Carolyn Hamilton

The idea that the period of social turbulence in the nineteenth century was a consequence of the emergence of the powerful Zulu kingdom under Shaka has been written about extensively as a central episode of southern African history. Considerable dynamic debate has focused on the idea that this period – the 'mfecane'- left much of the interior depopulated, thereby justifying white occupation. One view is that 'the time of troubles' owed more to the Delagoa Bay Slave trade and the demands of the labour-hungry Cape colonists than to Shaka's empire building. But is there sufficient evidence to support the argument? The Mfecane Aftermath investigates the very nature of historical debate and examines the uncertain foundations of much of the previous historiography.

This set of essays analyses the work of Isabel Hofmeyr, globally recognised as one of South Africa's foremost literary and Indian Ocean scholars. The essays elucidate Hofmeyr's path-breaking studies of transnational histories of the book, African print cultures, and cultural circulations in the Indian Ocean world. This book draws together reflective and analytical essays by renowned intellectuals from around the world who critically engage with the work of one of the global South's leading scholars of African print cultures and the oceanic humanities. Isabel Hofmeyr's scholarship spans more than four decades, and its sustained and long-term influence on her discipline and beyond is formidable. While much of the history of print cultures has been written primarily from the North, Isabel Hofmeyr is one of the leading thinkers producing new knowledge in this area from Africa, the Indian Ocean world and the global South. Her major contribution encompasses the history of the book as well as shorter textual forms and abridged iterations of canonical works such as John Bunyan's The Pilgrim's Progress. She has done pioneering research on the ways in which such printed matter moves across the globe, focusing on intra-African trajectories and circulations as well as movements across land and sea, port and shore. The essays gathered here are written in a blend of intellectual and personal modes, and mostly by scholars of Indian and African descent. Via their engagement with Hofmeyr's path-breaking work, the essays in turn elaborate and contribute to studies of print culture as well as critical oceanic studies, consolidating their findings from the point of view of global South historical contexts and textual practices.

This book covers concepts and methods from the work of Isabel Hofmeyr, a leading South African scholar of print cultures and intellectual trajectories in the Atlantic and Indian oceans.

Since his assassination in 1828, King Shaka Zulu—founder of the powerful Zulu kingdom and leader of the army that nearly toppled British colonial rule in South Africa—has made his empire in popular imaginations throughout Africa and the West. Shaka is today the hero of Zulu nationalism, the centerpiece of Inkatha ideology, a demon of apartheid, the namesake of a South African theme park, even the subject of a major TV film.Terrific Majesty explores the reasons for the potency of Shaka’s image, examining the ways it has changed over time—from colonial legend, through Africanist idealization, to modern cultural icon. This study suggests that “tradition” cannot be freely invented, either by European observers who recorded it or by subsequent African ideologues. There are particular historical limits and constraints that operate on the activities of invention and imagination and give the various images of Shaka their power. These insights are illustrated with subtlety and authority in a series of highly original analyses.Terrific Majesty is an exceptional work whose special contribution lies in the methodological lessons it delivers; above all its sophisticated rehabilitation of colonial sources for the precolonial period, through the demonstration that colonial texts were critically shaped by indigenous African discourse. With its sensitivity to recent critical studies, the book will also have a wider resonance in the fields of history, anthropology, cultural studies, and postcolonial literature.