Bette Howland

‘Reminiscent of Edna O’Brien, with shades too of Jean Rhys.’ – The Irish TimesThings to Come and Go showcases the incomparable talent of Bette Howland in three novellas of stunning power, beauty, and sustaining humour.‘Birds of a Feather’ is a daughter’s story of her extended, first-generation family, the ‘big, brassy yak-yakking Abarbanels’. Esti, a merciless, astute observer, recalls growing up amid (the confusions and difficulties of) their history, quarrels, judgements, noisy love and inescapable bonds of blood.In ‘The Old Wheeze’ a single mother in her twenties returns to her sunless apartment after a date at the ballet. Shifting between four viewpoints – the young woman, the older professor who took her out, her son, and her son’s babysitter – the story masterfully captures the impossibility of liberating ourselves from the self.In ‘The Life You Gave Me’, a woman at the midpoint of life is called to her father’s sickbed. A lament for all that is forever unsaid and unsayable, the story is ‘an anguished meditation on growing up, growing old and being left behind, a complaint against time.’ (The New York Times)First published in 1984, Things to Come and Go, Bette Howland’s final book, is a collection of haunting urgency about arrivals and departures, and the private, insoluble dramas in the lives of three women.With an introduction by Rumaan Alam, bestselling author of Leave the World Behind.

From the acclaimed author of Calm Sea and Prosperous Voyage and the memoir W-3, a trio of novellas about three women's bold exploration of the desire for belonging as it comes into conflict with the fulfillment of our individual selves. With an introduction by Rumaan Alam.Over the past several years, A Public Space has brought the work of Bette Howland back into print. First published in 1983, Things to Come and Go is her final book, and a showcase of her stunning talent--the razor-sharp observations, the elusive narrators, the language at once experimental and classical.Nearly forty years later, it's writing that "feel s] revelatory and imperative to the work we might all be trying to make next" (Lynn Steger Strong).

‘Dazzlingly and daringly written’ Rachel Cooke, ObserverW-3 is a small psychiatric ward in a large university hospital, a world of pills and passes dispensed by an all-powerful staff, a world of veteran patients with grab-bags of tricks, a world of dishevelled, moment-to-moment existence on the edge of permanence.Bette Howland was one of those patients. In 1968, Howland was thirty-one, a single mother of two young sons, struggling to support her family on the part-time salary of a librarian; and labouring day and night at her typewriter to be a writer. One afternoon, while staying at her friend Saul Bellow’s apartment, she swallowed a bottle of pills.W-3 is a vivid – and often surprisingly funny – portrait of the extraordinary community of Ward 3 and a record of a defining moment in a writer’s life. The book itself would be her salvation: she wrote herself out of the grave.Originally published in 1974 and rediscovered forty years later, this is the first edition of W-3 to be published in the UK. With an original introduction by Yiyun Li, author of Where Reasons End.‘W-3 is one hell of a debut’ Lucy Scholes, Paris Review‘Howland is finally getting the recognition that she deserves’ Sarah Hughes, iNews

'Honest, acerbic, alert, and always dazzling.' - Amitava Kumar, author of Immigrant, MontanaThings to Come and Go showcases the incomparable talent of Bette Howland in three novellas of stunning power, beauty, and sustaining humour.‘Birds of a Feather’ is a daughter’s story of her extended, first-generation family, the ‘big, brassy yak-yakking Abarbanels’. Esti, a merciless, astute observer, recalls growing up amid (the confusions and difficulties of) their history, quarrels, judgements, noisy love, and inescapable bonds of blood.In ‘The Old Wheeze’, a single mother in her twenties returns to her sunless apartment after a date at the ballet. Shifting between four viewpoints – the young woman, the older professor who took her out, her son, and her son’s babysitter – the story masterfully captures the impossibility of liberating ourselves from the self.In ‘The Life You Gave Me’, a woman at the midpoint of life is called to her father’s sickbed. A lament for all that is forever unsaid and unsayable, the story is ‘an anguished meditation on growing up, growing old and being left behind, a complaint against time.’ (The New York Times)First published in 1984, Things to Come and Go, Bette Howland’s final book, is a collection of haunting urgency about arrivals and departures, and the private, insoluble dramas in the lives of three women.This edition features an introduction by Rumaan Alam, bestselling author of Leave the World Behind.'Stunning power and beauty abound in this book.' - The New York Times'Howland recalls the short-story writer Lucia Berlin' - Harper's Magazine

'W-3 is one hell of a debut' Lucy Scholes, Paris Review'At moments dazzlingly and daringly written' Rachel Cook, Observer'Howland is finally getting the recognition that she deserves' Sarah Hughes, iNewsW-3 is a small psychiatric ward in a large university hospital, a world of pills and passes dispensed by an all-powerful staff, a world of veteran patients with grab-bags of tricks, a world of dishevelled, moment-to-moment existence on the edge of permanence.Bette Howland was one of those patients. In 1968, Howland was thirty-one, a single mother of two young sons, struggling to support her family on the part-time salary of a librarian; and labouring day and night at her typewriter to be a writer. One afternoon, while staying at her friend Saul Bellow’s apartment, she swallowed a bottle of pills. W-3 is a vivid – and often surprisingly funny – portrait of the extraordinary community of Ward 3 and a record of a defining moment in a writer’s life. The book itself would be her salvation: she wrote herself out of the grave.Originally published in 1974 and rediscovered forty years later, this is the first edition of W-3 to be published in the UK. With an original introduction by Yiyun Li, author of Where Reasons End.‘For a long time it had seemed to me that life was about to begin—real life. But there was always some obstacle in the way . . . At last it had dawned on me that these obstacles were my life.’

