Clare Pollard

AN ORIGINAL RETELLING OF THE CLASSIC GREEK MYTH OF JASON AND THE ARGONAUTS FOR YOUNG READERS WITH A FRESH AND FUNNY TWIST, PERFECT FOR FANS OF LOKI AND DAVID SOLOMONS. Meet Phoebe. She's eleven years old and desperate to escape the boring island where she lives. Enter the Argonauts - a crew of so-called heroes on a quest to grab the golden fleece. Before Phoebe can think better of it, she boards the ship and stows away on the Argo. But the Argonauts have their work cut out. From attacking harpies to deadly whirlpools, giant sea monsters to skeleton armies, there is peril at every turn. Fortunately the Othernauts are on hand - though with Phoebe's unhelpful prophecies, Perry's unreliable shape-shifting skills and Cora the siren's headache-inducing singing, it's not quite clear exactly how much help these kids will be . . . Do the Othernauts have what it takes to get the Argo and its motley crew back to safety in one piece? AN ANCIENT GREEK ADVENTURE TO CAPTURE THE LEGENDARY GOLDEN RUG, I MEAN, FLEECE - BUT NOT LIKE YOU'VE EVER HEARD IT BEFORE . . .

Visions in Silk presents the first comprehensive exploration of exquisite Japanese fine art textiles from the Meiji era (1868-1912), showcasing the unparalleled treasures from the Khalili Collection of Japanese Art. This beautifully illustrated volume reveals how Japanese artists and craftsmen ingeniously adapted centuries-old textile traditions to create innovative art textiles that captivated international audiences, won exhibition awards, and served as prestigious diplomatic gifts. Featuring over 300 spectacular examples, the book examines dazzling works of embroidery, yuzen resist-dyed silk and cut velvet, tapestry, and oshi-e raised silk, ranging from elegant panels, hangings and screens to grand exhibition showpieces. Each represents the pinnacle of artistic collaboration and hitherto unsurpassed technical mastery. Written by leading international experts, this landmark publication provides unprecedented insight into these remarkable yet understudied treasures. Visions in Silk will enchant anyone interested in Japanese art, textile design, Japonisme, and the cultural transformations that occurred during the Meiji era, when Japan opened to the outside world.

Clare Pollard cocks a snook at Dr Johnson’s all-male Lives of the Poets in chronicling her own life and theirs in her Lives of the Female Poets. These portraits and self portraits offer glimpses into the poet’s own everyday life – from nit-combing and laundry to pollen counts and cocktails, watching school plays to shopping on Rye Lane – all whilst in conversation with female poets through the ages. Playing with forms from the version to the glosa, these are poems that remix, adapt and channel figures from Enheduanna, the first recorded poet, through to Wanda Coleman. Probing the idea of the ‘Poetess’ over time, there are also poems about writers’ lives – sonnets for Anne Locke, who wrote the first English sonnet sequence; a sestina for Elizabeth Bishop; a series of prose poems about Emily Brontë; and a look at the tragic life of L.E.L. Whether imagining a ‘three-martini afternoon’ at the Ritz with Sylvia Plath and Anne Sexton, or exploring the ways women writers have been erased from the canon in the book’s long, closing poem, Clare Pollard’s playful sixth collection celebrates and commemorates all those female poets who have come before.

Winner of the Tadeusz Bradecki Prize - A BookPage Best Historical Fiction Book of the Year - "Artfully composed...keenly alive...this memorable novel reminds the reader of the enduring power of storytelling to transform and even save lives." --The New York Times Lauren Groff's Matrix meets Ophelia Field's The Favourite in this wry and "bawdy" (Los Angeles Times) historical novel--inspired by true events--featuring an elite group of Paris intellectuals who perform fairy tales that put both the storytellers and their closely kept secrets in grave danger. Why don't they tell you it is the beautiful princess who becomes the evil queen; that they are just the same person at different points in their story? At a safe distance from the intrigues of courtly life at Louis XIV's Versailles, an intellectual crowd of mostly women have been gathering in a Parisian home to share what hostess Marie D'Aulnoy herself has christened contes de f es: fairy tales. Recently ousted from court and still raw from the death of his beloved wife, Charles Perrault finds companionship and creative camaraderie at the salon, where he eagerly joins the storytellers. Their hostess is impressive, fiercely intelligent, but somehow unreadable. She is harboring secrets of her own: sold off as a child in marriage to a brutal baron, imprisonment, scandal. Despite the vicious Versailles gossip, Marie has mysteriously been allowed to return to polite society and establish her salon in the heart of Paris. A devastating winter soon sweeps in, bringing with it all kinds of rumors and fears. A spate of poisonings at Versailles has led to several arrests, and no matter how high born the suspect, it seems no one is safe. Paranoia stokes the King's insecurities, and there is a wolf among the salon's members--someone more dangerous than any force they could conjure in their own tales, watching and waiting, reporting on the secret goings-on, and threatening to destroy them one by one. "Clever and glittering" (Kirkus Reviews), witty and wise, Modern Fairies is a dazzling novel of stories within stories, familiar tales spun with fresh and provocative meaning, perfect for fans of Jenny Offill, Italo Calvino, and Angela Carter.

