Ashley Prentice Norton

An innocent little girlA phenomenal fortuneA mother like no otherTen-year old Bettina and her mother, Babs, are heiresses to one of America's biggest fortunes. But Bettina’s whole life is overshadowed by that of her beautiful, hedonistic mother, the glamorous but domineering Babs.At fifteen, Bettina escapes to New England and an exclusive, preppy boarding school called Cardiss, where she hopes she can finally start to figure out who she really is. But while she thinks that fitting in with the other students represents her best chance of surviving the cliques and politics of Cardiss, soon she’s making choices that show that Babs' maternal shadow still looms long over her. Can Bettina ever break free to forge her own identity - or is she simply doomed to being her mother's daughter forever?

A seductive novel about a privileged but damaged Manhattan wife whose main source of stability -- her marriage -- comes under threat, from forces both without and within. For most of their marriage, Althea has fluctuated between extreme depressive and manic states -- what she calls "the Tombs" and "the Visions" -- and Oliver has been the steady hand that guided her to safety. This summer, Althea decides that she will be different from here on. She will be the loving, sexy wife Oliver wants, and the reliable, affectionate mother their nine year-old daughter Clem deserves. Her plan: to bring Clem to their Easthampton home once school is out -- with no "summer girl" to care for her this time -- and become "normal." But Oliver is distant and controlling, and his relationship with their interior decorator seems a bit too close; Clem has learned to be self-sufficient, and getting to know her now feels like very hard work for Althea. Into this scene enters the much younger, David Foster Wallace-reading house painter, who reaches something in Althea that has been long buried. Fearless, darkly funny, and compulsively readable, If You Left explores the complex dance that is the bipolar marriage, and the possibility that to move forward, we might have to destroy the very things we've worked hardest to build.