Cameron Awkward-Rich

Here is collection of poems about finding oneself in a life--an ordinary life that one could not have imagined--and making the decision to live it. Against our terribly ambivalent present--in which Black, trans, and other minoritized forms of life seem at once more possible than ever and, also, relentlessly under attack--An Optimism gives us poems in search of ways to survive--and even thrive. Anchored by an epistolary sequence directed to the 20th century poet and activist Pauli Murray, and looking to the work of other trans, queer, and black feminist writers like Audre Lorde, Lucille Clifton, and June Jordan for company and counsel, Cameron Awkward-Rich situate us in spaces intimate and capacious, from lovers' beds to the Gamma Quadrant across the Milky Way. Although it speaks resolutely and intimately from a particular "I", An Optimism turns to the creativity of the motley we to, in Hortense Spillers' words, make "a space for living." These are poems for the living, infused with hope and ancestral wisdom.

In The Terrible We Cameron Awkward-Rich thinks with the bad feelings and mad habits of thought that persist in both transphobic discourse and trans cultural production. Observing that trans studies was founded on a split from and disavowal of madness, illness, and disability, Awkward-Rich argues for and models a trans criticism that works against this disavowal. By tracing the coproduction of the categories of disabled and transgender in the United States at the turn of the twentieth century and analyzing transmasculine literature and theory by Eli Clare, Elliott DeLine, Dylan Scholinski, and others, Awkward-Rich suggests that thinking with maladjustment might provide new perspectives on the impasses arising from the conflicted relationships among trans, feminist, and queer. In so doing, he demonstrates that rather than only impeding or confining trans life, thought, and creativity, forms of maladjustment have also been and will continue to be central to their development. Duke University Press Scholars of Color First Book Award recipient

In The Terrible We Cameron Awkward-Rich thinks with the bad feelings and mad habits of thought that persist in both transphobic discourse and trans cultural production. Observing that trans studies was founded on a split from and disavowal of madness, illness, and disability, Awkward-Rich argues for and models a trans criticism that works against this disavowal. By tracing the coproduction of the categories of disabled and transgender in the United States at the turn of the twentieth century and analyzing transmasculine literature and theory by Eli Clare, Elliott DeLine, Dylan Scholinski, and others, Awkward-Rich suggests that thinking with maladjustment might provide new perspectives on the impasses arising from the conflicted relationships among trans, feminist, and queer. In so doing, he demonstrates that rather than only impeding or confining trans life, thought, and creativity, forms of maladjustment have also been and will continue to be central to their development. Duke University Press Scholars of Color First Book Award recipient