Bernd Brunner

A multifaceted cultural history of pilgrimage and travel to the Holy Land from the Middle Ages to the dawn of the twentieth century For countless pilgrims throughout history, the Holy Land was a destination unlike any other. Travelling there could free you of your sins, get you knighted or offer hope of being cured of illness. Above all, it brought you closer to the mystery surrounding places laden with religious meaning. But for Christians in particular, the journey was often very different from what they expected and the gap between expectation and reality plunged more than a few into deep crisis. They Came to the Holy Land tells the remarkable stories of those who undertook this taxing and often dangerous trip to Palestine. Drawing on travel writings spanning the medieval era to the end of the Ottoman Empire, many newly translated and presented in English for the first time, Bernd Brunner reveals how the Holy Land was a place of both fulfillment and disappointment for Jews, Muslims and Christians who were drawn there by religious fervour, the thirst for knowledge or misinformation. We meet a host of fascinating characters, from German Templars and American missionaries to Zionist visionaries, Indigenous dragomans, scientists, aristocrats and pilgrims journeying alone. What they all had in common was a destination whose peoples, cultures, and arid landscape often proved a source of profound disillusionment. Historically insightful and richly told, They Came to the Holy Land brings to life the experiences of swashbucklers, true believers and border crossers of every kind, offering a vivid portrait of how the Holy Land was imagined, misunderstood and rediscovered over the centuries.

Scholars and laymen alike have long projected their fantasies onto the great expanse of the global North, whether it be as a frozen no-man’s-land, an icy realm of marauding Vikings or an unspoiled cradle of prehistoric human life. Bernd Brunner reconstructs the encounters of adventurers, colonists and indigenous communities that led to the creation of a northern “cabinet of wonders” and imbued Scandinavia, Iceland and the Arctic with a perennial mystique. Like the mythological sagas that inspired everyone from Wagner to Tolkien, Extreme North explores both the dramatic vistas of the Scandinavian fjords and the murky depths of a Western psyche obsessed with Nordic whiteness. In concise but thoroughly researched chapters, Brunner highlights the cultural and political fictions at play from the first “discoveries” of northern landscapes and stories, to the eugenicist elevation of the “Nordic” phenotype (which in turn influenced America’s limits on immigration), to the idealisation of Scandinavian social democracy as a post-racial utopia. Brunner traces how crackpot Nazi philosophies that tied the “Aryan race” to the upper latitudes have influenced modern pseudoscientific fantasies of racial and cultural superiority the world over. The North, Brunner argues, was as much invented as discovered. Full of glittering details embedded in vivid storytelling, Extreme North is a fascinating romp through both actual encounters and popular imaginings, and a disturbing reminder of the power of fantasy to shape the world we live in.

People have perennially projected their fantasies onto the North as a frozen no-man’s-land full of marauding Vikings or as the unspoiled landscape of a purer, more elemental form of life. Bernd Brunner recovers the encounters of adventurers with its dramatic vistas, fierce weather, exotic treasures and indigenous peoples—and with the literary sagas that seemed to offer an alternate (“whiter” and “superior”) cultural origin story to those of decadent Greece or Rome, and the moralistic “Semitic” Bible. The Left has idealised Scandinavian social democracy. The Right borrows from a long history of crackpot theories of Northern origins. Nordic phenotypes characterised eugenics, which in turn influenced America’s limits on immigration. The North, Brunner argues, was as much invented as discovered. A valuable contribution to intellectual history, full of vivid documentation, Extreme North is an enlightening journey through a place that is real, but also, in fascinating and very disturbing ways, imaginary.

