Christopher Moore

New York Times bestselling author Christopher Moore channels William Shakespeare and Edgar Allan Poe in The Serpent of Venice, a satiric Venetian gothic that brings back the Pocket of Dog Snogging, the eponymous hero of Fool, along with his sidekick, Drool, and pet monkey, Jeff.Venice, a long time ago. Three prominent Venetians await their most loathsome and foul dinner guest, the erstwhile envoy of Britain and France, and widower of the murdered Queen Cordelia: the rascal Fool Pocket.This trio of cunning plotters--the merchant, Antonio; the senator, Montressor Brabantio; and the naval officer, Iago--have lured Pocket to a dark dungeon, promising an evening of spirits and debauchery with a rare Amontillado sherry and Brabantio's beautiful daughter, Portia.But their invitation is, of course, bogus. The wine is drugged. The girl isn't even in the city limits. Desperate to rid themselves once and for all of the man who has consistently foiled their grand quest for power and wealth, they have lured him to his death. (How can such a small man, be such a huge obstacle?). But this Fool is no fool . . . and he's got more than a few tricks (and hand gestures) up his sleeve.

In Christopher Moore’s lively and engaging history of the Court of Appeal for Ontario, he traces the evolution of one of Canada’s most influential courts from its origins as a branch of the lieutenant governor’s executive council to the post-Charter years of cutting-edge jurisprudence and national influence. Discussing the issues, personalities, and politics which have shaped Ontario’s highest court, The Court of Appeal for Ontario offers appreciations of key figures in Canada’s legal and political history – including John Beverly Robinson, Oliver Mowat, Bora Laskin, and Bertha Wilson – and a serious examination of what the right of appeal means and how it has been interpreted by Canadians over the last two hundred years. The first comprehensive history of the Ontario Court of Appeal, Moore’s book is the definitive and eminently readable account of the court that has been called everything from a bulwark against tyranny to murderer’s row.

"Christopher Moore is a very sick man, in the very best sense of that word." -Carl Hiassen "[Moore's novels] deftly blend surreal, occult, and even science-fiction doings with laugh-out-loud satire of contemporary culture." -Washington Post "If there's a funnier writer out there, step forward." -Playboy Absolutely nothing is sacred to Christopher Moore. The phenomenally popular, New York Times bestselling satirist whom the Atlanta Journal-Constitution calls, "Stephen King with a whoopee cushion and a double-espresso imagination" has already lampooned Shakespeare, San Francisco vampires, marine biologists, Death...even Jesus Christ and Santa Claus! Now, in his latest masterpiece, Sacre Bleu, the immortal Moore takes on the Great French Masters. A magnificent "Comedy d'Art" from the author of Lamb, Fool, and Bite Me, Moore's Sacre Bleu is part mystery, part history (sort of), part love story, and wholly hilarious as it follows a young baker-painter as he joins the dapper Henri Toulouse-Lautrec on a quest to unravel the mystery behind the supposed "suicide" of Vincent van Gogh.

Venice, a long time ago. Three prominent Venetians await their most loathsome and foul dinner guest, the erstwhile envoy from the Queen of Britain: the rascal-Fool Pocket.This trio of cunning plotters--the merchant, Antonio; the senator, Montressor Brabantio; and the naval officer, Iago--have lured Pocket to a dark dungeon, promising an evening of sprits and debauchery with a rare Amontillado sherry and Brabantio's beautiful daughter, Portia.But their invitation is, of course, bogus. The wine is drugged. The girl isn't even in the city limits. Desperate to rid themselves once and for all of the man who has consistently foiled their grand quest for power and wealth, they have lured him to his death. (How can such a small man, be such a huge obstacle?). But this Fool is no fool . . . and he's got more than a few tricks (and hand gestures) up his sleeve.Greed, revenge, deception, lust, and a giant (but lovable) sea monster combine to create another hilarious and bawdy tale from modern comic genius, Christopher Moore.

The birth of Jesus has been well chronicled, as have his glorious teachings, acts, and divine sacrifice after his thirtieth birthday. But no one knows about the early life of the Son of God, the missing years--except Biff, the Messiah's best bud, who has been resurrected to tell the story in this divinely hilarious, yet heartfelt work "reminiscent of Vonnegut and Douglas Adams" (Philadelphia Inquirer).Verily, the story Biff has to tell is a miraculous one, filled with remarkable journeys, magic, healings, kung fu, corpse reanimations, demons, and hot babes. Even the considerable wiles and devotion of the Savior's pal may not be enough to divert Joshua from his tragic destiny. But there's no one who loves Josh more--except maybe "Maggie," Mary of Magdala--and Biff isn't about to let his extraordinary pal suffer and ascend without a fight.

