Christine Stewart-Nuñez

Silence and Seizure is a memoir about raising a son with a rare epilepsy syndrome-about the fear of seizures and the fear of unknown futures. The story starts when Christine Stewart-Nuñez’s plan for a stable life disintegrates. She chases a diagnosis for her son Holden’s odd behavior and lapses in language, and she watches her marriage to Holden’s father end, understanding these changes through the lens of illness and its silences. Seizing in ditches, apple-picking, appetizing shards of glass, a Picasso at the Tate, midnight ambulances, panic attacks at 37,000 feet, and mini-ninjas. Epilepsy impaired Holden, but for a time, Christine’s lack of knowledge created a barrier that disabled him. As she learns to be an advocate, her parenting process begins to parallel her artistic practice: observe, research, reflect, create, revise. With the wisdom of disabled writers serving as touchstones for reflection, Silence and Seizure captures how the lens of disability helped Christine frame the nuances of her experience as she developed tactics for living a more complex life where both mother and son can flourish.

This book highlights the stories of women from premodern history and literature through models of adaptations, retellings, and criticism such as poems, plays, and essays. In reviving these voices from the background, it widens the appeal and accessibility of scholarship in the humanities.Creative composing processes draw research through the imagination and experience of the writer, an act which can help explore qualities of historical events and literary figures that are still relevant today. The four authors of this book demonstrate these approaches through creative adaptations and responses to Biblical and Classical writings, Greek mythological figures, medieval narratives, powerful historical women, plays by Shakespeare, and works by other early modern English writers. What distinguishes this book from other scholarship on the premodern is its collaborative and interdisciplinary foundation, as well as its emphasis on literary and hybrid genres.Offering interdisciplinary ways of reading, thinking about, and reconceiving literature and scholarship in a way that invites dialogue and further creative responses, this volume provides humanities teachers with effective pedagogical tools to inspire deeper engagement and understanding in their students.

This book highlights the stories of women from premodern history and literature through models of adaptations, retellings, and criticism such as poems, plays, and essays. In reviving these voices from the background, it widens the appeal and accessibility of scholarship in the humanities.Creative composing processes draw research through the imagination and experience of the writer, an act which can help explore qualities of historical events and literary figures that are still relevant today. The four authors of this book demonstrate these approaches through creative adaptations and responses to Biblical and Classical writings, Greek mythological figures, medieval narratives, powerful historical women, plays by Shakespeare, and works by other early modern English writers. What distinguishes this book from other scholarship on the premodern is its collaborative and interdisciplinary foundation, as well as its emphasis on literary and hybrid genres.Offering interdisciplinary ways of reading, thinking about, and reconceiving literature and scholarship in a way that invites dialogue and further creative responses, this volume provides humanities teachers with effective pedagogical tools to inspire deeper engagement and understanding in their students.

In his introductory essay to Landscapes with Figures, Robert Root writes, “The nonfiction of place includes literary works in which setting has such a presence in its impact upon characters or events or atmosphere that specific place is inextricable.” Many of the essays in Chrysopoeia express the sense of place. As the list of countries and regions traveled to in the writing of these essays demonstrates, being in those spaces is an important part of the narrative and meaning-making. The essays in Chrysopoeia weave time and location to explore the tensions and opportunities of family and place. Readers will learn about calendar-keeping, a lost madonna, prayer trees, sculpture gardens, and enchanted cuisine. Readers will travel to Istanbul’s Grand Bazaar, Ireland’s Cliff of Moher, Hiroshima’s Peace Memorial Park, and the American Midwest. And yet each piece is its own crucible of transformation where the narrator thinks through language and place to make meaning from changing relationships: miscarriage, birth, death, union, divorce.

Stewart-Nuñez draws upon a number of styles - persona, ekphrastic, lyrical, formal - to create a collection that explores the promises of love and loss. Among Untrussed's many delights is a series of Wonder Woman poems that reveal a heroine who is as human as she is superhuman. From pleasure to pain to hope of new love, this collection draws readers into the everyday magic of the world.