Bret Harte

Reprint of the original, first published in 1876.

Reprint of the original, first published in 1876.

Reprint of the original, first published in 1876.

Where the San Leandro turnpike stretches its dusty, hot, and interminable length along the valley, at a point where the heat and dust have become intolerable, the monotonous expanse of wild oats on either side illimitable, and the distant horizon apparently remoter than ever, it suddenly slips between a stunted thicket or hedge of "scrub oaks," which until that moment had been undistinguishable above the long, misty, quivering level of the grain. The thicket rising gradually in height, but with a regular slope whose gradient had been determined by centuries of western trade winds, presently becomes a fair wood of live-oak, and a few hundred yards further at last assumes the aspect of a primeval forest. A delicious coolness fills the air; the long, shadowy aisles greet the aching eye with a soothing twilight; the murmur of unseen brooks is heard, and, by a strange irony, the enormous, widely-spaced stacks of wild oats are replaced by a carpet of tiny-leaved mosses and chickweed at the roots of trees, and the minutest clover in more open spaces. The baked and cracked adobe soil of the now vanished plains is exchanged for a heavy red mineral dust and gravel, rocks and boulders make their appearance, and at times the road is crossed by the white veins of quartz. It is still the San Leandro turnpike, -a few miles later to rise from this canada into the upper plains again, -but it is also the actual gateway and avenue to the Robles Rancho. When the departing visitors of Judge Peyton, now owner of the rancho, reach the outer plains again, after twenty minutes' drive from the house, the canada, rancho, and avenue have as completely disappeared from view as if they had been swallowed up in the plai

Excerpt from Gabriel Conroy: A Novel The language of suffering is not apt to be artistic or studied, but I think that rhetoric could not improve this actual record. So I let it stand, even as it stood this I sth day of March 1848, half-hidden by a thin film of damp snow, the snow-whitened hand stiffened and pointing rigidly to the fateful carn like the finger of Death. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Gabriel Conroy is an unchanged, high-quality reprint of the original edition of 1876. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

Snow. Everywhere. As far as the eye could reach-fifty miles, looking southward from the highest white peak, -filling ravines and gulches, and dropping from the walls of ca ons in white shroud-like drifts, fashioning the dividing ridge into the likeness of a monstrous grave, hiding the bases of giant pines, and completely covering young trees and larches, rimming with porcelain the bowl-like edges of still, cold lakes, and undulating in motionless white billows to the edge of the distant horizon. Snow lying everywhere over the California Sierras on the 15th day of March 1848, and still falling.