Christopher Ross

He is Risen. Rhapsodic, incantatory, and playful. A mish-mash of history; both real and imagined. An epic poem starring yoga aficionado George "Warshington" who turns both inward and towards a cast of characters who inspire his vision of leadership during the crucial year of 1776-77 in Valley of the Forge: his loyal, loving, and patient wife, Martha; the recovering, lovelorn, drunkard, "Mad" Anthony Wayne; his fellow yogi and personal assistant, Gibraltar and his wife, Rebekah; the mercurial turncoat, General Toothe; the alluring semi-widow, Mary Hughes Cooney; the gifted sculptor Joe and his muse, Felicia; the magical woods-witch, Miss Kitty, and, finally, local Indian Chief Maddywampus; the true spiritual centerpiece for the newly won territory of "America".

Spain since 1812 is an ideal introduction to the history of Spain. The chapters are arranged chronologically and each begins with an overview of major events and movements in Europe as a whole. Emphasis is placed on understanding major developments, their causes, and the relationships between them. Spanish terms associated with key concepts and figures are introduced and explained throughout the text. Extracts from key Spanish texts, in Spanish and in translation, enable students to see, first hand, the mood of the time. Chapters end with topics for discussion to encourage critical thinking. This new edition has been revised and updated to take account of events since the Socialists' return to power in 2004. It looks at the new government's social reforms, its attempts to end ETA's violence and its response to Catalan demands for further autonomy. Also considered are changes in the country's political climate and external relationships, as well as the crisis facing Spain's economy. Written in an accessible style and assuming no prior knowledge, the books in this series address the specific needs of students on language courses, as well as anyone with an interest in modern history. Approaching the study of history via contemporary politics and society, each book offers a clear historical narrative and sets the country or region concerned in the context of the wider world.

On November 25, 1970, the world renowned Japanese writer Yukio Mishima committed seppuku with his own antique sword. Mishima's spectacular suicide has been called many things: a hankering for heroism a beautiful, perverse drama a political protest against Japan's emasculated postwar constitution the epitaph of a mad genius. Part travelogue, part biography, and part philosophical treatise, Mishima's Sword is the story of Christopher Ross's journey to find a sword and maybe an understanding of Mishima's country. The cold trail the author follows inspires a tale of the most engaging-and occasionally bizarre-sort, with glimpses of the real Japan that is not seen by tourists, with digressions on, among other things, bushido and socks, mutineers and Noh ghosts, nosebleeds and metallurgy-and even how to dress for suicide.

The stunning book from Christopher Ross, Sunday Times top 10 bestselling author of 'Tunnel Visions'.

When Christopher Ross put on a hi-visibility vest and joined London Underground as a station assistant, he discovered a Plato's cave of reflection and human comedy, populated by streakers, buskers, onanists and angry commuters. A meditation on life, a philosophical enquiry into human nature and a profoundly funny dissection of urban madness. Christopher Ross, philosopher and traveller, decided to cease his journeyings and go underground, working for a year as a station assistant on Platform 6 (northbound Victoria Line) at Oxford Circus. After training school, where he is taught how not to electrocute himself and always to look a member of the public in the eye as they are assaulting you, he faces up to his new duties with a mixture of curiosity and foreboding. ‘Tunnel Visions’ is a delightful mixture of lived experience in the sureal world of London’s Underground and the more elevated ideas, thoughts and imaginings that experience provokes. Oxford Circus station, complete with its weeping wall, its streakers, buskers, onanists and cupboard containing one employee whose ideal working day was to sleep soundly 100 feet below ground, is a Plato’s Cave of reflection and human comedy. Christopher Ross, a still point in the whirling stream of the bizarre and otherworldly life below ground, has written a profoundly funny book.