Christopher Janaway

Suffering is a theme throughout Nietzsche's writings. His views are often controversial and challenging. He explores ways of understanding suffering not as an 'objection to life', but as something that can enhance life. This Element examines Nietzsche's views on suffering from different angles: his early claim that the representation of suffering in the art form of tragedy enabled the ancient Greeks to affirm life, his analysis of cruelty as an expression of will to power, and his critique of 'the morality of compassion' which he claims would impoverish life by removing its suffering. Nietzsche views suffering as necessary for psychological growth and great human achievement. It is neither good nor bad in itself, and its value depends on who suffers and in what context. Although Nietzsche's rhetoric sometimes glorifies suffering and cruelty irresponsibly, his work advances our understanding of suffering by viewing it through different perspectives and affective attitudes.

Suffering is a theme throughout Nietzsche's writings. His views are often controversial and challenging. He explores ways of understanding suffering not as an 'objection to life', but as something that can enhance life. This Element examines Nietzsche's views on suffering from different angles: his early claim that the representation of suffering in the art form of tragedy enabled the ancient Greeks to affirm life, his analysis of cruelty as an expression of will to power, and his critique of 'the morality of compassion' which he claims would impoverish life by removing its suffering. Nietzsche views suffering as necessary for psychological growth and great human achievement. It is neither good nor bad in itself, and its value depends on who suffers and in what context. Although Nietzsche's rhetoric sometimes glorifies suffering and cruelty irresponsibly, his work advances our understanding of suffering by viewing it through different perspectives and affective attitudes.

This book brings together fourteen essays by Christopher Janaway on the philosophy of Schopenhauer and Nietzsche. They illuminate central philosophical issues in the work of these thinkers - the death of God, the meaning of existence, suffering, compassion, the will, Christian values, the affirmation or negation of life. Some of the essays concern Schopenhauer in his own right, focusing on his concept of will to life, an underlying drive which constitutes our inner essence, but which traps us in self-centred desire, a wrong identification of our true self with the human individual, an egoistic conception of the good, conflict with other beings, and an existence pervaded by suffering. Opposed to the will to life stands everything of real value: art, morality, and the kind of redemption from suffering recognized by mystics from several of the world's religions. Other essays discuss Nietzsche's critical responses to Schopenhauer, and his own challenging views on related topics. For Nietzsche, morality is a questionable phenomenon and egoism is wrongly maligned; suffering is an enhancement of life, and the attempt to eliminate it is impoverishing; art is full, not drained, of willing; the world religions and the whole idea of being saved from our life are symptoms of a malaise from which modern culture has somehow to recover. The book also features discussions of the reception of Schopenhauer by two contemporaries of Nietzsche, Richard Wagner and the analyst of pessimism, Olga Plümacher.

A key introductory philosophy textbook, making use of an innovative, interactive technique for reading philosophical texts Reading Philosophy: Selected Texts with a Method for Beginners, Second Edition, provides a unique approach to reading philosophy, requiring students to engage with material as they read. It contains carefully selected texts, commentaries on those texts, and questions for the reader to think about as they read. It serves as starting points for both classroom discussion and independent study. The texts cover a wide range of topics drawn from diverse areas of philosophical investigation, ranging over ethics, metaphysics, epistemology, philosophy of mind, aesthetics, and political philosophy. This edition has been updated and expanded. New chapters discuss the moral significance of friendship and love, the subjective nature of consciousness and the ways that science might explore conscious experience. And there are new texts and commentary in chapters on doubt, self and moral dilemmas. Guides readers through the experience of active, engaged philosophical reading Presents significant texts, contextualized for newcomers to philosophy Includes writings by philosophers from antiquity to the late 20th-century Contains commentary that provides the context and background necessary for discussion and argument Prompts readers to think through specific questions and to reach their own conclusions This book is an ideal resource for beginning students in philosophy, as well as for anyone wishing to engage with the subject on their own.

