Arthur Morrison

Step into the intriguing world of Victorian crime with Arthur Morrison's "Martin Hewitt, Investigator," a collection of classic detective short stories. Immerse yourself in the atmosphere of late 19th-century England as Hewitt, a shrewd and observant investigator, unravels complex mysteries. These compelling tales of crime and investigation showcase Morrison's skill in crafting intricate plots and memorable characters. Explore the darker side of London society as Hewitt uses his intellect and deductive reasoning to solve perplexing cases that baffle Scotland Yard. A master of the detective genre, Morrison presents a captivating series of mysteries in this volume. Perfect for fans of classic detective stories, "Martin Hewitt, Investigator" offers a timeless exploration of human nature and the pursuit of justice. Experience the enduring appeal of these expertly crafted short stories that have captivated readers for generations.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Tales of Mean Streets, a classical book, has been considered essential throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.

Comprised of six short works of fiction, The Dorrington Deed-Box follows a London-based private detective named Horace Dorrington. Motivated by profit, Dorrington will do whatever it takes to catch criminals—even if that means killing them. This immoral and dishonest behavior extends to his clients as well, as Dorrington will manipulate anyone he can into hiring him. Outwardly polite, even-tempered and charming, Dorrington is socially pleasant but professionally corrupt. Told through the perspective of James Rigby, Dorrington’s latest client, The Dorrington Deed-Box begins when Rigby and Dorrington meet on a train. After appealing to Rigby’s paranoia, Dorrington gets hired to save Rigby from a threat that the detective mostly made up. However, as Rigby’s narration follows the private detective through his cases, it is impossible not to be fascinated with the way Dorrington works. As he solves crimes, recovers stolen items, outsmarts scammers and exposes crooked businesses, Dorrington is unafraid to get his hands dirty. He is willing to intimidate, steal, or dispose of anything and anyone standing in the way of a resolved case. Originally published in the midst of the detective fiction craze, spearheaded by the Sherlock Holmes creator Arthur Conan Doyle, The Dorrington Deed-Box by Arthur Morrison is a collection of work that celebrates an anti-hero detective. Featuring a variety of clever and interesting works of short fiction, The Dorrington Deed-Box adds a unique and dark twist to detective fiction. With film and television adaptations and allusions, Arthur Morrison’s The Dorrington Deed-Box and its protagonist, Horace Dorrington, have earned a place in pop culture, remaining fun and riveting to contemporary audiences. This edition of The Dorrington Deed-Box by Arthur Morrison now features an eye-catching new cover design and is printed in a font that is both modern and readable. With these accommodations, this edition of The Dorrington Deed-Box creates an accessible and pleasant reading experience for modern audiences while restoring the original wit and intrigue of Arthur Morrison’s work.

Arthur George Morrison (1 November 1863 - 4 December 1945) was an English writer and journalist known for his realistic novels and stories about working-class life in London's East End, and for his detective stories, featuring the detective Martin Hewitt. He also collected Japanese art and published several works on the subject. He left a large collection of paintings and other works of art to the British Museum after his death in 1945. (wikipedia.org)

Arthur George Morrison (1 November 1863 - 4 December 1945) was an English writer and journalist known for his realistic novels and stories about working-class life in London's East End, and for his detective stories, featuring the detective Martin Hewitt. He also collected Japanese art and published several works on the subject. He left a large collection of paintings and other works of art to the British Museum after his death in 1945. (wikipedia.org)

