Kirjojen hintavertailu. Mukana 12 595 353 kirjaa ja 12 kauppaa.

Kirjailija

Charlott Spivack

Kirjat ja teokset yhdessä paikassa: 2 kirjaa, julkaisuja vuosilta 1987-1994, suosituimpien joukossa The Company of Camelot. Vertaile teosten hintoja ja tarkista saatavuus suomalaisista kirjakaupoista.

2 kirjaa

Kirjojen julkaisuhaarukka 1987-1994.

The Company of Camelot

The Company of Camelot

Charlott Spivack; Roberta L. Staples

Praeger Publishers Inc
1994
sidottu
This book deals with the eight major figures in the Arthurian legends and how they have been individually represented in literature from its beginnings up to the present day. The characters discussed are: Arthur the king, his queen Guenevere, his wizard Merlin, his half-sister Morgan le Fay, his faithful seneschal Sir Kay, his warrior nephew Gawain, his knight and rival Lancelot, and his incestuous son and nemesis Mordred. These characters are first identified in terms of their medieval origins, then explored in their varied depictions in modern fantasy fiction. The pattern that emerges is largely one of polarization of personality. The first study of Arthurian materials to focus specifically on the characterization of individuals, this book also achieves an original perspective on the evolution of individual characters from mythic prototypes.
Merlin's Daughters

Merlin's Daughters

Charlott Spivack

Praeger Publishers Inc
1987
sidottu
The relationship between fantasy and the feminine is explored in this compelling study of women writers of the genre. Spivak provides a revisioning of such archetypes as the wizard, the hero, and the dragon, and considers why women writers are currently dominating this field formerly occupied almost exclusively by men, as well as how women readers identify with the enchanted quest. Chapters provide a feminist perspective and analysis of leading women fantasists of the past two decades as well as promising new voices. The relationship between fantasy and the feminine is explored in this compelling study of women writers of the genre. Spivak provides a revisioning of such archetypes as the wizard, the hero, and the dragon, and considers why women writers are currently dominating this field formerly occupied almost exclusively by men, as well as how women readers identify with the enchanted quest. Chapters provide a feminist perspective and analysis of leading women fantasists of the past two decades as well as promising new voices.