Beatrix Ruf

The definitive survey of Keith Tyson's thirty-year career. British Turner Prize-winning artist Keith Tyson is known for a distinctive and diverse body of work including drawing, painting, installation and sculpture. Showing a wide range of influences, from mathematics and science through to poetry and mythology, he is interested in how art emerges from the combination of information systems and physical processes that surround us every day. For over thirty years, Tyson has probed, dissected, explored and questioned reality. Not fixed to one artistic style, Tyson sets out to challenge himself and the audience, whilst working with diverse materials – paint, clay, metal, resin – to question our knowledge of the world we perceive as real, and art’s role in representing it. With newly commissioned texts from an internationally diverse array of writers, and including a previously unpublished interview with the artist, this is the definitive survey of one of the most restless and adventurous creators working today.

German-born artist Thomas Mullenbach plays with our everyday perception of the normal and well-known and undermines ourcollective ideas of sense, value, and purpose of the visible world. To this end, the now Zurich-based artist explores the discipline of art history and puts the possibilities and limits of painting up for discussion.This lavishly illustrated new monograph features a range of Thomas Mullenbach's paintings and drawings. Published inconjunction with a recent exhibition at Kunsthalle Zurich, it focuses on Mullenbach's more recent works, many of which hecreated especially for this show. Essays by Elke Bippus and Juri Steiner and a conversation between curator Beatrix Ruf and Thomas Mullenbach complement the illustrations.

Israeli artist Uri Aran (born 1977) humorously explores the manipulation of commonplace objects in his videos, drawings, assemblages, texts and sculptures. This first monograph tours the artist's production through a detailed selection of his works, numerous installation views, texts and interviews.

The first critical reader on one of today's most pivotal (and perplexing) contemporary artists.Liam Gillick emerged as part of the generation of "Young British Artists" who energized the British art scene in the 1980s and 1990s. He is now one of the most influential (and perplexing) artists in all of contemporary art. Gillick's discursive mode of art practice-often associated with "relational aesthetics"-complicates object production, embraces the exhibition as medium, and explores the social role and function of art. His body of work includes variations on "discussion platforms" (architectural structures that question or facilitate social interaction), text sculptures, and published texts that reflect on the increasing gap between utopian idealism and the real world. Artist, writer, curator, and provocateur, Gillick explores how an artistic practice can be conducted and represented, while at the same time questioning curatorial practice and the conventions of applied design. This reader coincides with a year-long, multi-venue, mid-career retrospective that serves both as a continuous investigation into Gillick's practice and an in-depth study of his work to date. The book offers a range of critical perspectives on Gillick's work. Among them: political scientist Chantall Mouffe develops her notion of radical democracy and antagonism; sociologist Maurizio Lazzarato (whose theorization of immaterial labor influenced Gillick) comments on the current economic crisis; philosopher and artist Benoit Maire links Gillick to continental philosophy; and Johanna Burton questions Gillick's practice in the context of feminist critique.ContributorsPeio Aguirre, Julieta Aranda, Johanna Burton, Nikolaus Hirsch, John Kelsey, Maurizio Lazzarato, Maria Lind, Sven Lutticken, Benoit Maire, Chantall Mouffe, Barbara Steiner, Marcus Verhagen