Zombies in the Academy taps into the current popular fascination with zombies and brings together scholars from a range of fields, including cultural and communications studies, sociology, film studies and education, to give a critical account of the political, cultural and pedagogical state of the university through the metaphor of zombiedom. The contributions to this volume argue that the increasing corporatization of the academy – an environment emphasizing publication, narrow research, and a vulnerable tenure system – is creating a crisis in higher education best understood through the language of zombie culture: the undead, contagion and plague, among others. Zombies in the Academy presents essays from a variety of scholars and creative writers who present an engaging and entertaining appeal for serious recognition of the conditions of contemporary humanities teaching, culture and labour practices.

"Christopher Moore is a very sick man, in the very best sense of that word."--Carl Hiassen" Moore's novels] deftly blend surreal, occult, and even science-fiction doings with laugh-out-loud satire of contemporary culture."--Washington Post"If there's a funnier writer out there, step forward."--PlayboyAbsolutely nothing is sacred to Christopher Moore. The phenomenally popular, New York Times bestselling satirist whom the Atlanta Journal-Constitution calls, "Stephen King with a whoopee cushion and a double-espresso imagination" has already lampooned Shakespeare, San Francisco vampires, marine biologists, Death...even Jesus Christ and Santa Claus Now, in his latest masterpiece, Sacr Bleu, the immortal Moore takes on the Great French Masters. A magnificent "Comedy d'Art" from the author of Lamb, Fool, and Bite Me, Moore's Sacr Bleu is part mystery, part history (sort of), part love story, and wholly hilarious as it follows a young baker-painter as he joins the dapper Henri Toulouse-Lautrec on a quest to unravel the mystery behind the supposed "suicide" of Vincent van Gogh.

"Christopher Moore is a very sick man, in the very best sense of that word."--Carl Hiassen" Moore's novels] deftly blend surreal, occult, and even science-fiction doings with laugh-out-loud satire of contemporary culture."--Washington Post"If there's a funnier writer out there, step forward."--PlayboyAbsolutely nothing is sacred to Christopher Moore. The phenomenally popular, New York Times bestselling satirist whom the Atlanta Journal-Constitution calls, "Stephen King with a whoopee cushion and a double-espresso imagination" has already lampooned Shakespeare, San Francisco vampires, marine biologists, Death...even Jesus Christ and Santa Claus Now, in his latest masterpiece, Sacr Bleu, the immortal Moore takes on the Great French Masters. A magnificent "Comedy d'Art" from the author of Lamb, Fool, and Bite Me, Moore's Sacr Bleu is part mystery, part history (sort of), part love story, and wholly hilarious as it follows a young baker-painter as he joins the dapper Henri Toulouse-Lautrec on a quest to unravel the mystery behind the supposed "suicide" of Vincent van Gogh.

Publisher's Note: Products purchased from Third Party sellers are not guaranteed by the publisher for quality, authenticity, or access to any online entitlements included with the product.A quick-access practical handbook for the use of ultrasound in critical care and emergency department settingsPoint-of-care ultrasound offers a readily available, noninvasive, reproducible modality that can expedite and improve care in the critical care and the emergency setting. This handy guide clarifies basic concepts and provides the hands-on guidance necessary for clinicians to arrive at better therapeutic decisions and perform safer procedures with the use of ultrasound.Handbook of Critical Care and Emergency Ultrasound opens with important chapters on ultrasound basics, ultrasound orientation, and probe selection, machine controls, and equipment. 22 additional chapters cover organ or system-specific procedural applications and approaches to the trauma patient. You will also find algorithms for the patient with undifferentiated chest pain, dyspnea, hypotension, and abdominal pain. 259 drawings and photographs support the text, illustrating patient positioning, basic views, anatomy, and common pathology. Handbook of Critical Care and Emergency Ultrasound is the perfect resource for critical care and emergency providers who wish to deepen their knowledge of sonography and broaden their use of ultrasound in the care of their patient.

"Christopher Moore is a very sick man, in the very best sense of the word."--Carl Hiaasen The undead rise again in Bite Me, the third book in New York Times bestselling author Christopher Moore's wonderfully twisted vampire saga. Joining his farcical gems Bloodsucking Fiends and You Suck, Moore's latest in continuing story of young, urban, nosferatu style love, is no Twilight--but rather a tsunami of the irresistible outrageousness that has earned him the appellation, "Stephen King with a whoopee cushion and a double-espresso imagination" from the Atlanta Journal-Constitution and inspired Denver's Rocky Mountain News to declare him, "the 21st century's best satirist."

