chapman’s Homer and he John Keats.