Chen Li

This book focuses on design technologies and practical engineering applications in connection with cruise ports and terminals. After a brief introduction to cruise ships and global cruise ports, it addresses the location, structure and layout of cruise terminals, the technologies involved, cruise terminal buildings and supporting facilities. The book also explores practical engineering cases, including projects that the authors have worked on, such as the Shenzhen Prince Bay and Shanghai Wusongkou International Cruise Terminal projects. Systematically discussing the design and engineering aspects of domestic and international cruise terminals, the book offers a practical reference guide for engineers, researchers, practitioners and policymakers in relevant fields.

Han Dynasty (206 BC–AD 220) stone carved tombs were constructed from carved stone slabs or a combination of moulded bricks and carved stones, and were distributed in Central and Eastern China. Such multi-chambered stone tombs were very popular among the Han people, but they were entirely new, and were a result of outside stimuli rather than an independent development within China. The stone carved tombs were a result of imitating royal rock-cut tombs, while the rock-cut tombs were stimulated by foreign examples. Moreover, many details of stone carved tombs also had Western features. These exotic elements reflected the desire to assimilate exotica within Chinese traditions. Some details within stone carved tombs showed high level of stone working technologies with Western influences. But in general the level of stone construction of the Han period was relatively low. The methods of construction showed how unfamiliar the Western system was to the Han artisans. Han Dynasty stone carved tombs were hybrids of different techniques, including timber, brick and stone works. From these variations, Han people could choose certain types of tombs to satisfy their specific ritual and economic needs. Not only structures, but also pictorial decorations of stone carved tombs were innovations. The range of image motifs was quite limited. Similar motifs can be found in almost every tomb. Such similarities were partly due to the artisans, who worked in workshops and used repertoires for the carving of images. But these also suggest that the tombs were decorated for certain purposes with a given functional template. Together with different patterns of burial objects and their settings, such images formed a way through which the Han people gave meaning to the afterworld. As the Han Empire collapsed, stone carved tombs ceased being constructed in the Central Plains. However, they set a model for later tombs. The idea of building horizontal stone chamber tombs spread to Han borderlands, and gradually went further east to the Korean Peninsula. In this book, the origins, meanings and influences of Han Dynasty stone carved tombs are presented as a part of the history of interactions between different parts of Eurasia.

In this dissertation, novel Content-based Microscopic Image Analysis (CBMIA) methods, including Weakly Supervised Learning (WSL), are proposed to aid biological studies. In a CBMIA task, noisy image, image rotation, and object recognition problems need to be addressed. To this end, the first approach is a general supervised learning method, which consists of image segmentation, shape feature extraction, classification, and feature fusion, leading to a semi-automatic approach. In contrast, the second approach is a WSL method, which contains Sparse Coding (SC) feature extraction, classification, and feature fusion, leading to a full-automatic approach. In this WSL approach, the problems of noisy image and object recognition are jointly resolved by a region-based classifier, and the image rotation problem is figured out through SC features. To demonstrate the usefulness and potential of the proposed methods, experiments are implemented on different practical biological tasks, including environmental microorganism classification, stem cell analysis, and insect tracking.

Visste du att det var en attack av blindtarmsinflammation som avslöjade Matisse smak för konst? Att han började med att måla stilleben? Att han ritade porträtten av sina barnbarn i taket på sitt hotellrum i Nice? Att Pablo Picasso förblev hans bästa fiende under hela hans liv? Eller att Andy Warhol sa: "Jag vill vara Matisse" Det är konst, en samling för att (åter)upptäcka de stora konstnärerna i 40 illustrerade meddelanden. • En exakt urval av väsentliga och oväntade verk • Tydliga visuella signaler: tidslinjer, kartor, grafer • Olika rutor: anekdoter, sammanhang, influenser