Chris Barker

'The book is an important read for persons who practice or study within the field. Anyone with experience or interest in the topic will come away with a deepened understanding of debates within cultural studies and with an array of nfew questions and ideas to pursue. The book would make a fine text for graduate level classes dealing with culture and media; the question/debate-orientated structure especially could provide the launching pad for a whole range of discussions, profjects, and papter topics' The Southern Communication Journal In this sequel to the best-selling text Cultural Studies: Theory and Practice, Chris Barker turns his attention to the significance and future of the field. He analyzes the strengths and weaknesses of cultural studies, providing students and practitioners with an authoritative diagnosis of the subject and a balanced prognosis, and investigates the boundaries of cultural studies elucidating the main underlying themes of study. Written with panache, and an understanding of classroom needs, Making Sense of Cultural Studies is the perfect teaching complement to Chris Barker's earlier textbook. It is a rich resource for seminar work and undergraduate and postgraduate thesis topics, yet it can also be read as a free-standing analysis of the condition of cultural studies today.

'The book is an important read for persons who practice or study within the field. Anyone with experience or interest in the topic will come away with a deepened understanding of debates within cultural studies and with an array of nfew questions and ideas to pursue. The book would make a fine text for graduate level classes dealing with culture and media; the question/debate-orientated structure especially could provide the launching pad for a whole range of discussions, profjects, and papter topics' The Southern Communication Journal In this sequel to the best-selling text Cultural Studies: Theory and Practice, Chris Barker turns his attention to the significance and future of the field. He analyzes the strengths and weaknesses of cultural studies, providing students and practitioners with an authoritative diagnosis of the subject and a balanced prognosis, and investigates the boundaries of cultural studies elucidating the main underlying themes of study. Written with panache, and an understanding of classroom needs, Making Sense of Cultural Studies is the perfect teaching complement to Chris Barker's earlier textbook. It is a rich resource for seminar work and undergraduate and postgraduate thesis topics, yet it can also be read as a free-standing analysis of the condition of cultural studies today.

This novel and important book brings together insights from cultural studies and critical discourse analysis to examine the fruitful links between the two. Cultural Studies and Discourse Analysis shows that critical discourse analysis is able to provide the analytic context, skills and tools by which we can study how language constructs, constitutes and shapes the social world and demonstrates in detail how the methodological approach of critical discourse analysis can enhance cultural studies. In a richly argued discussion, the authors show how marrying the methodology of critical discourse analysis with cultural studies enlarges our understanding of gender and ethnicity.

This novel and important book brings together insights from cultural studies and critical discourse analysis to examine the fruitful links between the two. Cultural Studies and Discourse Analysis shows that critical discourse analysis is able to provide the analytic context, skills and tools by which we can study how language constructs, constitutes and shapes the social world and demonstrates in detail how the methodological approach of critical discourse analysis can enhance cultural studies. In a richly argued discussion, the authors show how marrying the methodology of critical discourse analysis with cultural studies enlarges our understanding of gender and ethnicity.

* Are cultural identities socially constructed?* How are race, nation, sex and gender constructed and represented on television?* What is the impact of globalization on television and cultural identities?This introductory text examines issues of television and cultural identities in the context of globalization. It is a wide-ranging volume, exploring many of the central cultural issues in contemporary cultural studies, such as media, globalization, language, gender, ethnicity, cultural politics and identity - perhaps the topic of cultural studies over the past decade. At the core of the book are two critical arguments - that television is a proliferating resource for the construction of cultural identity, and that cultural identity is not a fixed essential 'thing' but a contingent social construction to which language is central.The book will be essential reading for undergraduate and postgraduate courses on television and cultural identities in the fields of cultural studies, communications, media studies and sociology, with a wider appeal to those with an interest in the television industry. Key concepts are introduced and explained for those new to cultural studies, whilst debates are extended and enriched for those already familiar with them. The text is well structured, links the vocabularies of media studies and cultural studies, and is supported by original case study material.

What do possessive noun phrases mean? Although possessives are one of the most commonly used construction types cross-linguistically, they have never received detailed or sustained study from a semantic point of view. Taking work of Abney, May, and Heim as a starting point, this book develops a comprehensive analysis of the contribution of possessive NPs to the truth conditions of the sentences in which they occur.