Cassandra Atherton

Sleeplessness renders and explores its speaker's insomnia for the hours between three a.m. and the early morning, presenting a captivating series of reflections on love and desire, language, reading, identity and intersubjectivity. The series of four extended and interlinked poetic sequences moves meditatively and laterally, often in astonishing ways, translating a world of ideas and associations into sensuous language.The poems foreground the beguiling, if troubling, problematics of interpersonal connections and the challenges involved in translating an individual's own experiences-and their experiences of another-into authentic ways of saying and understanding. These poems continuously approach the ineffable, sitting at the boundary between bodily knowledge and language's attempts to catch and name, transforming the idea of in-betweenness into a thrilling threshold between intimacy and strangeness, ardour and uncertainty, and speaking and silence. Night in these poems becomes a doorway into a state of becoming, generating a language that connotes a condition of perpetual and seductive inquiry, asking the reader to understand themselves newly through the act of reading.

Hesiod's Five Ages famously proides a vision of the decline of human society that has resonated for many centuries. In this anthology, five poets take Hesiod's versions of the golden, silver, bronze, heroic and iron ages as their starting points to craft five individual 'chapbooks' of prose poetry - not only exploring notions from Hesiodbut also venturing into many new concepts that reconceptualise these ages.These twenty-first century poems challenge many of the archaic Greek poet's assumptions and ideas, writing back to the ancient world with bravura while employing quintessentially contemporary inflections and preoccupations.

This latest project of 'authorised theft' amongst poetic friends sees them raiding the 19th century for inspiration-across a variety of artforms. But C19 here is not just a past century; it is also the terrible present moment in which we live, and in which this remarkable collaborative work has been written.

When Charity finds letters, journals and sketches in the roof of her great-aunt's house, she uncovers a rich family history that she must piece together from fragments. Great-aunt Birdie's letters to her lover are a compelling and revealing account of life for many women in the 1930s. Her experiences as an artist in the first decades of the century, and her earlier relationship with a young man who goes to war, also provide powerful insights into a woman who, as Charity begins to suspect, wanted more than her era would allow.

An engaging and authoritative introduction to an increasingly important and popular literary genreProse Poetry is the first book of its kind—an engaging and authoritative introduction to the history, development, and features of English-language prose poetry, an increasingly important and popular literary form that is still too little understood and appreciated. Poets and scholars Paul Hetherington and Cassandra Atherton introduce prose poetry’s key characteristics, chart its evolution from the nineteenth century to the present, and discuss many historical and contemporary prose poems that both demonstrate their great diversity around the Anglophone world and show why they represent some of today’s most inventive writing.A prose poem looks like prose but reads like poetry: it lacks the line breaks of other poetic forms but employs poetic techniques, such as internal rhyme, repetition, and compression. Prose Poetry explains how this form opens new spaces for writers to create riveting works that reshape the resources of prose while redefining the poetic. Discussing prose poetry’ s precursors, including William Wordsworth and Walt Whitman, and prose poets such as Charles Simic, Russell Edson, Lydia Davis, and Claudia Rankine, the book pays equal attention to male and female prose poets, documenting women’s essential but frequently unacknowledged contributions to the genre.Revealing how prose poetry tests boundaries and challenges conventions to open up new imaginative vistas, this is an essential book for all readers, students, teachers, and writers of prose poetry.

An engaging and authoritative introduction to an increasingly important and popular literary genreProse Poetry is the first book of its kind—an engaging and authoritative introduction to the history, development, and features of English-language prose poetry, an increasingly important and popular literary form that is still too little understood and appreciated. Poets and scholars Paul Hetherington and Cassandra Atherton introduce prose poetry’s key characteristics, chart its evolution from the nineteenth century to the present, and discuss many historical and contemporary prose poems that both demonstrate their great diversity around the Anglophone world and show why they represent some of today’s most inventive writing.A prose poem looks like prose but reads like poetry: it lacks the line breaks of other poetic forms but employs poetic techniques, such as internal rhyme, repetition, and compression. Prose Poetry explains how this form opens new spaces for writers to create riveting works that reshape the resources of prose while redefining the poetic. Discussing prose poetry’ s precursors, including William Wordsworth and Walt Whitman, and prose poets such as Charles Simic, Russell Edson, Lydia Davis, and Claudia Rankine, the book pays equal attention to male and female prose poets, documenting women’s essential but frequently unacknowledged contributions to the genre.Revealing how prose poetry tests boundaries and challenges conventions to open up new imaginative vistas, this is an essential book for all readers, students, teachers, and writers of prose poetry.

Prose poetry is a resurgent literary form in the English-speaking world and has been rapidly gaining popularity in Australia. Cassandra Atherton and Paul Hetherington have gathered a broad and representative selection of the best Australian prose poems written over the last fifty years.The Anthology of Australian Prose Poetryincludes numerous distinguished prose poets-Jordie Albiston, joanne burns, Gary Catalano, Anna Couani, Alex Skovron, Samuel Wagan Watson, Ania Walwicz and many moremdash;and documents prose poetry's growing appeal over recent decades, from the poetic margins to the mainstream.This collection reframes our understanding not only of this dynamic poetic form, but of Australian poetry as a whole.

The six senses have rarely been invoked in such sustained and evocative poetical terms. Whether one wants to understand touch, taste, smell, hearing, intuition or sight, this volume provides myriad avenues enabling a rich appreciation of sensory experience.

Wide-ranging in theme and context, it explores the imaginative effects of his writing. A tribute to Chris on the occasion of this eightieth birthday, and in many ways it suggests an alternative cultural history of Australia since the 1950s. Containing biographical and critical pieces, poems (including new work by Chris) and essays that respond to his career Travelling without Gods takes account of the decades in which he has written. It illuminates, celebrates and critiques his work in its various contexts.Travelling without Gods also offers, importantly, a sample of Chris Wallace-Crabbe's unpublished journals, as well as photography that displays both his life and his relationship with the visual arts. Contributors include David Malouf, Patrick McCaughey, Judith Bishop, Alastair Niven, Peter Rose, Peter Goldsworthy and more.