Bill Barich

After meeting an Irishwoman in London and moving to Dublin, Bill Barich, a "blow-in," or stranger, in Irish parlance found himself looking for a traditional Irish pub to be his local. There are nearly 12,000 pubs in Ireland, so he appeared to have plenty of choices. He wanted a pub like the one in John Ford's classic movie, The Quiet Man, offering talk and drink with no distractions, but such pubs are now scarce as publicans increasingly rely on flat-screen televisions, rock music, even Texas Hold 'Em to attract a dwindling clientele. For Barich, this signaled that something deeper was at play an erosion of the essence of Ireland, perhaps without the Irish even being aware. A Pint of Plain is Barich's witty, deeply observant portrait of an Ireland vanishing before our eyes. While 85 percent of the Irish still stop by a pub at least once a month, strict drunk-driving laws have helped to kill business in rural areas. Even traditional Irish music, whose rich roots connect the past to the present and close a circle, is much less prominent in pub life. Ironically, while Irish pubs in the countryside are closing at the alarming rate of one per day, plastic IPC-type pubs are being born in foreign countries at the exact same rate. From the famed watering holes of Dublin to tiny village pubs, Barich introduces a colorful array of characters, and, ever pursuing craic, the ineffable Irish word for a good time, engages in an unvarnished yet affectionate discussion about what it means to be Irish today.

An Angle on the World is a brilliant tribute to Bill Barich's extraordinary range as a writer. Gathering together more than thirty years of work, this book addresses such diverse subjects as a murder trial in the Caribbean, a visit to a juju doctor in Nigeria, and the author's youthful escapades in Italy and the Haight-Ashbury. As the New York Times put it, "An easy, fluid stylist, Barich writes entertainingly about anything." As a staff writer at the New Yorker, Barich found editorial support for his long form dispatches. He makes no pretense of being an objective observer. Instead he's out to capture what Norman Mailer called "the feel of the phenomenon," be it the texture of street life in Belfast or the trails of operating a home for paranoid schizophrenics in San Francisco. He finds heroes in such unlikely places as San Fernando Valley, where former gang members try to prevent teenagers from killing one another in turf wars. The hallmark of An Angle on the World is its compassion. Few writers are as gifted as Barich at making people come alive on the page. His portrait of David Milch, the legendary creator of HBO's Deadwood, offers an inside look at an eccentric genius at work. Here the Grateful Dead's Jerry Garcia is depicted as a real person, not a rock star cliché. Barich's touch is light, intimate, and acutely aware of our foibles. Whenever he hits the road, whether to London or Barbados, he expresses the sheer joy of being alive. An Angle on the World is an ideal bedside reader, packed with insight, good humor, and razor-sharp prose that has earned Barich his enviable reputation as a writers' writer.

The author of the racetrack classic Laughing in the Hills describes how a new life in Dublin led to his growing involvement with the Irish obsession with horses, racing, and wagers and recounts his encounters with the leading Irish trainers, jockeys, horses, bookies, and a populace fascinated by the world of horse racing. Reprint. 12,500 first printing.

Experience the sheer thrill and joy of national hunt racing as an American novelist follows a select group of leading horses and their Irish trainers on their annual pilgrimage to the Cheltenham Festival, in this evocative book on the jumps and the Irish love of horse racing.