Billy Collins

Its success was something no one before had ever known. The Spartacus Road is the route along which this rebel army outfought the world's finest military forces between 73and 71 BC, bringing both fears and hopes that have never wholly left the modern mind. Sweepingly erudite and strikingly personal, The Spartacus Road is a book like none other--at once a journalist's notebook, a reflection on life's fragility, including the author's own fight against cancer; and a classicist's celebration. As he travels along the Spartacus Road and into the classical Italian landscape, Stothard breathes new life into a singular war in antiquity, recounting one of the greatest stories of the ages.

In this moving and playful collection, Billy Collins touches on an array of subjects--love, death, solitude, youth, and aging--delving deeper than ever before into the intricate folds of life.

It is no understatement to say that Billy Collins has found poetry a whole new audience across the English-speaking world. No poet writing today insists on such open, direct and courteous engagement with the reader, and no poet has shown the common experience to be such an astonishing and singular one. Collins’ gift is to make the reader believe that everything is unfolding in real time and in living speech; his poetry always has the sheen and vibrancy of the present moment. While Ballistics addresses the most grave and serious of subjects - death and love, solitude and aging - Collins’ light touch and lighter spirit never desert him. Even in his darkest verses, Collins never fails to remind us of the sheer miracle, comedy and strangeness of our simply being here. ‘The teasing, buoyant images in Ballistics are firmly anchored in visions of too-quiet mornings, droplets of water, cold marble and bare light bulbs. But he now writes, more simply and assuredly than he used to, about the flights of imagination that keep melancholy at bay . . . Ballistics glows with the confidence of a writer fully aware of his work’s power to delight’ New York Times

This title includes the best poems from this influential journal. This substantial anthology charts the development of this influential journal decade by decade, making clear that although it has close ties to a particular region, it has consistently maintained a national scope, publishing poets from all over the United States. SPR's goal has been to celebrate the poem above all, so although there are poems by major poets here, there are many gems by less famous, perhaps even obscure, writers too. Here are 183 poems by nearly as many poets, from A. R. Ammons, Kathryn Stripling Byer, James Dickey, Mark Doty, Claudia Emerson, David Ignatow, and Carolyn Kizer to Ted Kooser, Maxine Kumin, Denise Levertov, Howard Nemerov, Sharon Olds, Linda Pastan, and Charles Wright.

This title includes the best poems from this influential journal. This substantial anthology charts the development of this influential journal decade by decade, making clear that although it has close ties to a particular region, it has consistently maintained a national scope, publishing poets from all over the United States. SPR's goal has been to celebrate the poem above all, so although there are poems by major poets here, there are many gems by less famous, perhaps even obscure, writers too. Here are 183 poems by nearly as many poets, from A. R. Ammons, Kathryn Stripling Byer, James Dickey, Mark Doty, Claudia Emerson, David Ignatow, and Carolyn Kizer to Ted Kooser, Maxine Kumin, Denise Levertov, Howard Nemerov, Sharon Olds, Linda Pastan, and Charles Wright.

An all-new collection of poetry by America's former Poet Laureate features witty, insightful, and simple poems dealing with the themes of jazz, the passage of time, love, boyhood, and writing. Reprint. 50,000 first printing.

"So welcome, readers, to a plurality of poets, a cornucopia of tropes, and a range of interests." -- From Billy Collins's introduction The Best American Poetry series offers a distinguished poet's selection of poems published in the course of a year. The guest editor for 2006 is Billy Collins, one of our most beloved poets, who has chosen poems of wit, humor, imagination, and surprise, in an array of styles and forms. The result is a celebration of the pleasures of poetry -- from Laura Cronk's marvelous "Sestina for the Newly Married" to the elegant limericks of R. S. Gwynn and from Reb Livingston on butter to Mark Halliday's "Refusal to Notice Beautiful Women." In his charming and candid introduction Collins explains how he chose seventy-five poems from among the thousands he considered. With insightful comments from the poets illuminating their work, and series editor David Lehman's thought-provoking foreword, The Best American Poetry 2006 is a brilliant addition to a series that links the most noteworthy verse and prose poems of our time to a readership as discerning as it is devoted to the art of poetry.

In 1988, the University of Arkansas Press published Billy Collins' ""The Apple That Astonished Paris"", his ""first real book of poems,"" as he describes it in a new, delightful preface written expressly for this new printing to help celebrate both the Press' twenty-fifth anniversary and this book, one of the Press' all-time best sellers. In his usual witty and dry style, Collins writes, ""I gathered together what I considered my best poems and threw them in the mail."" After ""what seemed like a very long time"" Press director Miller Williams, a poet as well, returned the poems to him in the ""familiar self-addressed, stamped envelope."" He told Collins that there was good work here but that there was work to be done before he'd have a real collection he and the Press could be proud of: ""Williams' words were more encouragement than I had ever gotten before and more than enough to inspire me to begin taking my writing more seriously than I had before."" This collection includes some of Collins' most anthologized poems, including ""Introduction to Poetry,"" ""Another Reason Why I Don't Keep a Gun in the House,"" and ""Advice to Writers."" Its success over the years is testament to Collins' talent as one of our best poets, and as he writes in the preface, ""this new edition...is a credit to the sustained vibrancy of the University of Arkansas Press and, I suspect, to the abiding spirit of its former director, my first editorial father.

