Chris Beetles

'Chris Beetles' book is a joy, an inspiration and as thorough a document into understanding the life and times of Louis Wain as one could hope to read' - Benedict Cumberbatch'Louis Wain invented a cat style, a cat society, a whole cat world'. Broadcast in 1925 by H.G. Wells, these words characteristically foretold the future of the Wain cat which has, once more, become the century's most recognisable image in cat art. During their heyday, in the time before the First World War, Louis Wain's cats, dressed as humans, portrayed that stylish Edwardian world having fun: at restaurants and tea parties, going to the Race and the Seaside, celebrating at Christmas and Birthdays, and disporting themselves with exuberant games of tennis, bowls, cricket and football. This is a titillating world of cats at play, uninhibited and slightly dangerous, with most group activities likely to turn into mishap, mayhem and catastrophe. This is Wain's world, funny, edgy and animated: a whole cat world.The first comprehensive exhibition of Wain's work was held at the Victoria and Albert Museum in London in 1972 and, since then, Louis Wain has steadily become more fashionable, and collected worldwide. This biography contains 300 plates of richness and variety, all of which are reproduced faithfully from the original artwork.

Ronald Searle is perhaps England's most famous cartoonist, and the professionals' choice. Ask any contemporary cartoonist who is the greatest in the post-war era and the unanimous reply will probably be - Ronald Searle! The son of a railwayman, Ronald Searle was born in Cambridge on 3 March 1920, and educated in the town at the Boys' Central School. He started work as a solicitor's clerk, and then joined the hire purchase department of the co-operative Society, studying in the evenings and later full-time at the Cambridge Daily News from the age of fifteen. Enlisting in the Royal Engineers at the outbreak of the Second World War, he spent time in Kirkcudbright, where he encountered evacuees from St. Trinian's, a progressive girls' school situated in Edinburgh. This resulted in his first cartoon for Lilliput, published in October 1941, and later developed into one of his most famous creations, through a series of books and their cinematic spin-offs. Remarkably, he survived the horrific experiences of the Changi Camp, Singapore as a Japanese prisoner-of-war and managed to produce a visual record of life in a prison camp.On his return to England in 1945, he exhibited the surviving pictures at the Cambridge School of Art, and published Forty Drawings. The exhibition and volume together established his reputation as one of Britain's most powerful draughtsmen, and led to several opportunities to record the atmosphere of post-war Europe. His contributed to Punch and these drawings crystallised in, The Female Approach (1949). Throughout the fifties, he produced a large variety of illustrations, which together seemed present a guide to life in Britain in the 1950's. Such was his success that his rejection of family and country in a move to Paris in 1961 came as a great surprise. However, it offered a fresh start, resulting in several solo shows, including a major exhibitions at the Bibliotheque Nationale, Paris, the Berlin-Dahlem Museum and the Wilhelm-Busch-Museum, Hanover. He also reached a new audience with his contributions to film and television, most notably The Magnificent Men in their Flying Machines (1965). Now remarried and living in rural France, Searle continues to work to his own uncompromising standard.More recent titles include Ronald Searle's Big Fat Cat Book (1982), The Illustrated Winespeak (1983), Ronald Searle's Non-Sexist Dictionary (1988), Slightly Foxed - But Still Desirable (1989), The Tales of Grandpa Cat (1994) and Ronald Searle in Le Monde (2002). This fascinating book is a new edition of Russell Davies' definitive biography. It includes an updated exhibition listings and a bibliography.