WINNER OF THE TADEUSZ BRADECKI PRIZESHORTLISTED FOR THE ENCORE AWARD‘A novel with oodles of charm’ The Times‘Elegant, decadent, vulgar, clever, enchanting and dark’ Sarah Perry, author of EnlightenmentVersailles, 1682: a city of the rich, a living fairy-tale, Louis XIV's fever dream. It's a place of opulence, beauty, and power. But strip back the lavish exterior of polite society, and you'll find a dark undercurrent of sexual intrigue and vicious gossip. Nobody is safe here - no matter how highly born they are.No one knows this better than Madame Marie d'Aulnoy. Each week, a rogue group of intellectuals gather at her Parisian home to debate, flirt and perform Contes de Fées - fairy tales - that challenge the status quo, at a salon that will change the course of literature forever. But while they weave tales of glass slippers, enchanted beasts and long-haired princesses, a wolf is lurking, who threatens to destroy the members of the salon one by one.Brilliant and bawdy, romantic and provocative, The Modern Fairies is a dazzling novel inspired by real events, about the delights and dangers of storytelling in dark times.‘Funny, filthy, dancingly clever ... A delectable confection of many-layered pleasures … I gobbled it all up, Joanna Quinn, author of The Whalebone Theatre‘The sentences sing on the page with wit and intelligence ... Reminds the reader of the enduring power of storytelling to transform and even save lives, then and now’ The New York Times

SHORTLISTED FOR THE ENCORE AWARD SHORTLISTED FOR THE TADEUSZ BRADECKI PRIZE'Elegant and decadent, vulgar and clever, enchanting and dark. The love child of Angela Carter and Anaïs Nin - the book I really really needed' SARAH PERRY, author of The Essex Serpent'The sentences sing on the page with wit and intelligence ... This memorable novel reminds the reader of the enduring power of storytelling to transform and even save lives, then and now' THE NEW YORK TIMESWhy don't they tell you it is the beautiful princess who becomes the evil queen; that they are just the same person at different points in their story?Versailles, 1682: a city of the rich, a living fairy-tale, Louis XIV's fever dream. It's a place of opulence, beauty, and power. But strip back the lavish exterior of polite society, and you'll find a dark undercurrent of sexual intrigue and vicious gossip. Nobody is safe here - no matter how highly born they are.No one knows this better than Madame Marie d'Aulnoy. Each week, a rogue group of intellectuals gather at her Parisian home to debate, flirt and perform Contes de Fées - fairy tales - that challenge the status quo, at a salon that will change the course of literature forever. But while they weave tales of glass slippers, enchanted beasts and long-haired princesses, a wolf is lurking, who threatens to destroy the members of the salon one by one.Brilliant and bawdy, romantic and provocative, The Modern Fairies is a dazzling novel inspired by real events, about the delights and dangers of storytelling in dark times.'Funny, filthy, dancingly clever: a delectable confection of many-layered pleasures. A story of stories, storytellers, and the lurking dangers of fairytales. It reminded me of Jeanette Winterson's The Passion, and I gobbled it all up' JOANNA QUINN, author of The Whalebone Theatre'Original, fantastical, historical, and unputdownable' KAREN JOY FOWLER, Booker Prize-shortlisted author of We Are All Completely Beside Ourselves'Pollard's future, as a novelist, is very bright indeed' THE I, praise for Delphi

Under the bloody rule of King Arthur - as the cruel knights of the round table wage wars and hunt magical creatures - the ordinary people of Camelot are getting sick. Really sick. Something is poisoning the land. No one in Arthur's court seems to care, but a spark of hope remains... The Holy Grail could save them all, and two children embark on a quest to find it. Shy, gentle Roan, a young dog keeper who works for the knights, is desperate to find a cure for his mum. He befriends Elva, a generous and outspoken kitchenhand with her own reasons for seeking the elusive Grail. Together, can they beat the knights to find it? And will drinking from it save Roan's mum? Clare Pollard's first book for children revisits Arthurian legends in a thrilling tale of adventure and mystery. *The Untameables* turns traditional folklore on its head and forces us to think about how legends are written and whose stories get told. Beautifully illustrated by Reena Makwana.

