Carolina López-Ruiz

This volume provides an introduction to ancient Greek mythology through the theme of cosmogonies and theogonies —myths of origins that told the creation of the world and the birth and succession of the gods. Greek Mythology additionally features important foundational myths related to the early stages of humankind, such as the sequence of the Five Races, the first sacrifice, the creation of woman, and the Flood, all part of the core Greek myths about the beginnings of the world. The centerpiece of the volume is Hesiod's Theogony as well as parts of Works and Days which are, along with the Iliad and Odyssey, the earliest Greek literary texts preserved. The volume includes freshly translated excerpts from these canonical sources along with discussions of alternative cosmogonies and theogonies in the Greek tradition, in a rare feature for myth overviews. Beyond providing an overview of the central stories, Greek Mythology reveals myriad aspects of the myths, such as their literary form and performative contexts, their relationship to Near Eastern myths, their religious relevance and ritual function, and their reception, both in later antiquity and in modern times.

This volume provides an introduction to ancient Greek mythology through the theme of cosmogonies and theogonies —myths of origins that told the creation of the world and the birth and succession of the gods. Greek Mythology additionally features important foundational myths related to the early stages of humankind, such as the sequence of the Five Races, the first sacrifice, the creation of woman, and the Flood, all part of the core Greek myths about the beginnings of the world. The centerpiece of the volume is Hesiod's Theogony as well as parts of Works and Days which are, along with the Iliad and Odyssey, the earliest Greek literary texts preserved. The volume includes freshly translated excerpts from these canonical sources along with discussions of alternative cosmogonies and theogonies in the Greek tradition, in a rare feature for myth overviews. Beyond providing an overview of the central stories, Greek Mythology reveals myriad aspects of the myths, such as their literary form and performative contexts, their relationship to Near Eastern myths, their religious relevance and ritual function, and their reception, both in later antiquity and in modern times.

“An important new book…offers a powerful call for historians of the ancient Mediterranean to consider their implicit biases in writing ancient history and it provides an example of how more inclusive histories may be written.”—Denise Demetriou, New England Classical Journal“With a light touch and a masterful command of the literature, López-Ruiz replaces old ideas with a subtle and more accurate account of the extensive cross-cultural exchange patterns and economy driven by the Phoenician trade networks that ‘re-wired’ the Mediterranean world. A must read.”—J. G. Manning, author of The Open Sea“[A] substantial and important contribution…to the ancient history of the Mediterranean. López-Ruiz’s work does justice to the Phoenicians’ role in shaping Mediterranean culture by providing rational and factual argumentation and by setting the record straight.”—Hélène Sader, Bryn Mawr Classical ReviewImagine you are a traveler sailing to the major cities around the Mediterranean in 750 BC. You would notice a remarkable similarity in the dress, alphabet, consumer goods, and gods from Gibraltar to Tyre. This was not the Greek world—it was the Phoenician. Propelled by technological advancements of a kind unseen since the Neolithic revolution, Phoenicians knit together diverse Mediterranean societies, fostering a literate and sophisticated urban elite sharing common cultural, economic, and aesthetic modes. Following the trail of the Phoenicians from the Levant to the Atlantic coast of Iberia, Carolina López-Ruiz offers the first comprehensive study of the cultural exchange that transformed the Mediterranean in the eighth and seventh centuries BC. Greeks, Etruscans, Sardinians, Iberians, and others adopted a Levantine-inflected way of life, as they aspired to emulate Near Eastern civilizations. López-Ruiz explores these many inheritances, from sphinxes and hieratic statues to ivories, metalwork, volute capitals, inscriptions, and Ashtart iconography.Meticulously documented and boldly argued, Phoenicians and the Making of the Mediterranean revises the Hellenocentric model of the ancient world and restores from obscurity the true role of Near Eastern societies in the history of early civilizations.

The first comprehensive history of the cultural impact of the Phoenicians, who knit together the ancient Mediterranean world long before the rise of the Greeks.Imagine you are a traveler sailing to the major cities around the Mediterranean in 750 BC. You would notice a remarkable similarity in the dress, alphabet, consumer goods, and gods from Gibraltar to Tyre. This was not the Greek world—it was the Phoenician. Based in Tyre, Sidon, Byblos, and other cities along the coast of present-day Lebanon, the Phoenicians spread out across the Mediterranean building posts, towns, and ports. Propelled by technological advancements of a kind unseen since the Neolithic revolution, Phoenicians knit together diverse Mediterranean societies, fostering a literate and sophisticated urban elite sharing common cultural, economic, and aesthetic modes.The Phoenician imprint on the Mediterranean lasted nearly a thousand years, beginning in the Early Iron Age. Following the trail of the Phoenicians from the Levant to the Atlantic coast of Iberia, Carolina López-Ruiz offers the first comprehensive study of the cultural exchange that transformed the Mediterranean in the eighth and seventh centuries BC. Greeks, Etruscans, Sardinians, Iberians, and others adopted a Levantine-inflected way of life, as they aspired to emulate Near Eastern civilizations. López-Ruiz explores these many inheritances, from sphinxes and hieratic statues to ivories, metalwork, volute capitals, inscriptions, and Ashtart iconography.Meticulously documented and boldly argued, Phoenicians and the Making of the Mediterranean revises the Hellenocentric model of the ancient world and restores from obscurity the true role of Near Eastern societies in the history of early civilizations.

