Caroline Walker

It's about choices, and how they affect our future. An inconsequential decision becomes a catalyst for a life changing event. In 2020 three strangers find themselves left behind on an uninhabited island in south Thailand's Angthong chain. Worldwide the pandemic is brewing and borders are closing. They must learn to survive the power of nature and all the emotions that come with their experience.

It's about choices, and how they affect our future. An inconsequential decision becomes a catalyst for a life changing event. In 2020 three strangers find themselves left behind on an uninhabited island in south Thailand's Angthong chain. Worldwide the pandemic is brewing and borders are closing. They must learn to survive the power of nature and all the emotions that come with their experience.

_Uncertain Swimmer_ is the second monograph on the work of British artist Jonathan Wateridge (b. 1972, Lusaka, Zambia), presenting around eighty paintings and works on paper made between 2019 and 2022\. Following on from the bodies of work Enclave and Expatria (2016–18), _Uncertain Swimmer_ develops the artist’s interest in modes of representation and the legacies of twentieth-century modernist painting through a visual and social exploration of the motif of the pool, depicting swimmers and sunbathers, often by night. Far from being an escapist environment of aspiration and privilege, Wateridge imbues the pool with a disquieting atmosphere, creating a cumulative feeling of unease and ennui among those present, now seemingly unsure of their world. The publication charts a marked evolution in the artist’s style from the realism of his earlier paintings with complex multi-figure compositions to more solitary, gestural and expressive works. His masterly application of paint takes new forms in the beautiful, curious and often haunting paintings and works on paper showcased here. Art historian and curator Marco Livingstone’s essay considers the change from Wateridge’s naturalistic paintings to the flattened, reduced shapes, forms and lines of the modernism- and abstraction-infused pieces he is making today. Francis Bacon, Edvard Munch and Paul Cézanne are among numerous art historical influences cited by Livingstone, who ruminates on the identity of the people in Wateridge’s portraits and the mercurial spaces they occupy, examining how Wateridge’s current critical preoccupations have transitioned from the autobiographical to more formal concerns. In the featured conversation between Wateridge and fellow painter Caroline Walker, the two artists discuss their overlapping experiences studying painting at Glasgow, as well as Wateridge’s fourteen-year break from painting until 2005\. He eventually returned to the medium when he realised it excited him more than anything else. Wateridge elaborates on his fascinating painting process, staging shoots in studios with hired actors and using elements from the photographs in the paintings, often over a period of years. On his canvases, he will scrape back the paint and reapply it, frequently taking pictures of the paintings in their various stages; he will then print the photographs and draw over them to continue working out what he will do with the final paintings. For Wateridge, a painting works when it stops failing, and he embraces unforeseen conclusions. Jonathan Wateridge has recently exhibited with the Hayward Gallery, London; Nino Mier Gallery, Los Angeles, New York and Brussels; TJ Boulting, London; Galerie Haas, Zurich; Pace Gallery and HENI, London. Wateridge's art is in the collections of institutions worldwide, including Aïshti Foundation, Lebanon; Pinault Foundation, Venice; the Saatchi Collection, London; the Rennie Collection, Vancouver; and Simmons & Simmons, London. He has been featured in publications such as _The Sunday Times, The Independent, Fad Magazine, Artforum_ and _Artnet_. Wateridge is represented by Nino Mier Gallery.

Inspired by the classic geography series written by Charlotte Mason herself, Let's Explore The British Isles brings a living geography book to the 21st century, with modern facts and details, while retaining the same charming style. Vital information comes alive, not as dry facts on a page, but as a story of England, Scotland, Wales, and both Northern Ireland and the Republic of Ireland. Each short chapter, filled with photos, maps and illustrations, covers the physical and human geography of the British Isles. Discover the landforms, water forms and coastlines of these islands, as well as a concise but clear account of these countries' regions with their cities, countryside, agriculture and industry. Our journey is filled with topical details about historical events, famous people, inventions and anecdotes that are fascinating for readers both home and abroad.Aimed at 8 to 11 year-olds, this book is suitable for reading to oneself, reading aloud or for narrating. It is ideal for use in an educational curriculum, school or homeschool, or simply for personal interest.Caroline Walker is a qualified teacher and published author of young children's books. She lives in York, in the north of the UK, with her husband and a little daughter.Gloris Smith Young is a freelance illustrator. She and her husband live far away from the British Isles in the American southwest in the state of Nevada.