Arthur George Morrison (1 November 1863 - 4 December 1945) was an English writer and journalist known for his realistic novels and stories about working-class life in London's East End, and for his detective stories, featuring the detective Martin Hewitt. He also collected Japanese art and published several works on the subject. He left a large collection of paintings and other works of art to the British Museum after his death in 1945.Morrison's best known work of fiction is his novel A Child of the Jago (1896). Early life: Morrison was born in Poplar, in the East End of London, on 1 November 1863. His father George was an engine fitter at the London Docks. George died in 1871 of tuberculosis, leaving his wife Jane with three children including Arthur. Arthur spent his youth in the East End. In 1879 he began working as an office boy in the Architect's Department of the London School Board. He later remembered frequenting used bookstores in Whitechapel Road around this time. In 1880 Arthur's mother took over a shop in Grundy Street. Morrison published his first work, a humorous poem, in the magazine Cycling in 1880, and took up cycling and boxing. He continued to publish works in various cycling journals. Career: In 1885 Morrison published his first serious journalistic work in the newspaper The Globe. In 1886, after having worked his way up to the rank of a third-class clerk, he was appointed to a position at the People's Palace, in Mile End. In 1888 he was given reading privileges at the British Museum. In the same year he published a collection of thirteen sketches entitled Cockney Corner, describing life and conditions in several London districts including Soho, Whitechapel, and Bow Street. In 1889 he became an editor of the paper Palace Journal, reprinting some of his Cockney Corner sketches, and writing commentaries on books and other subjects including the life of London poor people. In 1890 he left this job and joined the editorial staff of The Globe and moved to lodgings in the Strand. In 1891 he published his first book The Shadows Around Us, a collection of supernatural stories. In October 1891 his short story A Street was published in Macmillan's Magazine. In 1892 he collaborated with illustrator J. A. Sheppard on a collection of animal sketches, one entitled My Neighbors' Dogs, for The Strand Magazine. Later that year he married Elizabeth Thatcher at Forest Gate. He befriended writer and editor William Ernest Henley around this time, publishing stories of working-class life in Henley's National Observer between 1892-94. His son Guy Morrison was born in 1893. In 1894 Morrison published his first detective story featuring the detective Martin Hewitt. In November he published his short story collection Tales of Mean Streets, dedicating the work to Henley. The collection was reviewed in 1896 in America by Jacob Riis. Morrison later said that the work was publicly banned. Reviewers of the collection objected to his story Lizerunt, causing Morrison to write a response in 1895. Later in 1894 he published Martin Hewitt, Investigator. In 1895 he was invited by writer and clergyman Reverend A. O. M. Jay to visit the Old Nichol Street Rookery. Morrison continued to develop his interest in Japanese art, which he had been introduced to by a friend in 1890. Morrison began writing his novel A Child of the Jago in early 1896. The novel was published in November by Henley. It described in graphic detail living conditions in the East End, including the permeation of violence into everyday life (it was a barely fictionalised account of life in the Old Nichol Street Rookery). Morrison also published The Adventures of Martin Hewitt in 1896. A second edition of A Child of the Jago came out in 1897...

The Shadows Around Us - Authentic Tales of the Supernatural The incidents set forth in the ensuing pages are as completely testified to as written facts well may be-that is to say, infinitely more care has been taken to verify and substantiate them than is taken to authenticate the matter-of-fact news published in a daily newspaper and accepted by everybody without question. For several of the cases the compiler is indebted to the investigations of the Society for Psychical Research. THE VAULT AT AHRENSBURG, THE LICHWAKE AT MONIFIETH, THE STRANGE EXPERIENCE OF MR. ROBERT BRUCE, THE WRAITH OF FRANCIS TANTUM, THE APPARITION OF LIEUTENANT COLT, THE STRANGE CASE OF ESTHER T--, THE POLTERGEIST OF LEIGNITZ CASTLE, THE BINSTEAD MYSTERY, THE TRANSLATION OF MAURICE TULLING, THE HAUNTED HOUSE AT WILLINGTON, NO. 15 ST. SWITHIN'S LANE, THE STRANGE CASE OF EMELIE SAGEE, THE HAUNTING OF WILLIAM MOIR, CURIOUS INCIDENT AT BEAUMARIS, A DOUBLE CASE

The novel recounts the brief life of Dicky Perrott, a child growing up in the "Old Jago", a fictionalisation of the Old Nichol, a slum in the East End of London.

In his acclaimed and final East End novel, Arthur Morrison returns to a slightly earlier period than that of Tales of Mean Streets and A Child of the Jago, the 1860s and 1870s.

Tales of mean streets is a collection that offers a stark portrayal of life in London's East End, capturing the hardships, hopes, and quiet endurance of people living on the margins of society. The work delves into the challenges faced by those navigating poverty, limited opportunities, and the unrelenting demands of urban life. It examines how environment shapes character, revealing the complexities of resilience and despair found in the everyday experiences of individuals struggling to maintain dignity amid adversity. Through its richly detailed scenes, the collection brings to life the atmosphere of crowded streets, cramped lodgings, and the social tensions that define the community. The narratives emphasize small acts of kindness and fleeting moments of joy that illuminate otherwise difficult circumstances. With a focus on ordinary people and their private battles, the book offers insight into human strength and vulnerability, presenting stories that are both deeply personal and reflective of broader social realities.