A captivating cultural and scientific history of orchards, for readers of Michael Pollan's The Botany of Desire and Mark Kurlansky’s Salt. Throughout history, orchards have nourished both body and soul: they are sites for worship and rest, inspiration for artists and writers, and places for people to gather. In Taming Fruit, award-winning writer Bernd Brunner interweaves evocative illustrations with masterful prose to show that the story of orchards is a story of how we have shaped nature to our desires for millennia. As Brunner tells it, the first orchards may have been oases dotted with date trees, where desert nomads stopped to rest. In the Amazon, Indigenous people maintained mosaic gardens centuries before colonization. Modern fruit cultivation developed over thousands of years in the East and the West. As populations expanded, fruit trees sprang from the lush gardens of the wealthy and monasteries to fields and roadsides, changing landscapes as they fed the hungry. But orchards don’t just produce fruit; they also inspire great artists. Taming Fruit shares paintings, photographs, and illustrations alongside Brunner's enchanting descriptions and research, offering a multifaceted-—and long-awaited—portrait of the orchard.

“Mr. Brunner’s winning book is a reassuring, nostalgic reminder that winter is the season of both play and regeneration.”—Wall Street Journal In Winterlust, a farmer painstakingly photographs five thousand snowflakes, each one dramatically different from the next. Indigenous peoples thrive on frozen terrain, where famous explorers perish. Icicles reach deep underwater, then explode. Rooms warmed by crackling fires fill with scents of cinnamon, cloves, and pine. Skis carve into powdery slopes, and iceboats traverse glacial lakes. This lovingly illustrated meditation on winter entwines the spectacular with the everyday, expertly capturing the essence of a beloved yet dangerous season, which is all the more precious in an era of climate change “Brunner masterfully does in words what resilient and adventurous people have done in their lives for centuries; he finds beauty in blizzards and ice and the crystallized enchantment of snow.” —Dan Egan, Pulitzer finalist and author of The Death and Life of the Great Lakes

"An exquisitely beautiful book ...These stories about birds are ultimately reflections on the curious nature of humanity itself"? Helen Macdonald, author of H Is for HawkThere is no denying that many people are crazy for birds. Packed with intriguing facts and exquisite and rare artwork, Birdmania showcases an eclectic and fascinating selection of bird devotees who would do anything for their feathered friends.In addition to well-known enthusiasts such as Aristotle, Charles Darwin, and Helen Macdonald, Brunner introduces readers to Karl Russ, the pioneer of "bird rooms", who had difficulty renting lodgings when landlords realized who he was; George Lupton, a wealthy Yorkshire lawyer, who commissioned the theft of uniquely patterned eggs every year for twenty years from the same unfortunate female guillemot who never had a chance to raise a chick; George Archibald, who performed mating dances for an endangered whooping crane called Tex to encourage her to lay; and Mervyn Shorthouse, who posed as a wheelchair-bound invalid to steal an estimated ten thousand eggs from the Natural History Museum in Tring.As this book illustrates, people who love birds, whether they are amateurs or professionals, are as captivating and varied as the birds that give flight to their dreams.

An entertaining, often surprising cultural examination of Earth’s moon, through history, science, and literature, from ancient times to the present Werewolves and Wernher von Braun, Stonehenge and the sex lives of sea corals, aboriginal myths, and an Anglican bishop: In his new book, Moon, Bernd Brunner weaves variegated information into an enchanting glimpse of Earth’s closest celestial neighbor, whose mere presence inspires us to wonder what might be “out there.”Going beyond the discoveries of contemporary science, Brunner presents an unusual cultural assessment of our complex relationship with Earth’s lifeless, rocky satellite. As well as offering an engaging perspective on such age-old questions as “What would Earth be like without the moon?” Brunner surveys the moon’s mythical and religious significance and provokes existential soul-searching through a lunar lens, inquiring, “Forty years ago, the first man put his footprint on the moon. Will we continue to use it as the screen onto which we cast our hopes and fears?”Drawing on materials from different cultures and epochs, Brunner walks readers down a moonlit path illuminated by more than seventy-five vintage photographs and illustrations. From scientific discussions of the moon’s origins and its “chronobiological” effects on the mating and feeding habits of animals to an illuminating interpretation of Bishop Francis Godwin’s 1638 novel The Man in the Moone, Brunner’s ingenious and interdisciplinary explorations recast a familiar object in an entirely original and unforgettable light and will change the way we view the nighttime sky.