Brian Turner

Fire and Forget includes the title story from Redeployment by Phil Klay, 2014 National Book Award Winner in FictionThese stories aren't pretty and they aren't for the faint of heart. They are realistic, haunting and shocking. And they are all unforgettable. Television reports, movies, newspapers and blogs about the wars in Iraq and Afghanistan have offered images of the fighting there. But this collection offers voices- powerful voices, telling the kind of truth that only fiction can offer.What makes the collection so remarkable is that all of these stories are written by those who were there, or waited for them at home. The anthology, which features a Foreword by National Book Award winner Colum McCann, includes the best voices of the wars' generation: award-winning author Phil Klay's Redeployment" Brian Turner, whose poem Hurt Locker" was the movie's inspiration Colby Buzzell, whose book My War resonates with countless veterans Siobhan Fallon, whose book You Know When the Men Are Gone echoes the joy and pain of the spouses left behind Matt Gallagher, whose book Kaboom captures the hilarity and horror of the modern military experience and ten others.

I sin debutbok ?Kulan som kommer? gav Brian Turner en upprörande, insiktsfull och vacker skildring av krigets verklighet. Då befann sig poesin mitt i kriget. Nu är Turner tillbaka med ?I skuggornas ständiga larm?, som tar sig an krigets traumatiska efterspel, de minnen och känslor som vägrar att försvinna och som tränger sig in i poetens vardag hemma i USA. Återigen förmår Brian Turner att ge läsaren insikt i en värld som är både skrämmande och främmande för de flesta av oss. Med ?I skuggornas ständiga larm? visar Turner vad poesin kan göra när den är som allra starkast.

Kulan som kommer är ett måste för alla som bryr sig om krig, oavsett politisk inställning. Dikterna skildrar livet i krigets vardag, där det blir ögonblickligt och ömtåligt men samtidigt bestående.

Brian Turner's first book of poems, Here, Bullet, was a harrowing, first-hand account of the Iraq War by a soldier-poet. In Phantom Noise he pumps up the volume as he faces and tries to deal with the traumatic aftermath of war. Flashbacks explode the daily hell of Baghdad into the streets and malls of peaceful California, at the same time sending Turner's imagination reeling back to Iraq. If he thought he had written all he could of his Iraq experiences in "Here, Bullet", he was mistaken, for what he saw and felt there affected him so profoundly that more poems had to be written, years later, from a place of apparent safety. Brian Turner writes a powerful poetry of witness, exceptional for its beauty, honesty and skill. Like Keith Douglas's poems from the North African desert in the Second World War, Turner's testament from the war in Iraq offers unflinchingly accurate description but no moral judgement, leaving the reader to draw any conclusions. Repetitive media reports show little of people's daily experience of the war and occupation. In "Phantom Noise", as in "Here, Bullet", we see and feel the devastatingly surreal reality of everyday life and death for soldiers and civilians through the eyes of an eloquent writer who served in the US Army for seven years, with a year's tour of duty in Iraq as an infantry team leader. Shortlisted for the T.S. Eliot Prize.

The poet’s ongoing love affair with his Central Otago home lies at the heart of this rich and compelling new collection that explores the politics of relationships and relationships themselves. Through a combination of people and place that gives the poems color and humor, the volume also examines friendship, politics, death, and the machinations of the modern business world. The mountains and lakes of the central South Island have a strong presence in the imagery, while wry observations of people in that landscape move the collection far beyond the confines of simple landscape poetry.

Here, Bullet is a harrowing, first-hand account of the Iraq War by a soldier-poet. Iraq war veteran Brian Turner writes powerful poetry of witness, exceptional for its beauty, honesty and skill. Like Keith Douglas’s poems from the North African desert in the Second World War, Turner’s testament from the war in Iraq offers unflinchingly accurate description but no moral judgement, leaving the reader to draw any conclusions. Repetitive media reports show little of people’s daily experience of the five-year war. In Here, Bullet, we see and feel the devastatingly surreal reality of everyday life and death for soldiers and civilians through the eyes of an eloquent writer who served in the US Army for seven years, with a year’s tour of duty in Iraq as an infantry team leader.

A first-person account of the Iraq War by a solider-poet, winner of the 2005 Beatrice Hawley Award. Adding his voice to the current debate about the US occupation of Iraq, in poems written in the tradition of such poets as Wilfred Owen, Yusef Komunyakaa (Dien Cai Dau), Bruce Weigl (Song of Napalm) and Alice James' own Doug Anderson (The Moon Reflected Fire), Iraqi war veteran Brian Turner writes power-fully affecting poetry of witness, exceptional for its beauty, honesty, and skill. Based on Turner's yearlong tour in Iraq as an infantry team leader, the poems offer gracefully rendered, unflinching description but, remarkably, leave the reader to draw conclusions or moral lessons. Here, Bullet is a must-read for anyone who cares about the war, regardless of political affiliation.