Christopher Janaway presents a full commentary on Nietzsche's most studied work, On the Genealogy of Morality, and combines close reading of key passages with an overview of Nietzsche's wider aims. Arguing that Nietzsche's goal is to pursue psychological and historical truths concerning the origins of modern moral values, Beyond Selflessness differs from other books on Nietzsche in that it emphasizes the significance of his rhetorical methods as an instrument of persuasion. Nietzsche's outlook is broadly naturalist, but he is critical of typical scientific and philosophical methods for their advocacy of impersonality and suppression of the affects. In contrast to his opponents, Schopenhauer and Paul Rée, who both account for morality in terms of selflessness, Nietzsche believes that our allegiance to a post-Christian morality that centres around selflessness, compassion, guilt, and denial of the instincts is not primarily rational but affective: underlying feelings, often ambivalent and poorly grasped in conscious thought, explain our moral beliefs. The Genealogy is designed to detach the reader from his or her allegiance to morality and prepare for the possibility of new values. In addition to examining how Nietzsche's 'perspectivism' holds that one can best understand a topic such as morality through allowing as many of one's feelings as possible to speak about it, Janaway shows that Nietzsche seeks to enable us to 'feel differently': his provocation of the reader's affects helps us grasp the affective origins of our attitudes and prepare the way for healthier values such as the affirmation of life (as tested by the thought of eternal return) and the self-satisfaction to be attained by 'giving style to one's character'.

Christopher Janaway presents a full commentary on Nietzsche's most studied work, On the Genealogy of Morality, and combines close reading of key passages with an overview of Nietzsche's wider aims. Arguing that Nietzsche's goal is to pursue psychological and historical truths concerning the origins of modern moral values, Beyond Selflessness is distinctive in that it also emphasizes the significance of Nietzsches rhetorical methods as an instrument of persuasion. Nietzsche's outlook is broadly naturalist, but he is critical of typical scientific and philosophical methods for their advocacy of impersonality and suppression of the affects. In contrast to his opponents, Schopenhauer and Paul Rée, who both account for morality in terms of selflessness, Nietzsche believes that our allegiance to a post-Christian morality that centres around selflessness, compassion, guilt, and denial of the instincts is not primarily rational but affective: underlying feelings, often ambivalent and poorly grasped in conscious thought, explain our moral beliefs. The Genealogy is designed to detach the reader from his or her allegiance to morality and prepare for the possibility of new values. Janaway shows how, according to Nietzsches perspectivism, one can best understand a topic such as morality through allowing as many of ones feelings as possible to speak about it, and how Nietzsche seeks to enable us to feel differently': his provocation of the reader's affects helps us grasp the affective origins of our attitudes and prepare the way for healthier values such as the affirmation of life (as tested by the thought of eternal return) and the self-satisfaction to be attained by 'giving style to one's character'.

Designed for readers with no or little prior knowledge of the subject, this concise anthology brings together key texts in aesthetics and the philosophy of art. Designed for readers with no or little prior knowledge of the subject.Presents two contrasting pieces on each of six topics.Texts range from Plato's famous critique of art in the 'Republic' through Nietzsche's 'The Birth of Tragedy' to Barthes' 'The Death of the Author' and pieces in recent philosophical aesthetics from a number of traditions.Interactive editorial commentary helps readers to engage with the philosophical train of thought.Explains the argumentative and historical context in which each piece was written.Includes questions for debate and suggestions for further reading.

Designed for readers with no or little prior knowledge of the subject, this concise anthology brings together key texts in aesthetics and the philosophy of art. Designed for readers with no or little prior knowledge of the subject.Presents two contrasting pieces on each of six topics.Texts range from Plato's famous critique of art in the 'Republic' through Nietzsche's 'The Birth of Tragedy' to Barthes' 'The Death of the Author' and pieces in recent philosophical aesthetics from a number of traditions.Interactive editorial commentary helps readers to engage with the philosophical train of thought.Explains the argumentative and historical context in which each piece was written.Includes questions for debate and suggestions for further reading.

This flexible introductory textbook explores several key themes in philosophy, and helps the reader learn to engage with the key arguments by introducing and analysing a selection of classic readings. Fully integrated introductory text with readings for beginning students of philosophy. Each chapter focusses on a core philosophical topic, and contains an introduction to the topic, 2 classic readings and interactive commentaries on the readings. An introductory book which doesn't merely tell the reader about the subject, but requires them to engage philosophically with the text. A pedagogical resource developed in the classroom by the authors at the University of London.

Schopenhauer is the most readable of German philosophers. This book gives a succinct explanation of his metaphysical system, concentrating on the original aspects of his thought, which inspired many artists and thinkers including Nietzsche, Wagner, Freud, and Wittgenstein. Schopenhauer's central notion is that of the will - a blind, irrational force that he uses to interpret both the human mind and the whole of nature. Seeing human behaviour as that of a natural organism governed by the will to life, Schopenhauer developed radical insights concerning the unconscious and sexuality which influenced both psychologists and philosophers. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

German Philosophers contains studies of four of the most important German theorists: Kant, arguably the most influential modern philosopher; Hegel, whose philosophy inspired an enduring vision of a communist society; Schopenhauer, renowned for his pessimistic preference for non-existence; and Nietzsche, who has been appropriated as an icon by an astonishingly diverse spectrum of people.

