Ashley Hicks

Conceived by William Cecil, Lord High Treasurer to Queen Elizabeth I, and built between 1555 and 1587, Burghley House is a testament to the ambition and vision of the most powerful courtier of the first Elizabethan age. Designed by Cecil himself, in consultation with the Dutch Renaissance architect and painter Hans Vredeman de Vries, the architecture and interiors at Burghley reflect a mix of contemporary fashionable influences. The house s facades are each markedly different, with a striking and ornate Gothic gatehouse beneath a roofline of cupolas and obelisks, and with French and Italian styles visible in the windows and pilasters. And inside, where the State Rooms house remarkable collections of furniture, textiles, and Old Master paintings acquired over the centuries, Cecil s Gothic-style Old Kitchen remains alongside the magnificent Renaissance staircase and Italianate fireplace in the Great Hall. From Burghley s inception as Cecil s prodigy house to its remarkable renovation and the development of its parklands by Capability Brown in the eighteenth century, to the estate s preservation efforts today, this is a rare and detailed look inside one of the gems in the British landscape. With sumptuous photography made specially for the book and imagery drawn from Burghley s private archives, this book is a privileged tour of Burghley House and its remarkable history.

Sumptuous photographs by designer Ashley Hicks (who recently photographed the interiors of Buckingham Palace) capture the smouldering spirit of the place: from the state rooms, which house possibly the finest collection of royal Stuart furniture in the world, to the private apartments and gardens, to the behind-the-scenes labyrinth of cellars and attics. Knole provides a window onto English history. The characters who people the pages of the book the grave Elizabethan statesman, the good-for-nothing gadabout at the seedy Court of King James I, the dashing Cavalier, the Restoration rake, the 3rd Duke, that magnificent and melancholy representative of the ancien regime, the whiskery and dark-hearted Mortimer who caused three nights of rioting in 1884 by closing the park to visitors are all representative of their age (members of a family described by Vita Sackville-West as a race too prodigal, too amorous, too weak, too indolent, and too melancholy : in short, a rotten lot, and nearly all stark staring mad. Of course, Vita s torn legacy with the property prompted her dear friend Virginia Woolf to pen Orlando, furthering the place s fame and glamorous lustre. Similarly, the architectural and decorative features of the house, so splendidly revealed by Ashley s photographs, illustrate the different tastes of successive ages, from Thomas Sackville s seventeenth-century makeover of a ramshackle medieval mansion to an early twentieth-century suite of rooms designed in the Bohemian style. Knole has never been illuminated in this way before.

Ashley Hicks has created a mix of manifesto, souvenir album, and confession in this collection of noteworthy rooms featuring his own one-of-a-kind interiors along with rooms that have inspired him. The manifesto aspect is rather limited, since Hicks is not a great believer in aesthetic rules or the value of so-called good taste, but as a souvenir album, it charts Hicks s personal creative journey of the last few years, illustrated with photographs of some favorite historical interiors and objects that represent a mixture of source material and inspiration. The book s twelve chapters reveal Hicks s creative process, how he approaches different themes in his own interiors, furniture designs, and works of art, and how these themes can be applied to the works of others. Such subjects as flowers, color, layers, form, pattern, and memory are presented in the context of actual projects. Historical and recent interiors are discussed for their decorative value notable rooms and architecture, including the Pantheon in Rome; Emperor Maximilian s tomb in Innsbruck; the Royal Pavilion, Brighton; and the Petit Trianon at Versailles. Hicks has created a book for devotees of decorating and the history of interior design.

With rare access, interior designer and artist Ashley Hicks has photographed the State Rooms of Buckingham Palace, home of Britain's monarch since 1837. An important representation of Regency, Victorian, and Edwardian styles, the palace is the work of such noted architects as John Nash. Hicks's eye brings a vibrant take on the formal spaces, capturing the magnificent rooms furnished with treasures from the Royal Collection. Starting at the Grand Staircase, Hicks leads us through the opulently decorated State Rooms, which include the White Drawing Room and the Blue Drawing Room that both overlook the palace gardens; the Ballroom, which is the setting for twenty investiture ceremonies each year; and the Throne Room, used by Queen Victoria for spectacular costume balls in the 1840s. The long, skylit Picture Gallery is hung with important works of art in the Royal Collection by Rembrandt, Rubens, Poussin, van Dyck, Vermeer, and Canaletto, among others. Decorative furnishings from George IV's exotic Brighton Pavilion lend a fanciful turn to many of the rooms. This intimate tour through the Buckingham Palace State Rooms is a necessary addition to the libraries of devotees of the royal family, English architecture, decoration, and the fine arts in general.

Iconic deisigner David Hicks (1929–1998) wowed the English decorating world with his bold geometric prints, electrifying color combinations, and quirky mix of antique and contemporary furniture. Thanks to his prodigious talents, his gift for publicity, and his connection to the royal family through his wife, Lady Pamela Mountbatten (cousin of Prince Philip), Hicks attracted an A-list clientele. For decades, Hicks documented every salient moment of his life in scrapbooks, amassing 24 volumes filled with press clippings, invitations, swatches of his signature textiles, sketches of interiors, magazine articles on his projects, and hundreds of photographs, mainly family snapshots but also his own photos of people like Jackie Kennedy, Grace Kelly, and Andy Warhol. Many of the pages, now thumbed and foxed, are laid out in a collage style, and several are embellished with drawings and notes, revealing Hicks’s thoughts and sense of whimsy. Here, his son, Ashley Hicks, has chosen more than 325 of the best pages—providing not just a window into the extraordinary world of David Hicks but also a fascinating time capsule.

Known for his bold use of color, eclecticism, and geometric designs in carpets and textiles, Hicks turned English decorating on its head in the 1950s and 60s. His trademark use of electrifying color combinations, and mixing antiques, modern furniture, and abstract paintings became the in style for the chic of the day, including Vidal Sassoon and Helena Rubinstein. By the 1970s, David Hicks was a brand; his company was making wallpaper, fabrics, and linens and had outposts in eight countries, including the United States where he worked with the young Mark Hampton, and where his wallpaper was used in the White House. My greatest contribution as an interior designer has been to show people how to use bold color mixtures, how to use patterned carpets, how to light rooms, and how to mix old with new, he stated in his 1968 work, David Hicks on Living With Taste, the last authoritative book on his work. Written by his son, Ashley Hicks, with unprecedented access to Hicks s archives, personal photographs, journals, and scrapbooks, this book is a vibrantly illustrated celebration of a half century of stunning interiors.