In Nine Horses, Billy Collins, America s Poet Laureate for 2001 2003, continues his delicate negotiation between the clear and the mysterious, the comic and the elegiac. The poems in this collection reach dazzling heights while being firmly grounded in the everyday. Traveling by train, lying on a beach, and listening to jazz on the radio are the seemingly ordinary activities whose hidden textures are revealed by Collins s poetic eye. With clarity, precision, and enviable wit, Collins transforms those moments we too often take for granted into brilliant feats of creative imagination. Nine Horses is a poetry collection to savor and to share."

Billy Collins is one of the world’s most popular poets. While his poems often begin in the everyday and domestic, fans know that they might end anywhere – and that they will lift their heads from the book to a world startlingly different from the one they had left moments before. Billy Collins’ previous collection, Taking Off Emily Dickinson’s Clothes, was an extraordinary success, introducing thousands of readers to his exhilarating poetry for the first time. By turns wildly funny and intensely moving, Nine Horses has won Billy Collins even more admirers.

"The history of poetry and Poetry in America are almost interchangeable, certainly inseparable," A. R. Ammons wrote. Dear Editor, in gathering over 600 surprisingly candid letters to and from the editors of Poetry, traces the development of poetry in America: Ezra Pound's opinion of T. S. Eliot ("It is such a comfort to meet a man and not have to tell him to wash his face, wipe his feet") and of Robert Frost ("dull as ditch water...[but] set to be 'literchure' someday"); Edna St. Vincent Millay's pleas for an advance ("I am become very, very thin, and have taken to smoking Virginia tobacco"); Wallace Stevens on himself ("I have a pretty well-developed mean streak"). Here are the inside stories, the rivalries between aspiring authors, the inspirations behind classics, the practicalities (and politicking) of publishing. In fascinating anecdotes and literary gossip, scores of poets offer insights into the creative process and their reactions to historic events.

‘Billy Collins is one of my favourite poets in the world’ Carol Ann Duffy Readers will only have to open this book at random to realize the privation a life without Billy Collins has been. A writer of immense grace and humanity, Billy Collins shows how the great forces of history and nature converge on the tiniest details of our lives - and in doing so presents them in a new radiance. He is also unbelievably funny. ‘The most popular poet in America’ New York Times ‘Billy Collins writes lovely poems . . . Limpid, gently and consistently startling, more serious than they seem, they describe all the worlds that are and were and some others besides’ John Updike ‘Billy Collins’ medium is a rare amalgam of accessibility and intelligence. I’d follow this man’s mind anywhere. Expect to be surprised’ Michael Donaghy ‘Smart, his strings tuned and resonant, his wonderful eye looping over the things, events and ideas of the world, rueful, playful, warm voiced, easy to love’ E. Annie Proulx

Billy Collins has emerged as the most beloved American poet since Robert Frost, garnering critical acclaim and broad popular appeal. Annie Proulx admits, ""I have never before felt possessive about a poet, but I am fiercely glad that Billy Collins is ours."" This special, limited edition celebrates Billy Collins's years as U.S. Poet Laureate. Questions About Angels--one of the books that helped establish and secure his reputation and popularity during the 1990s--is remarkable for its wry, inquisitive voice and its sheer imaginative range. Edward Hirsch selected this classic book for the National Poetry Series, and each of Collins's poems-from his meditation on forgetfulness to his musings on the behavior of angels-is an exploration of imaginative possibilities. Whether reading him for the first time or the fiftieth, this collector's edition is a must-have for anyone interested in the poet the New York Times calls simply ""the real thing.""

Winner of the 1999 Paterson Poetry Prize Over the past decade, Billy Collins has emerged as the most beloved American poet since Robert Frost, garnering critical acclaim and broad popular appeal. Annie Proulx admits, "I have never before felt possessive about a poet, but I am fiercely glad that Billy Collins is ours." John Updike proclaims his poems "consistently startling, more serious than they seem, they describe all the worlds that are and were and some others besides." This special, limited edition celebrates Billy Collins's years as U.S. Poet Laureate. Picnic, Lightning—one of the books that helped establish and secure his reputation and popularity during the 1990s—combines humor and seriousness, wit and sublimity. His poems touch on a wide range of subjects, from jazz to death, from weather to sex, but share common ground where the mind and heart can meet. Whether reading him for the first time or the fiftieth, this collector's edition is a must-have for anyone interested in the poet the New York Times calls simply "the real thing."

Over the past decade, Billy Collins has emerged as the most beloved American poet since Robert Frost, garnering critical acclaim and broad popular appeal. Gerald Stern describes his poetry as "heartbreakingly beautiful." John Updike proclaims his poems "consistently startling, more serious than they seem, they describe all the worlds that are and were and some others besides."This special, limited edition celebrates Billy Collins's years as U.S. Poet Laureate. The Art of Drowning—one of the books that helped establish and secure his reputation and popularity during the 1990s—is distinctive in its variety of interests and the generous hospitality of its voice. Ranging from an analysis of Keats's handwriting to the art form of the calendar pinup, the subjects of his poems inspire imaginative play. Whether reading him for the first time or the fiftieth, this collector's edition is a must-have for anyone interested in the poet the New York Times calls simply "the real thing."