Kirjailija
Anita Loos
Kirjat ja teokset yhdessä paikassa: 29 kirjaa, julkaisuja vuosilta 1998-2026, suosituimpien joukossa Breaking into the Movies. Vertaile teosten hintoja ja tarkista saatavuus suomalaisista kirjakaupoista.
29 kirjaa
Kirjojen julkaisuhaarukka 1998-2026.
Anita Loos (1888-1981) was one of Hollywood's most respected and prolific screenwriters, as well as an acclaimed novelist and playwright. This unique collection of previously unpublished film treatments, short stories, and one-act plays spans fifty years of her creative writing and showcases the breadth and depth of her talent. Beginning in 1912 with the stories she submitted from her San Diego home (some made into films by D.W. Griffith), through her collaboration with Colette on the play "Gigi", Anita Loos wrote almost every day for the screen, stage, books, or magazines. Film scripts include "San Francisco", "The Women", and "Red-Headed Woman". The list of stars for whom she created unforgettable roles includes Mary Pickford, Jean Harlow, Clark Gable, Audrey Hepburn, and Carol Channing. This collection has been selected by Anita's niece and close friend, the best-selling author Mary Anita Loos, together with the acclaimed film historian Cari Beauchamp. Their essays are laced throughout the volume, introducing each section and giving previously untold insights and behind-the-scenes stories about Anita - her life, her friendships, and her times.
The literary classic that inspired the iconic Marilyn Monroe film--a brilliant satire of the Roaring Twenties that follows a wide-eyed blonde and her cynical brunette friend as they take Europe by storm, now with an introduction by Marlowe Granados to celebrate the book's 100th anniversary Some might call Lorelei Lee lucky. Others, names she would not even put in her diary. Life in New York is becoming routine, so when her wealthy companion Mr. Eisman suggests that "a girl with brains ought to do something else with them besides think," Lorelei is up to the challenge. Accompanied by her best friend Dorothy Shaw, Lorelei chronicles the sights and people of Europe in her diary in a consistent mix of hilarity and accidental wisdom--"Paris is divine" and "London is really nothing at all." Reliant on the good graces of the gentlemen around them to stay afloat as they await Eisman's arrival on the continent, Lorelei and Dorothy skirt unscathed and at times oblivious around scorned and greedy lovers, plots of Francophone thievery, and even murder charges. This hilarious, rip-roaring travelogue is a sharp-eyed takedown of the hypocrisy of Prohibition, the Roaring Twenties, and anyone foolish enough to stake their wallet on the dumb blonde stereotype. Gentlemen Prefer Blondes is more than a guilty pleasure--it is a literary classic.
Anita Loos (1888-1981) was one of Hollywood's most respected and prolific screenwriters, as well as an acclaimed novelist and playwright. This unique collection of previously unpublished film treatments, short stories, and one-act plays spans fifty years of her creative writing and showcases the breadth and depth of her talent. Beginning in 1912 with the stories she submitted from her San Diego home (some made into films by D. W. Griffith), through her collaboration with Colette on the play Gigi, Anita Loos wrote almost every day for the screen, stage, books, or magazines. Film scripts include San Francisco, The Women, and Red-Headed Woman. The list of stars for whom she created unforgettable roles includes Mary Pickford, Jean Harlow, Clark Gable, Audrey Hepburn, and Carol Channing. This collection has been selected by Anita's niece and close friend, the best-selling author Mary Anita Loos, together with the acclaimed film historian Cari Beauchamp. Their essays are laced throughout the volume, introducing each section and giving previously untold insights and behind-the-scenes stories about Anita—her life, her friendships, and her times.
The beautiful Lorelei Lee leaves her hometown of Little Rock and takes Europe by storm. Hiding behind a veil of naivete, Lorelei coos, coaxes, and rearranges the pawns of high society until everything works out for the best (read: she marries a millionaire of good moral standing). Along the way, Anita Loos ridicules flapper culture, censorship, the US government, the film industry, racism, chauvinism, consumerism, psychoanalysis and Hollywood. And the book is still laugh-out-loud funny.
Set during the Roaring Twenties, this witty social satire of the Jazz Age was a runaway bestseller in 1925. Written in diary form, the story follows the escapades of gold-digging flapper Lorelei Lee and her best friend, Dorothy, from New York to Europe. Inspired by literary critic H. L. Mencken's awestruck reaction to a beautiful blonde woman, Gentlemen Prefer Blondes was originally written by Hollywood silent-era screenwriter Anita Loos as a series of short stories in Harper's Bazaar. The book has inspired many adaptations for stage and screen, its most famous being the 1953 film starring Marilyn Monroe, in which she sang "Diamonds Are a Girl's Best Friend."