Offering an expansive view of the ancient Mediterranean world, Gods, Heroes, and Monsters: A Sourcebook of Greek, Roman, and Near Eastern Myths in Translation, Second Edition, presents essential Greek and Roman sources--including work from Homer, Hesiod, Virgil, and Ovid--alongside analogous narratives from the ancient Near East--Mesopotamia, Egypt, the Hittite kingdom, Ugarit, Phoenicia, and the Hebrew Bible. Some of the sources appear here in English translations for the first time. This collection stresses cultural continuities and comparisons, showing how Greek and Roman myths did not emerge in a vacuum but rather evolved from and interacted with their counterparts in the ancient Near East. Reinforcing this more inclusive definition of "classical," it is organized thematically, which allows readers to excamine each category of myth in a comparative and cross-cultural light. For example, "Part III: Epic Struggles: Gods, Heroes, and Monsters" provides sources that feature Greek heroes like Heracles, Apollo, Achilles, and Hector along with the Epic of Gilgamesh and other ancient Near Eastern selections that focus on the hero. Gods, Heroes, and Monsters, Second Edition. shows how the literature, inhabitants, and intellectual traditions of Greece and Rome and the ancient Near East were inextricably intertwined. The book is enhanced by a vibrant, full-color, 16-pg. photo insert, and many new translations by editor Carolina L pez-Ruiz and others.

This is the first book in English about the earliest historical civilization in the western Mediterranean, known as "Tartessos." Endowed with extraordinary wealth in metals and strategically positioned between the Atlantic and Mediterranean trading routes at the time of Greek and Phoenician colonial expansion, Tartessos flourished in the eight-seventh centuries BCE. Tartessos became a literate, sophisticated, urban culture in southwestern Iberia (today's Spain and Portugal), enriched by commercial contacts with the Aegean and the Levant since at least the ninth century. In its material culture (architecture, grave goods, sanctuaries, plastic arts), we see how native elements combined with imported "orientalizing" innovations introduced by the Phoenicians. Historians of the rank of Herodotos and Livy, geographers such as Strabo and Pliny, Greek and Punic periploi and perhaps even Phoenician and Hebrew texts, testify to the power, wealth, and prominence of this westernmost Mediterranean civilization. Archaeologists, in turn, have demonstrated the existence of a fascinating complex society with both strong local roots and international flare. Yet for still-mysterious reasons, Tartessos did not attain a "Classical" period like its peer emerging cultures did at the same time (Etruscans, Romans, Greeks). This book combines the expertise of its two authors in archaeology, philology, and cultural history to present a comprehensive, coherent, theoretically up-to-date, and informative overview of the discovery, sources, and debates surrounding this puzzling culture of ancient Iberia and its complex hybrid identity vis-à-vis the western Phoenicians. This book will be of great interest to students of the classics, archaeology and ancient history, Phoenician-Punic studies, colonization and cultural contact.

Ancient Greece has for too long been studied in isolation from its Near Eastern neighbors. And the ancient Near East itself has for too long been seen as an undifferentiated cultural monolith. Classics and Near Eastern Studies, in our modern universities, continue to be separated by various disciplinary, linguistic, and ideological walls. Yet there is a growing trend to dismantle these divides and look at the Greek world within its fullest geographical and cultural contexts.This book aims to bring the comparative study of Greek and Near Eastern cosmogonies to a new level. It analyzes themes such as succession myths, expressions of poetic inspiration, and claims to cosmic knowledge, as well as the role of itinerant specialists in the transmission of theogonies. Rather than compiling literary parallels from different periods and languages and treating the Near East as a monolithic matrix, the author focuses on the motifs specific to the North-West Semitic tradition with which the Greeks had direct contact in the Archaic period. Focusing on Hesiod’s Theogony, the Orphic texts, and their Ugaritic, Phoenician, and Hebrew counterparts, Carolina López-Ruiz avoids traditional diffusionist assumptions and proposes instead that dynamic cultural interaction led to the oral and intimate transmission of stories and beliefs.