Andy Summers

The law of mitigation determines how a claimant's own response to a breach affects the damages they can recover. It responds to the basic accusation: 'although I did wrong, you made things worse'. Mitigation applies to all claims for compensation, regardless of the claimant's cause of action and irrespective of the defendant's level of fault. It is amongst the most litigated doctrines in private law and has significant implications for general theories of damages, and yet has received relatively little scholarly attention to date. Mitigation in the Law of Damages provides the first comprehensive theoretical and doctrinal treatment of this important area of the law in any common law jurisdiction. It argues that contrary to the leading texts on damages, judges have been right all along to explain mitigation as an aspect of causation. But to see why, we must look beyond the 'but-for' concept of causation and understand the 'common-sense' causal principles used to attribute responsibility outside the law. This approach reveals a new understanding of the rules of mitigation and their relation to other doctrines. The implications are wide-ranging. First, mitigation applies symmetrically to benefits as well as harms, and encompasses a variety of damages doctrines that have previously been regarded as distinct. Second, the new account of mitigation advances our understanding of the legal concepts of causation, choice, and loss, and calls for a re-evaluation of existing theories of damages. Third, the book revives and develops arguments from Hart and Honoré's ground-breaking work 'Causation in the Law', with implications for every area of law where causal reasoning is invoked. Original and thought-provoking, Mitigation in the Law of Damages restates and explains the law of mitigation in a way that is accessible to both academics and practitioners.

"This extensive travelogue features many different styles of fine art photography – street, portraiture, landscapes, nudes and still life – but it is the street portraits that really stand out and, presumably, earned the book its title." — Black + White Photography magazine "The Police guitarist combines his music and photography in a performance Friday at The Heights Theater." — NPR Houston "Beyond the iconic riffs and hits lies another realm of Andy’s genius — his aptitude as an art photographer." — WhyNow "Police guitarist Andy Summers unearths hypnotic photographs that evoke the poetic majesty of music." — Blind Magazine "In “A Series of Glances”, Andy now collects for the first time his best art photographs from several decades in a large, lavishly designed and decorated illustrated book." — The Eye of Photography ?Since the 1970s, Andy Summers has been one of the great guitarists of his generation as the guitarist of The Police and achieved worldwide fame alongside singer Sting, but also later as a solo artist. But Andy has also been making a name for himself internationally as an art photographer since the 1980s. Several successful book publications and various international exhibitions followed, underlining his exceptional talent in the field of photography as well. In A Series of Glances, Andy now assembles for the first time his best art photographs from several decades in a large, lavishly designed and decorated coffee-table book. These are images full of poetry and mood, mostly in black and white, with which Andy takes us into his world: on his extensive travels through the cultures of different countries and continents, to his portrait and nude photography, whose focus is always on the artistic moment. How exactly can the mood of a moment be captured in a picture? Andy succeeds in combining his music and his photographic art in a unique way. Not only are his images present at all times at his concerts, but various AR elements in the book give the reader an even deeper insight into Andy's life and work online. A Series of Glances becomes perhaps Andy Summer's most personal work ever.

"A disarming, surprising literary memoir by the ex-Police guitarist . . . A rollicking you-are-there history of the 60s-80s rock era."---Entertainment Weekly In this extraordinary memoir, world-renowned guitarist Andy Summers provides the revealing and passionate account of a life dedicated to music. From his first guitar at age thirteen and his early days on the English music scene to the ascendancy of his band, the Police, Summers recounts his relationships and encounters with the Big Roll Band, Jimi Hendrix, Eric Clapton, the Animals, John Belushi, and others, all the while proving himself a master of telling detail and dramatic anecdote. Andy's account of his role as guitarist for the Police---a gig that was only confirmed by a chance encounter with drummer Stewart Copeland on a London train---has been long-awaited by music fans worldwide. The heights of fame that the Police achieved have rarely been duplicated, and the band's triumphs were rivaled only by the personal chaos that such success brought about, an insight never lost on Summers in the telling. Complete with never-before-published photos from Summers's personal collection, One Train Later is a constantly surprising and poignant memoir, and the work of a world-class musician and a first-class writer.