Christopher Page

In 1893 Clara Lindow sang the ballad Dreamtide to her own guitar accompaniment in the Cumbrian hamlet of Lowick. A writer for the local newspaper not only admired her 'marked skill and ability' but also considered the concert to be a sign of 'the onward march of light and learning in our time'. Amateurs like Miss Lindow were at the heart of a Victorian revival of guitar playing, especially for accompanying the voice, which has never been fully acknowledged and has often been denied. This book is a ground-breaking history of the guitar and its players during the era when the Victorians were making modern Britain. The abundant newspaper record of the period, much of which is now searchable with digital tools, reveals an increasingly buoyant guitar scene from the 1860s onwards. No part of Victorian life, from palace to pavement, remained untouched by the revival.

A fascinating social history of the guitar, reasserting its long-forgotten importance in Romantic England This book is the first to explore the popularity and novelty of the guitar in Georgian England, noting its impact on the social, cultural, and musical history of the period. The instrument possessed an imagery as rich as its uses were varied; it emerged as a potent symbol of Romanticism and was incorporated into poetry, portraiture, and drama. In addition, British and Irish soldiers returning from war in Spain and Portugal brought with them knowledge of the Spanish guitar and its connotations of stylish masculinity. Christopher Page presents entirely new scholarship in order to place the guitar within a multifaceted context, drawing from recently digitized original source material. The Guitar in Georgian England champions an instrument whose importance in the eighteenth and nineteenth centuries is often overlooked.

This is the first history of the guitar during the reign of the Stuarts, a time of great political and social upheaval in England. In this engaging and original volume, Christopher Page gathers a rich array of portraits, literary works and other, previously unpublished, archival materials in order to create a comprehensive picture of the guitar from its early appearances in Jacobean records, through its heyday at the Restoration court in Whitehall, to its decline in the first decades of the eighteenth century. The book explores the passion of Charles II himself for the guitar, and that of Samuel Pepys, who commissioned the largest repertoire of guitar-accompanied song to survive from baroque Europe. Written in Page's characteristically approachable style, this volume will appeal to general readers as well as to music historians and guitar specialists.

Blowback's a bitch with a grudge, and she ain't happy...Love, Death, & The After: Never Again picks up the story where TeamPlus, Tesla and the Nagual left off in Abandoned Spaces.As if encountering a plan to end humanity in The After isn't enough to deal with, throw in a local revolution, and the rise of a new apex species with a superiority complex, TeamPlus may have bitten off more than they can chew.Tesla finds himself desperate to keep up, let alone stay alive. But Cain's Nagual look easy compared to a fellow prodigy from The Before. Only Rainey and TeamPlus stand in his way. If he can keep his shit together and pour on the charm, he might pull off his end game-Check. And. Mate.The third novel in this four part series, the thrilling conclusion in "Love, Death, & The After: Never Again" brings science-fiction, horror, and the dark side of the human soul to bear against the cautious need for romance, loyalty, and community in The After's violent world hell-bent on devouring it all. "Careful who you save, Doc"-an open hand or hammering fist may not be enough.

Few now remember that the guitar was popular in England during the age of Queen Elizabeth and Shakespeare, and yet it was played everywhere from the royal court to the common tavern. This groundbreaking book, the first entirely devoted to the renaissance guitar in England, deploys new literary and archival material, together with depictions in contemporary art, to explore the social and musical world of the four-course guitar among courtiers, government servants and gentlemen. Christopher Page reconstructs the trade in imported guitars coming to the wharves of London, and pieces together the printed tutor for the instrument (probably of 1569) which ranks as the only method book for the guitar to survive from the sixteenth century. Two chapters discuss the remains of music for the instrument in tablature, both the instrumental repertoire and the traditions of accompanied song, which must often be assembled from scattered fragments of information.

This is the first history of the guitar during the reign of the Stuarts, a time of great political and social upheaval in England. In this engaging and original volume, Christopher Page gathers a rich array of portraits, literary works and other, previously unpublished, archival materials in order to create a comprehensive picture of the guitar from its early appearances in Jacobean records, through its heyday at the Restoration court in Whitehall, to its decline in the first decades of the eighteenth century. The book explores the passion of Charles II himself for the guitar, and that of Samuel Pepys, who commissioned the largest repertoire of guitar-accompanied song to survive from baroque Europe. Written in Page's characteristically approachable style, this volume will appeal to general readers as well as to music historians and guitar specialists.

A renowned scholar and musician presents a new and innovative exploration of the beginnings of Western musical art. Beginning in the time of the New Testament, when Christians began to develop an art of ritual singing with an African and Asian background, Christopher Page traces the history of music in Europe through the development of Gregorian chant—a music that has profoundly influenced the way Westerners hear—to the invention of the musical staff, regarded as the fundamental technology of Western music. Page places the history of the singers who performed this music against the social, political and economic life of a Western Europe slowly being remade after the collapse of Roman power. His book will be of interest to historians, musicologists, performing musicians, and general readers who are keen to explore the beginnings of Western musical art.

It is a common assumption that governments use public opinion research primarily to help them make popular decisions about major policy issues but few scholars have ever looked beyond this assumption to investigate its veracity. In The Roles of Public Opinion Research in Canadian Government, Christopher Page pulls back the curtain on the uses of polls and focus groups.Stressing public opinion on policy rather than on support for parties, Page explores the relationships between government officials and pollsters, and the contributions of public opinion research to the policy process. Three high-profile policies are considered in depth: the patriation of the constitution and the establishment of the Charter of Rights by the Trudeau government, the introduction of the Goods and Services Tax by the Mulroney government, and the controversial strengthening of gun control by the Chrétien government. The Roles of Public Opinion Research in Canadian Government demonstrates that opinion research has a greater variety of roles than is often recognized, and that, despite conventional wisdom, its foremost impact is to help governments determine how to communicate with citizens. It is an essential contribution to the study of Canadian politics, filling a major gap in the scholarship.

It is a common assumption that governments use public opinion research primarily to help them make popular decisions about major policy issues but few scholars have ever looked beyond this assumption to investigate its veracity. In The Roles of Public Opinion Research in Canadian Government, Christopher Page pulls back the curtain on the uses of polls and focus groups.Stressing public opinion on policy rather than on support for parties, Page explores the relationships between government officials and pollsters, and the contributions of public opinion research to the policy process. Three high-profile policies are considered in depth: the patriation of the constitution and the establishment of the Charter of Rights by the Trudeau government, the introduction of the Goods and Services Tax by the Mulroney government, and the controversial strengthening of gun control by the Chrétien government. The Roles of Public Opinion Research in Canadian Government demonstrates that opinion research has a greater variety of roles than is often recognized, and that, despite conventional wisdom, its foremost impact is to help governments determine how to communicate with citizens. It is an essential contribution to the study of Canadian politics, filling a major gap in the scholarship.

Arthur Asquith, son of Prime Minister Asquith, rose from sub-lieutenant to brigadier in a mere three years during World War I. Christopher Page's biography traces the career of a brave, gifted and unusual non-professional soldier.