Inspired by the classic geography series written by Charlotte Mason herself, Let's Explore The British Isles brings a living geography book to the 21st century, with modern facts and details, while retaining the same charming style. Vital information comes alive, not as dry facts on a page, but as a story of England, Scotland, Wales, and both Northern Ireland and the Republic of Ireland. Each short chapter, filled with photos, maps and illustrations, covers the physical and human geography of the British Isles. Discover the landforms, water forms and coastlines of these islands, as well as a concise but clear account of these countries' regions with their cities, countryside, agriculture and industry. Our journey is filled with topical details about historical events, famous people, inventions and anecdotes that are fascinating for readers both home and abroad.Aimed at 8 to 11 year-olds, this book is suitable for reading to oneself, reading aloud or for narrating. It is ideal for use in an educational curriculum, school or homeschool, or simply for personal interest.Caroline Walker is a qualified teacher and published author of young children's books. She lives in York, in the north of the UK, with her husband and a little daughter.Gloris Smith Young is a freelance illustrator. She and her husband live far away from the British Isles in the American southwest in the state of Nevada.

Love is blind, or so the story goes. This book is based on a true story, my story. A young girl falls in love with a musician who writes a song about her, with another who almost kills her and with a third, the love of her life. He turns out to be a big-time drug dealer and a career criminal who runs protection rackets. It's set in South London, of course. Things turn sour when she, now a Valentino model in Italy, finds out she is pregnant and must make a choice between her son and her man.Years later, following a New Bond Street armed robbery and a stitch-up by the police, they cross paths again, only this time she is training to be a barrister and he is in jail. This story is about how she fights the system to get her man out and back where he belongs...

Oscar loves computer games and coding , but when his mum drags him around a draughty castle he might be in for the adventure of his life. After finding a secret door, Oscar steps back in time to medieval times and soon finds himself in the middle of a plot to kill the king. Can Oscar use his codebreaking skills to stop the plot and return home?

This story is part of Reading Champion, a series carefully linked to book bands to encourage independent reading skills, developed with Dr Sue Bodman and Glen Franklin of UCL Institute of Education (IOE). This book is aimed at Independent Reading 12, for readers aged 7 years old and up, or in the second half of Year 3.Glooscap is an undefeated and prized warrior, until he meets the unbeatable foe: a baby. In this traditional tale from the myths of the Wabanaki people (a Native American group of five nations), we learn about where true power lies.Reading Champion offers independent reading books for children to practise and reinforce their developing reading skills.Fantastic, original stories are accompanied by engaging artwork and a reading activity. Each book has been carefully graded so that it can be matched to a child's reading ability, encouraging reading for pleasure.The Key Stage 2 Reading Champion Books are suggested for use as follows:Independent Reading 11: start of Year 3 or age 7+Independent Reading 12: end of Year 3 or age 7+Independent Reading 13: start of Year 4 or age 8+Independent Reading 14: end of Year 4 or age 8+Independent Reading 15: start of Year 5 or age 9+Independent Reading 16: end of Year 5 or age 9+Independent Reading 17: start of Year 6 or age 10+Independent Reading 18: end of Year 6 or age 10+