Arthur Schopenhauer's central philosophical achievement was his account of the self and its relation to the world of objects. Embracing epistemological, metaphysical, psychological, and physiological concerns, his dynamic system of thought reveals in a unique way the serious philosophical conflicts that can arise when we think about the self. This book is the first full-length study of this theme, and Christopher Janaway's approach to it is historical, yet at the same time has a clear philosophical emphasis. He explores in unusual depth Schopenhauer's often ambivalent relation to Kant, seeing him as a pertinent critic, especially on the issues of idealism and free will. He shows that, while accepting transcendental idealism and the notion of a pure knowing 'I', Schopenhauer was always concerned to establish a rival view of the self as willing: primarily active, embodied, organic, and manifesting pre-rational ends and drives. In the final part of the book Janaway highlights the influence of Schop

Plato was the first great figure in Western philosophy to assess the value of the arts; he famously argued in the Republic that traditionally accepted forms of poetry, drama, and music are unsound, claiming they are conducive to warped ethical standards, detrimental to the psyche, and purveyors of illusions about important matters in human life. This view has been widely rejected; but Christopher Janaway here argues that Plato's hostile case is a more coherent and a more profound challenge to the arts than has sometimes been supposed. Denying that Plato advocates `good art' in any modern sense, Janaway seeks both to understand Plato's critique in the context of his own philosophy and to locate him in today's philosophy of art, showing how issues in aesthetics arise from responses to his charges. Plato's questions about beauty, emotion, representation, ethical knowledge, artistic autonomy, and censorship are of contemporary relevance as formerly secure assumptions about the value of art and the aesthetic come under scrutiny. Images of Excellence gives a new and original view of a famous issue in the history of philosophy; it is written not only for readers working in ancient philosophy, but for all who are interested in aesthetics, art theory, and literary theory. from the reviews: `Christopher Janaway . . . strikes a fine balance between lucid exposition of the texts, explanation of standard and alternative views and relevant aesthetic theory, and his own interpretations, which grow out of this carefully cultivated ground. His views are often persuasive, and always interesting, meticulously argued, and worthy of serious consideration. . . . Classicists will learn a great deal from Janaway about what philosophers do and how they do it . . . Non-philosophers will also receive a clear and accessible introduction to the theory and history of aesthetics. . . . At the same time Janaway's philosophical analysis is at a highly specialized and sophisticated level. . . . this book makes a powerful statement of Plato's claim to importance in the area of aesthetic theory . . . a stimulating, enlightening, highly intelligent, and well written book.' Mary Whitlock Blundell, Bryn Mawr Classical Review `this is a lucid and thoughtful survey, which is effective both as an introduction to the topic and as a contribution to scholarly debate. . . . I found very little in the main thrust or the detailed argument of Janaway's book which did not strike me as convincing.' Christopher Gill, British Journal of Aesthetics

Plato was the first great figure in Western philosophy to assess the value of the arts; he famously argued in the Republic that traditionally accepted forms of poetry, drama, and music are unsound, claiming they are conducive to warped ethical standards, detrimental to the psyche, and purveyors of illusions about important matters in human life. This view has been widely rejected; but Christopher Janaway here argues that Plato's hostile case is a more coherent and profound challenge to the arts than has sometimes been supposed. Denying that Plato advocates `good art' in any modern sense, Dr Janaway seeks both to understand Plato's critique in the context of his own philosophy and to locate him in today's philosophy of art, showing how issues in aesthetics arise from responses to his charges. Plato's questions about beauty, emotion, representation, ethical knowledge, artistic autonomy, and censorship are of contemporary relevance as formerly secure assumptions about the value of art and the aesthetic come under scrutiny. Images of Excellence gives a new and original view of a famous issue in the history of philosophy; it is written not only for readers working in ancient philosophy, but for all who are interested in aesthetics, art theory, and literary theory.

This book provides a detailed and critical account of Schopenhauer's central philosophical achievement; his account of the self and its relation to the world of objects. The author's historical approach is designed to show the philosophical interest of the theme, and explores in unusual depth Schopenhauer's often ambivalent relation to Kant. It also highlights his view of self and world in Wittgenstein and Nietzsche, and traces the many points of contact between Schopenhauer's thought and current philosophical debates about the self.