Abby is dedicated to turning herself into a vampire. Her boyfriend Steve is researching a serum to turn the undead back into mortals. Chet - an enormous vampire cat - is busy turning the stray cats of San Francisco into vampiric kitties. And vampire lovers Jody and Tommy are imprisoned in a bronze statue and have to try to escape . . .In the unpredictable, blood-sucking, thrillingly paranormal San Francisco Christopher Moore has created, a love story unfolds that has real warmth and bite.

"Hilarious, always inventive, this is a book for all, especially uptight English teachers, bardolaters, and ministerial students." --Dallas Morning NewsFool--the bawdy and outrageous New York Times bestseller from the unstoppable Christopher Moore--is a hilarious new take on William Shakespeare's King Lear...as seen through the eyes of the foolish liege's clownish jester, Pocket. A rousing tale of "gratuitous shagging, murder, spanking, maiming, treason, and heretofore unexplored heights of vulgarity and profanity," Fool joins Moore's own Lamb, Fluke, The Stupidest Angel, and You Suck as modern masterworks of satiric wit and sublimely twisted genius, prompting Carl Hiassen to declare Christopher Moore "a very sick man, in the very best sense of the word."

Courts of law at once reflect and shape the society in which they reside and dispense justice. To mark the 2010 centenary of BC's highest court – the British Columbia Court of Appeal – this book presents an institutional, jurisprudential, and biographical account of the court and its evolving role in the province.Richly illustrated and replete with biographical sketches, group portraits of judges, and careful explorations of significant and representative cases, this authoritative history explores how the court came into being, how it has operated, and who its judges have been. In the process, it tells the story of how the court has shaped – and been shaped by – the social, political, and legal development of British Columbia.This much-needed addition to the judicial history of Canada raises questions for British Columbia legal historians to pursue and for scholars, judges, lawyers, and Canadians in general to ponder.

"Christopher Moore is a very sick man, in the very best sense of the word."--Carl Hiaasen The undead rise again in Bite Me, the third book in New York Times bestselling author Christopher Moore's wonderfully twisted vampire saga. Joining his farcical gems Bloodsucking Fiends and You Suck, Moore's latest in continuing story of young, urban, nosferatu style love, is no Twilight--but rather a tsunami of the irresistible outrageousness that has earned him the appellation, "Stephen King with a whoopee cushion and a double-espresso imagination" from the Atlanta Journal-Constitution and inspired Denver's Rocky Mountain News to declare him, "the 21st century's best satirist."

A bawdy Shakespearean romp from the brilliant author of Lamb

"Hilarious, always inventive, this is a book for all, especially uptight English teachers, bardolaters, and ministerial students." --Dallas Morning NewsFool--the bawdy and outrageous New York Times bestseller from the unstoppable Christopher Moore--is a hilarious new take on William Shakespeare's King Lear...as seen through the eyes of the foolish liege's clownish jester, Pocket. A rousing tale of "gratuitous shagging, murder, spanking, maiming, treason, and heretofore unexplored heights of vulgarity and profanity," Fool joins Moore's own Lamb, Fluke, The Stupidest Angel, and You Suck as modern masterworks of satiric wit and sublimely twisted genius, prompting Carl Hiassen to declare Christopher Moore "a very sick man, in the very best sense of the word."

Being undead sucks. Literally. Just ask C. Thomas Flood. Waking up after a fantastic night unlike anything he's ever experienced, he discovers that his girlfriend, Jody, is a vampire. And surprise! Now he's one, too. For some couples, the whole biting-and-blood thing would have been a deal breaker. But Tommy and Jody are in love, and they vow to work through their issues. But word has it that the vampire who initially nibbled on Jody wasn't supposed to be recruiting. Even worse, Tommy's erstwhile turkey-bowling pals are out to get him, at the urging of a blue-dyed Las Vegas call girl named (duh) Blue. And that really sucks.

The town psychiatrist has decided to switch everybody in Pine Cove, California, from their normal antidepressants to placebos, so naturally--well, to be accurate, artificially--business is booming at the local blues bar. Trouble is, those lonely slide-guitar notes have also attracted a colossal sea beast named Steve with, shall we say, a thing for explosive oil tanker trucks. Suddenly, morose Pine Cove turns libidinous and is hit by a mysterious crime wave, and a beleaguered constable has to fight off his own gonzo appetites to find out what's wrong and what, if anything, to do about it.