Anthony Burgess

Fifteen-year-old Alex doesn't just like ultra-violence - he also enjoys rape, drugs and Beethoven's ninth. He and his gang of droogs rampage through a dystopian future, hunting for terrible thrills.

Anthony Burgess's stage play of his infamous cult novel and film of the same name. Alex and his vicious teenage gang revel in horrific violence, mugging and gang rape. Alex also revels in the music of Beethoven. The Gang communicates in a language which is as complicated as their actions. When a drug-fuelled night of fun ends in murder, Alex is finally busted and banged up. He is given a choice - be brainwashed into good citizenship and set free, or face a lifetime inside. Anthony Burgess's play with music, based on his own provocative 1962 novella of the same name, was first published in 1987. A Clockwork Orange was made into a film classic by Stanley Kubrick in 1971 and was dramatizes by the RSC in 1990.

Dr. Edwin Spindrift, a linguist, decides to escape from the hospital the night before his brain tumor surgery is scheduled and discovers a world of people exists outside his universe of words

Der junge Alex prügelt, vergewaltigt, tötet - bis man mit Hilfe moderner Technik einen wahren Christen aus ihm macht. Doch zu welchem Preis? Anthony Burgess' Meisterwerk in überarbeiteter Neuausgabe, mit umfassendem Glossar.

"The Wanting Seed" is a Malthusian comedy about the strange world that overpopulation will produce. Tristram Foxe and his wife, Beatrice-Joanna, live in their skyscraper world of spacelessness where official family limitation glorifies homosexuality ("It's Sapiens to be Homo"). This time of the near future is eventually transformed into a chaos of cannibalistic dining-clubs, fantastic fertility rituals, and wars without enemies. "The Wanting Seed" is a novel both extravagantly funny and grimly serious.

Among Shakespeare's many biographers none brings to his subject more passion and feeling for the creative act than Anthony Burgess. His portrait of the age builds upon an almost personal tenderness for Shakespeare and his contemporaries (especially Ben Jonson), and on a profound sense of literary and theatrical history.

'Like all good comic writers Mr Burgess lives his creations as much as he writes them. Through Crabbe's rise and fall and a series of wonderfully colourful characters, Burgess lays bare racial and social prejudices of post-war Malaya during the upheaval of Independence.

A brilliant reading from the novel by one of the wittiest commentators and literary figures of this century. "Antony Burgess reads chapters of his novel A Clockwork Orange" with hair-raising drive and energy. Although it is a fantasy set in an Orwellian future, this is anything but a bedtime story."-- "New York Times"

The playground of Mr. Burgess' humor is a city to which his hero, Denham, J. W., businessman, forty, British, returns on leave from the Far East to find the face of England hardened into a standardized grimace. He is appalled by his observations in all quarters of cheapness, shallowness, vice. He is appalled also by monotony. But monotony reigns only briefly. Soon Everett, the broken-down poet, and Winterbottom, the printer, have involved him in affairs which put a strain on his holiday spirit. And with the appearance of Mr. Raj, Ceylonese gentleman, persistent lecher and unflagging sociologist, speed quickens and control diminishes as Denham is carried helpless down the homestretch of his grueling comic course. Mr. Burgess' humor stems from the depth of life rather than from its surface. His people are so vividly alive, and the anger, laughter and melodrama of their experiences so affecting that their story takes on dimension rare in novels so thoroughly entertaining.