A Guardian Best Book of 2022 * "Clever and surprising." --BuzzFeed * "Brilliantly funny." --San Francisco Chronicle * "Ingenious."--The Millions * "Powerful." --Harper's Bazaar A captivating debut novel about a classics professor immersed in research for a new book on a prophecy in the ancient world who confronts chilling questions about her own life just as the pandemic descends--for readers of Jenny Offill, Ottessa Moshfegh, and Sally Rooney. Covid-19 has arrived in London, and the entire world quickly succumbs to the surreal, chaotic mundanity of screens, isolation, and the disasters big and small that have plagued recent history. As our unnamed narrator--a classics professor immersed in her studies of ancient prophecies--navigates the tightening grip of lockdown, a marriage in crisis, and a ten-year-old son who seems increasingly unreachable, she becomes obsessed with predicting the future. Shifting her focus from chiromancy (prophecy by palm reading) to zoomancy (prophecy by animal behavior) to oenomancy (prophecy by wine), she fails to notice the future creeping into the heart of her very own home, and when she finally does, the threat has already breached the gates. Brainy and ominous, imaginative and funny, Delphi is a snapshot and a time capsule--it vividly captures our current moment and places our reality in the context of myth. Clare Pollard has delivered one of our first great pandemic novels, a mesmerizing and richly layered story about how we keep on living in a world that is ever-more uncertain and absurd.

'Vivid as fireworks ... Both terrifying and exhilarating' Doireann Ní Ghríofa, author of A Ghost in the Throat'Funny and sharp ... A hungry book, looking everywhere and seeing everything' ObserverIn a time more turbulent than any of us could have ever imagined, a woman is attempting to write a book about prophecy in the ancient world.Navigating the tightening grip of lockdown, a marriage in crisis, and a ten-year-old son who seems increasingly unreachable, she becomes fixated on our many forms of divination and prediction: on oracles, tarot cards and tea leaves and the questions we have always asked as we scroll and click and rage against our fates.But in doing so she fails to notice the future creeping into the heart of her own home. For despite our best intentions - our sacrifices and our bargains with the gods - time, certainty and, sometimes, those we love, can still slip away ...Heartbreakingly relatable and achingly funny Delphi is both a snapshot and a time capsule, deftly capturing our pasts, our presents, and how we keep on going in a world that is ever more uncertain and absurd.'Impressive ... What good fiction is meant to do' The New York Times'Bold, brave and uncompromising, Pollard has found a way to write about the last couple of years which is both truthful and enjoyable to read, which I didn't think was possible' Cathy Rentzenbrink, author of Everyone is Still Alive

'Inviting, stylish and candid ... Pollard's future, as a novelist, is very bright indeed' The i'Clever, warm, and funny' Sarah Moss, The Guardian'This isn't the first - and most certainly won't be the last - pandemic novel, but it might be the most brilliant' Daily Mail'I am sick of the future. Up to here with the future. I don't want anything to do with it; don't want it near me'It is 2020 and in a time more turbulent than any of us could have ever imagined, a woman is attempting to write a book about prophecy in the ancient world.Navigating the tightening grip of lockdown, a marriage in crisis, and a ten-year-old son who seems increasingly unreachable, she becomes fixated on our many forms of divination and prediction: on oracles, tarot cards and tea leaves and the questions we have always asked as we scroll and click and rage against our fates.But in doing so she fails to notice the future creeping into the heart of her own home. For despite our best intentions - our sacrifices and our bargains with the gods - time, certainty and, sometimes, those we love, can still slip away ...Heartbreakingly relatable and achingly funny Delphi is both a snapshot and a time capsule, deftly capturing our pasts, our presents, and how we keep on going in a world that is ever more uncertain and absurd.'Delphi is a compact miracle of a book' Evie Wyld, author of The Bass Rock'Bold, brave and uncompromising, Pollard has found a way to write about the last couple of years which is both truthful and enjoyable to read, which I didn't think was possible' Cathy Rentzenbrink, author of Everyone is Still Alive'Dark and dangerous, disturbed and disturbing in equal measure - I loved it' Anna Hope, author of Expectation

What is The Tiger Who Came to Tea really about? How is Meg and Mog related to Polish embroidery? And why does death in picture books involve being eaten? Fierce Bad Rabbits explores the stories behind our favourite picture books, weaving in tales of Clare Pollard's childhood reading and her re-discovery of the classic tales as a parent. Because the best picture books are far more complex than they seem - and darker too. Monsters can gobble up children and go unnoticed, power is not always used wisely, and the wild things are closer than you think.'A gem . . . hard to put down. Thoroughly enjoyable' Spectator'Essential reading for every thinking parent' Penelope Lively'An enlightening, perceptive analysis of the books that build us' Sunday Telegraph, 5 star review'A happy way to reconnect with old friends' Times