This story is part of Reading Champion, a series carefully linked to book bands to encourage independent reading skills, developed with Dr Sue Bodman and Glen Franklin of UCL Institute of Education (IOE). This book is aimed at Independent Reading 12, for readers aged 7 years old and up, or in the second half of Year 3.Mia and her dad have moved from their home in a warm climate, to a very, very cold one. The one thing Mia is looking forward to is seeing snow for the first time. Little does she know there will be snow and much more - including some magic!Reading Champion offers independent reading books for children to practise and reinforce their developing reading skills.Fantastic, original stories are accompanied by engaging artwork and a reading activity. Each book has been carefully graded so that it can be matched to a child's reading ability, encouraging reading for pleasure.The Key Stage 2 Reading Champion Books are suggested for use as follows:Independent Reading 11: start of Year 3 or age 7+Independent Reading 12: end of Year 3 or age 7+Independent Reading 13: start of Year 4 or age 8+Independent Reading 14: end of Year 4 or age 8+Independent Reading 15: start of Year 5 or age 9+Independent Reading 16: end of Year 5 or age 9+Independent Reading 17: start of Year 6 or age 10+Independent Reading 18: end of Year 6 or age 10+

This story is part of Reading Champion, a series carefully linked to book bands to encourage independent reading skills, developed with Dr Sue Bodman and Glen Franklin of UCL Institute of Education (IOE). This book is aimed at Independent Reading 12, for readers aged 7 years old and up, or in the second half of Year 3.Mia and her dad have moved from their home in a warm climate, to a very, very cold one. The one thing Mia is looking forward to is seeing snow for the first time. Little does she know there will be snow and much more - including some magic!Reading Champion offers independent reading books for children to practise and reinforce their developing reading skills.Fantastic, original stories are accompanied by engaging artwork and a reading activity. Each book has been carefully graded so that it can be matched to a child's reading ability, encouraging reading for pleasure.The Key Stage 2 Reading Champion Books are suggested for use as follows:Independent Reading 11: start of Year 3 or age 7+Independent Reading 12: end of Year 3 or age 7+Independent Reading 13: start of Year 4 or age 8+Independent Reading 14: end of Year 4 or age 8+Independent Reading 15: start of Year 5 or age 9+Independent Reading 16: end of Year 5 or age 9+Independent Reading 17: start of Year 6 or age 10+Independent Reading 18: end of Year 6 or age 10+

This story is part of Reading Champion, a series carefully linked to book bands to encourage independent reading skills, developed with Dr Sue Bodman and Glen Franklin of UCL Institute of Education (IOE). This book is aimed at Independent Reading 12, for readers aged 7 years old and up, or in the second half of Year 3.Glooscap is an undefeated and prized warrior, until he meets the unbeatable foe: a baby. In this traditional tale from the myths of the Wabanaki people (a Native American group of five nations), we learn about where true power lies.Reading Champion offers independent reading books for children to practise and reinforce their developing reading skills.Fantastic, original stories are accompanied by engaging artwork and a reading activity. Each book has been carefully graded so that it can be matched to a child's reading ability, encouraging reading for pleasure.The Key Stage 2 Reading Champion Books are suggested for use as follows:Independent Reading 11: start of Year 3 or age 7+Independent Reading 12: end of Year 3 or age 7+Independent Reading 13: start of Year 4 or age 8+Independent Reading 14: end of Year 4 or age 8+Independent Reading 15: start of Year 5 or age 9+Independent Reading 16: end of Year 5 or age 9+Independent Reading 17: start of Year 6 or age 10+Independent Reading 18: end of Year 6 or age 10+