'One of the significant writers of her generation.' Saul Bellow'Her prose is cooler than a cocktail and sharper than a Japanese knife . . . Nora Ephron meets Lorrie Moore, which is about as good as it gets.' Rachel Cooke, Observer'We should be glad to have her back . . . Howland has the pinpoint vision that can make any sentence into a jewel.' John Self, The TimesBlue in Chicago brings together the bittersweet short stories of the remarkable American writer Bette Howland. Hailed as a major talent before all but disappearing from public view, this tenderly compiled collection restores her vital voice to our shelves. Bette Howland was an outsider: an intellectual from a working-class neighborhood in Chicago; a divorcee and single mother, to the disapproval of her Jewish family; an artist chipped away at by poverty and self-doubt. Her stories radiate a passionate commitment to the lives of ordinary people and the humble grace of everyday.From city streets to the hospital to the public library to the mundane family outing, her sly humour, aching melancholy and tender insight illuminate every page. Here is an astonishing literary voice rediscovered. Blue in Chicago features an afterword by Honor Moore and was published in the US under the title Calm Sea and Prosperous Voyage.'Beautifully bittersweet . . . funny, ruefully poetic and effortlessly perceptive.' Daily Mail'Captivating writing: rhythmic, alert, empathetic . . . I haven’t enjoyed another book more this year.' Telegraph'Profound . . . To read Bette Howland is to be handed a gift you didn't know you needed.' Irenosen Okojie, author of Nudibranch

'One of the significant writers of her generation.' Saul Bellow'Her prose is cooler than a cocktail and sharper than a Japanese knife . . . Nora Ephron meets Lorrie Moore, which is about as good as it gets.' Observer'We should be glad to have her back . . . Howland has the pinpoint vision that can make any sentence into a jewel' The TimesBlue in Chicago brings together the bittersweet short stories of the remarkable American writer Bette Howland. Hailed as a major talent before all but disappearing from public view, this tenderly compiled collection restores her vital voice to our shelves.Bette Howland was an outsider: an intellectual from a working-class neighborhood in Chicago; a divorcee and single mother, to the disapproval of her Jewish family; an artist chipped away at by poverty and self-doubt. Her stories radiate a passionate commitment to the lives of ordinary people and the humble grace of everyday.From city streets to the hospital to the public library to the mundane family outing, her sly humour, aching melancholy and tender insight illuminate every page. Here is an astonishing literary voice rediscovered.Blue in Chicago features an afterword by Honor Moore and was published in the US under the title Calm Sea and Prosperous Voyage.'Beautifully bittersweet . . . funny, ruefully poetic and effortlessly perceptive.' Daily Mail'Remarkable . . . Captivating writing: rhythmic, alert, empathetic . . . I haven’t enjoyed another book more this year.' Telegraph'Profound . . . To read Bette Howland is to be handed a gift you didn't know you needed.' Irenosen Okojie, author of Nudibranch

Calm Sea and Prosperous Voyage restores to the literary canon an extraordinarily gifted writer, who was recognized as a major talent, with Guggenheim and MacArthur "genius" fellowships, before all but disappearing from public view for decades, until nearly the end of her life when her work was rediscovered. Bette Howland herself was an outsider: an intellectual from a working-class neighborhood in Chicago; a divorc e and single mother, to the disapproval of her family; an artist chipped away at by poverty and perfection. Each of these facets plays a central role in her work. Mining her deepest emotions for her art, she chronicles the tensions of her generation--and her native city--with a flair for language in the tradition of Lucia Berlin, Kathleen Collins, and Grace Paley. Calm Sea and Prosperous Voyage introduces a new generation of readers to a wry, brilliant observer and a writer of great empathy and sly, joyous humor. With an afterword by Honor Moore.

Kirkus 2019 Best Fiction Chicago Tribune Notable Book of 2019A Booklist Best New Book Vogue.com Best Book Chicago Public Library Best of the Best Book of 2019 "Loving, lacerating sketches." --Harper's Calm Sea and Prosperous Voyage restores to the literary canon an extraordinarily gifted writer, who was recognized as a major talent before all but disappearing from public view for decades, until nearly the end of her life. Bette Howland herself was an outsider―an intellectual from a working-class neighborhood in Chicago; a divorc e and single mother, to the disapproval of her family; an artist chipped away at by poverty and perfection. Each of these facets plays a central role in her work. Mining her deepest emotions for her art, she chronicles the tension of her generation. Calm Sea and Prosperous Voyage introduces a new generation of readers to a wry, brilliant observer and a writer of great empathy and sly, joyous humor.