Chris Stein

Under A Rock, the first memoir from Blondie's Chris Stein, is a quintessentially New York story of the golden age of the East Village and the makings of international superstars.

Foreword by Debbie Harry"A Downtown Memory" by Romy Ashby Debbie Harry defined iconic band Blondie's look. Chris Stein--her performing partner, lover, and lifelong friend--was its architect and defined its sound. "Parallel Lines", their third album, catapulted to #1, sold 20 million copies, and launched singles like "Heart of Glass", "Hangin' On the Telephone," and "One Way or Another", providing the beat when Bianca Jagger and Halston danced at Studio 54 and the soundtrack to every 1970's punk-soundtracked romance. Chris Stein knows how to tell a story. Under A Rock is his nothing-spared autobiography. It's about the founding of the band, ascending to the heights of pop success, and the hazards of fortune. Famous names march through these pages--Warhol, Bowie, Jean-Michel Basquiat, and more-but you can get famous names anywhere. What you can't get anywhere else is a plunge into the moments that made a giant 1980's artistic sensation. Stein takes us there in this revelatory, propulsive, distinctive memoir.

A beautiful coffee table art book chronicling the extraordinary collaboration between Debbie Harry and H.R. Giger for Harry's 1981 solo album KooKoo. When the visual artist H.R. Giger, best known for his biomechanical creature and set design for seminal 1979 sci-fi-horror film Alien, encountered Debbie Harry, the punk icon and lead singer of globally successful New Wave band Blondie, the results were sublime. The artwork for Harry's 1981 debut solo KooKoo album cover was deemed so frightening it was originally banned on the London Underground. The fantastical videos for two of the tracks on the album, 'Backfired' and 'Now I Know you Know,' featured Giger himself piercing an Egyptian sarcophagus and a newly brunette Harry reimagined as a xenomorphic Giger creature. With photographs and words by Chris Stein, Harry's long-term collaborator, artefacts and sketches from the Giger archive, and an introduction by Debbie Harry, this is an essential behind-the-scenes insight into the processes of an incredible creative partnership.

David Godlis captures the grit and grandeur of 1970s-'80s New York City in his street photographyWhen he is on the street armed with his camera, photographer David Godlis (born 1951) describes himself as "a gunslinger and a guitar picker all in one." Ever since he bought his first 35mm camera in 1970, Godlis has made it his mission to capture the world on film just as it appears to him in reality. Godlis is most famous for his images of the city's punk scene and serving as the unofficial official photographer for the Film Society of Lincoln Center. For 40 years, his practice has also consisted of walking around the streets of New York City and shooting whatever catches his eye: midnight diner patrons, stoop loiterers, commuters en route to the nearest subway station. With an acute sense of both humor and pathos, Godlis frames everyday events in a truly arresting manner. This publication presents Godlis' best street photography from the 1970s and '80s in a succinct celebration of New York's past. The book is introduced by an essay written by cultural critic Luc Sante and closes with an afterword written by Blondie cofounder and guitarist Chris Stein.

A new collection of unseen photographs of New York City's 1970s punk heyday, by one of the icons of the city's golden age of new wave, Blondie's Chris Stein.A new collection of unseen photographs of New York City's 1970s punk heyday, by one of the icons of the city's golden age of music, Blondie's Chris Stein.For the duration of the 1970s - from his days as a student at the School of Visual Arts through the foundation of the era-defining band Blondie and his subsequent reign as epicenter of punk's golden age - Chris Stein kept an unrivaled photographic record of the downtown New York City scene. Following in the footsteps of the successful book Negative, this spectacular new book presents a more personal and more visceral collection of Stein's photographs of the era. The images presented here take readers from self-portraits in his run-down East-Village apartment to candid photographs of pop-cultural icons of the time and evocative shots of New York City streetscapes in all their most longed-for romance and dereliction. An eclectic cast of cultural characters - from William Burroughs to Debbie Harry, Andy Warhol to Iggy Pop - appear here exactly as they were in the day, juxtaposed with children playing hopscotch on torn-down blocks, riding the graffiti-ridden subway, or cruising the burgeoning clubs of the Bowery. At once a chronicle of one music icon's life among his punk and New-Wave heroes and peers, and a love letter to the city that was the backdrop and inspiration for those scenes, Point of View transports us to another place and time.

WARRR2K //WORK 2014-17 showcases all of Alexander Heir's visual work created since the release of his last book, Death Is Not the End, in addition to a new full-color series exclusive to this volume. Expanding upon war, police brutality, political corruption, and death as his canon of punk subject matter, his latest work brings sci-fi and psychedelia influences into the fold, blending them with his impeccable design aesthetic and signature sense of twisted playfulness. The result shows Heir making his most sophisticated, detailed and demented work to date.

Fans of punk rock and New Wave music will be impressed by this collection of never-before-seen imagesThe first-time release of this private photo collection, Zone's photo memoir will give new insight into what some might see as a saturated field, proving that underground rock royalty will never grow oldThis book is the chronicle of a 14-year-old boy through his teens; so he was invisible to the people he was photographing, giving him an extra boost in terms of taking candid photographsFans of Blondie will flock to this insider's guide to the eraInspirational volume of D.I.Y. style that appeals to youth and adults around the world, even more culturally relevant in the face of an ever-changing New YorkWhile most teenagers daydreamed of summer break while playing rock 'n' roll in their bedrooms, fourteen-year-old Paul Zone danced away his youth in underground clubs with those very same rock stars, exploring the concrete playground with actors, drag queens, and drug addicts. The mid-1970s was a time when the death of glam and the birth of punk rock collided in a celebration of glitter and grunge, and Zone had a front-row seat to it all. In this incredible photo memoir, Zone shares personal images that have never been released to the public alongside memories of the era, all through the eyes of a youngster whose reverential regard to his subjects made him a regular fixture in the lives of these greats. Zone captures the joys and the fantasy of the New York underground with a genuine intimacy, making this volume a worthy tribute to the legends of underground rock royalty.