Surimono poetry prints are among the finest examples of Japanese woodblock printmaking of the late eighteenth and early nineteenth centuries. Consisting of witty poetry combined with related images, surimono were often designed by leading print artists and were exquisitely produced using the best materials and most sophisticated printing techniques. Unlike the ukiyo-e prints of actors, courtesans and landscapes that were being commercially published around the same time, surimono were never intended for sale to the general public. Instead they were privately published in limited editions by members of poetry clubs, to present to friends and acquaintances on festive occasions, especially at the New Year. This book introduces over forty surimono in the collection of the Ashmolean Museum and provides readers with an insight into the refined and cultivated Japanese literati culture of the early nineteenth century. As well as exploring the customs, legends, figures and objects depicted, it presents new translations of the humorous poems (kyoka) that lie at the heart of surimono, and highlights the intricate relationship that existed between the poetry and accompanying images. This will be the first time that the Ashmolean's collection of surimono, mostly from the Jennings-Spalding Gift and containing a number of rare and previously unpublished prints, has ever been catalogued.

Utagawa Hiroshige (1797-1858) is one of the best known of all Japanese woodblock print designers. He is particularly renowned for his landscape prints, which are among the most frequently reproduced of all Japanese works of art. Hiroshige's landscape prints were hugely successful both in Japan and in the West. Their unusual compositions, humorous depictions of people involved in everyday activities and masterly expression of weather, light and seasons, proved enormously influential on many leading European artists. Aimed at a general audience, this book illustrates and discusses 53 Hiroshige landscape prints in the Ashmolean Museum's collection and explores their historical background. It gives a concise introduction to Hiroshige's life and career within the context of Japan's booming nineteenth-century woodblock print industry and explores the development of the landscape print as a new genre in this period. It also discusses and illustrates the process and techniques of traditional Japanese woodblock print-making.

Torsion and tension are characteristic of the vessels created by the exceptional Japanese ceramicist Shozo Michikawa (b. 1953), whose works are reminiscent of rock strata and lava flows. Michikawa is known for his unique technique, for turning edgy, dynamic sculptures on the potter's wheel. First he cuts and scores a solid block of clay before he carves out the interior hollow through pressing and turning with a rod and his hands. Natural-looking surfaces emerge, just as geological forces formed the earth's surface - an irrepressible energy from the inside out. Michikawa's pots, with their irregular shape, granular texture, and rich earthen hues are so poetic in their appearance that they have been likened to 'haikus in clay'. With a selection of works from the last fifteen years, Shozo Michikawa introduces the first comprehensive insight into his ceramic production, which has attracted attention across the globe. The Museum für Kunst und Gewerbe Hamburg; LACMA Los Angeles County Museum of Art; Ashmolean Museum of Art and Archaeology, University of Oxford; National Museum of Wales, Cardiff; Philadelphia Museum of Art; Qinglingsi Temple, Xi'an and Shimada City Museum are among the institutions that have acquired his work. This book accompanies an exhibition, which will tour between venues: Lacoste Gallery, Concord, MA (US), 3 to 24.6.2017; Erskine, Hall & Coe, London (UK), 11.10. to 2.11.2017. The artist is active on facebook, at https://www.facebook.com/shozo.michikawa

The poems in Clare Pollard's fifth collection Incarnation are about our children and the stories that we tell them. Whether looking at the discourse around pregnancy, describing the pain of childbirth or thinking about surveillance at soft play, they blur the personal and political. Pinocchio, Hamelin, Alice and The Tiger who Came to Tea make appearances alongside biblical tales: the ark, the whale's belly, the Moses basket in the rushes. There are poems for lost daughters - Amy Winehouse, Madeleine McCann, the victims of honour killings - and lost sons. There are also poems about innocence and responsibility which ask what it means to bring new human beings into this world, and how we shape them through our words.

Ovid's Heroides, written in Rome some time between 25 and 16 BC, was once his most popular work. The title translates as Heroines, and it's a series of poems in the voices of women from Greek and Roman myth - including Phaedra, Medea, Penelope and Ariadne - addressed to the men they love. It has been claimed as both the first book of dramatic monologues and the first of epistolary fiction. It's also a radical text in its literary transvestism, and the way it often presents the same story from very different, subjective perspectives. For a long time it was Ovid's most influential work, loved by Chaucer, Dante, Marlowe, Shakespeare and Donne, and translated by Dryden and Pope. Clare Pollard's new translation rediscovers Ovid's Heroines for the 21st century, with a cast of women who are brave, bitchy, sexy, suicidal, horrifying, heartbreaking and surprisingly modern. Two of the most popular poetry books of recent times have been Ted Hughes's new version of Ovid's Metamorphoses, and Carol Ann Duffy's The World's Wife, dramatic monologues by women from myth and history giving their side of the story. Clare Pollard's new take on Ovid's Heroines is another book in that vein, bringing classic tales to life for modern readers.