Gentlemen Prefer Blondes - The Illuminating Diary of a Professional Lady;Intimately Illustrated by Ralph Barton
Anita Loos
Read Co. Classics
2022
pokkari
LARGE PRINT EDITION. Gentlemen Prefer Blondes: The Intimate Diary of a Professional Lady (1925) is a novel by Anita Loos. Adapted from a series of stories written for Harper’s Bazaar, Gentlemen Prefer Blondes was an astounding success for Loos, who had mired for over a decade as a screenwriter in Hollywood and New York. An immediate bestseller, the novel earned praise from leading writers and critics of its time, and has been adapted several times for theater and film. Recognized as a defining text of the Jazz Age, Gentlemen Prefer Blondes is an absolute classic dubbed “the great American novel” by Edith Wharton. Lorelei Lee is a young flapper living a life of luxury in Manhattan. A mistress for prominent Chicago businessman Gus Eisman, who pays handsomely, Lorelei has far surpassed her roots as a young woman from Little Rock, Arkansas. Despite her talent as an actress, she finds herself held as an object by wealthy, often married men, whom she uses accordingly. Hers is a life of fine cuisine, opulent jewelry, and tickets to the best shows in town. Soon, however, she grows tired of New York, and sets off on a trip to Europe with her friend Dorothy Shaw. Away from the men who had dragged them down, the two women explore London, Paris, and Vienna, where they find new dopes to dupe with the promise of love. A caricature of the Jazz Age woman, Lorelei Lee reflects the libido and materialism of a generation caught between wars, situated in a time of exponential cultural change, yet wary of disaster’s proximity. With a beautifully designed cover and professionally typeset manuscript, this edition of Anita Loos’ Gentlemen Prefer Blondes: The Intimate Diary of a Professional Lady is a classic of American literature reimagined for modern readers.
NEW PRINT WITH PROFESSIONAL TYPE-SET IN CONTRAST TO SCANNED PRINTS OFFERED BY OTHERS Breaking Into The Movies This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work. We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING
Gentlemen Prefer Blondes: The Intimate Diary of a Professional Lady (1925) is a novel by Anita Loos. Adapted from a series of stories written for Harper’s Bazaar, Gentlemen Prefer Blondes was an astounding success for Loos, who had mired for over a decade as a screenwriter in Hollywood and New York. An immediate bestseller, the novel earned praise from leading writers and critics of its time, and has been adapted several times for theater and film. Recognized as a defining text of the Jazz Age, Gentlemen Prefer Blondes is an absolute classic dubbed “the great American novel” by Edith Wharton. Lorelei Lee is a young flapper living a life of luxury in Manhattan. A mistress for prominent Chicago businessman Gus Eisman, who pays handsomely, Lorelei has far surpassed her roots as a young woman from Little Rock, Arkansas. Despite her talent as an actress, she finds herself held as an object by wealthy, often married men, whom she uses accordingly. Hers is a life of fine cuisine, opulent jewelry, and tickets to the best shows in town. Soon, however, she grows tired of New York, and sets off on a trip to Europe with her friend Dorothy Shaw. Away from the men who had dragged them down, the two women explore London, Paris, and Vienna, where they find new dopes to dupe with the promise of love. A caricature of the Jazz Age woman, Lorelei Lee reflects the libido and materialism of a generation caught between wars, situated in a time of exponential cultural change, yet wary of disaster’s proximity. With a beautifully designed cover and professionally typeset manuscript, this edition of Anita Loos’ Gentlemen Prefer Blondes: The Intimate Diary of a Professional Lady is a classic of American literature reimagined for modern readers.
Lorelei Lee, a blonde flapper who narrates Gentlemen Prefer Blondes in the form of a diary, complete with spelling and grammatical errors, is one of the most irresistible and memorable characters in American fiction. Acquitted of crimes by an all-male jury in her hometown of Little Rock, Arkansas, Lorelei moves to Hollywood and works in the movies where she meets Gus Eisman, a Chicago businessman, who installs her in a New York apartment. During a trip that Eisman sponsors Lorelei and her friend Dorothy spend their time Ritzing around the Continent on a gold-digging escapade that is full of intrigue, hilarity, surprise, and charm.
Breaking into the movies "", has been considered a very important part of the human history, but is currently not available in printed formats. Hence so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format so that it is never forgotten and always remembered by the present and future generations. These books are not made of scanned copies of their original work and hence the text is clear and readable. This whole book has been reformatted, retyped and designed.
Gentlemen Prefer Blondes: The Intimate Diary of a Professional Lady (1925) is a comic novel written by American author Anita Loos. The story primarily follows the escapades and dalliances of a young blonde flapper in New York City and Europe during the Roaring Twenties. It is one of several novels exploring the hedonistic Jazz Age published that year that have become famous-including F. Scott Fitzgerald's The Great Gatsby and Carl Van Vechten's Firecrackers.Loos was inspired to write the novel by an incident aboard a train bound for Hollywood: "I was allowed to lug heavy suitcases from their racks while men sat about and failed to note my efforts," she recalled, and yet, when another young woman "happened to drop the novel she was reading, several men jumped to retrieve it." Loos surmised this difference in men's behavior was because she was a brunette and the other woman was a blonde. When drafting the novel, Loos drew upon memories of jealously observing "witless" blondes such as Ziegfeld Follies showgirls turn intellectual H.L. Mencken into a love-struck simpleton. Mencken, a close friend to whom Loos was sexually attracted, nonetheless enjoyed the satirical work and ensured its publication.Originally published as a series of short sketches known as "the Lorelei stories" in Harper's Bazaar magazine, the work was published in book form by Boni & Liveright in 1925. Although dismissed by critics as "too light in texture to be very enduring," Loos' book was a runaway best seller, becoming the second-best selling title of 1926, and printed throughout the world in over thirteen different languages, including Chinese. By the time of Loos' death in 1981, the work had been printed in over 85 editions and had been adapted into a popular comic strip, a 1926 silent comedy, a 1949 Broadway musical, and a 1953 film adaptation of the latter musical. The book earned the praise of many writers including Edith Wharton who dubbed it "the great American novel."Loos wrote a well-received sequel, But Gentlemen Marry Brunettes, in 1927. Several decades later, Loos was asked during a television interview in London whether she intended to write a third book. She facetiously replied that the title and theme of a third book would be Gentlemen Prefer Gentlemen. This remark resulted in the interview's abrupt termination. (wikipedia.org)