Scotland-born, London-based artist Caroline Walker is celebrated for her paintings exploring the lives of women, from those living luxury lifestyles to those fleeing oppression. In this publication, which was produced to accompany Walker’s first exhibition with Ingleby Gallery, Edinburgh, in autumn 2020, the artist turns her attention closer to home, presenting a series of paintings in which the focus is the artist’s own mother, Janet, as she goes about her daily tasks: cooking, cleaning, tidying and tending the garden of the Fife home where the artist spent her childhood.The publication features a newly commissioned essay and an interview with the artist by critic and author Hettie Judah. The essay opens by comparing Walker’s works to the Dutch Golden Age, encouraging consideration of everyday domestic scenes. Judah then leads the reader through Walker’s latest series of works, exploring the daily routines and household chores that have filled Walker’s mother’s days for the past forty years, along with the artist’s treatment of these activities. Judah deftly locates this latest body of work within Walker’s wider practice, opening up discussion of women at work in different industries and notions of invisibility. She asserts: ‘While "Janet" extends Walker’s long-held interest in women’s work, the series is also a loving undertaking. The artist offers us her mother with great pride, both in particular, and on behalf of other mothers overlooked and working out of sight.’ The interview offers further insight into Walker’s thoughts in relation to the "Janet" series, and to the working processes behind it.The publication features around eighty illustrations of the preparatory studies and paintings that comprise this new body of work. It has been designed by Joanna Deans, Identity, with photography by Peter Mallet. The publication was produced by Ingleby, Edinburgh, and printed by Die Keure, Bruges. It was co-published in 2020 by Ingleby and Anomie Publishing, London, in an edition of 1500 copies.Caroline Walker was born in Dunfermline, Scotland, in 1982. She attended Glasgow School of Art from 2000-04, before completing her MA at the Royal College of Art in 2009. Recent and forthcoming exhibitions include Kettle’s Yard, Cambridge, the Midlands Arts Centre (MAC), Birmingham, and participation in the ninth edition of the British Art Show. She is represented in a number of public collections including the National Museum of Wales, Cardiff, the UK Government Art Collection, London, Kistefos Museum, Jevnaker, Norway, and Museum Voorlinden & Kunstmuseum den Haag, in the Netherlands.Hettie Judah is chief art critic of the British daily newspaper The i, a regular contributor to The Guardian, The New York Times, Frieze, Art Quarterly, Numéro Art and The Art Newspaper, and a contributing editor to The Plant. Recent publications include a short biography of Frida Kahlo (Laurence King, 2020) and Art London (ACC Art Books, 2019).

Oliver loves to RUN and he never sits still or moves slowly ... until an injury forces him to take it easy. Lucky for Oliver, Grandad comes round to help, and he is full of great ideas to have fun during Oliver's slow winter! For Independent Reading at White Band 10, readers aged from 5-7 years.This story is part of Reading Champion, a series carefully linked to book bands to encourage independent reading skills, developed with Dr Sue Bodman and Glen Franklin of UCL Institute of Education (IOE).Reading Champion offers independent reading books for children to practise and reinforce their developing reading skills.Fantastic, original stories are accompanied by engaging artwork and a reading activity. Each book has been carefully graded so that it can be matched to a child's reading ability, encouraging reading for pleasure.

MacDonald 'Max' Gill (1884-1947) was an architect, letterer, mural painter and graphic artist of the first half of the twentieth century, best known for his pioneering pictorial poster maps including the whimsical Wonderground Map of London Town. His beautiful painted panel maps decorate the Palace of Westminster and Lindisfarne Castle and the alphabet he designed in 1918 is still used on the British military headstone. He enjoyed close links with many leading figures in the arts & crafts world: the architects Sir Charles Nicholson, Sir Edwin Lutyens and Halsey Ricardo, the calligrapher Edward Johnston, Frank Pick of the London Underground, and of course his brother - the sculptor and typographer Eric Gill. Overshadowed in recent times by his controversial sibling, MacDonald Gill was nevertheless a significant artist of his time. With much of his four-decade output touching on the remarkable events and developments of his time - including two world wars, the decline of Empire, the advent of flight, and innovations in communications technology, his work also takes on a unique historical importance. Drawing chiefly from family archives, this biography of MacDonald Gill is the first publication to tell the story of this complex and talented man.

The book is the product of a private Canadian expedition to China in 1992. Its members sought to gauge the potential cultural destruction of the daunting and controversial Three Gorges Dam project, which was actively supported by the Canadian government and by corporate sectors.What cultural losses will accompany the expected economic and political gains? What will China, Canada, and the world community lose? How might we, as Canadians, view the purpose and impact of the project, which is now well under way? Using a government-sponsored assessment of the cultural artifacts destined to be submerged by rising waters behind the dam project, our guides - a publisher (Caroline Walker), a heritage consultant (Robert Shipley), a travel writer (Ruth Lor Malloy), and a scholar (Fu Kailin) - lead us on a sometimes comical and frequently troubling tour of the Yangzi gorges region.