Clark Blaise

Twelve stories of immigrants who navigate the ancestral past of India as they remake their lives—and themselves—in North America. These are stories of fluid and broken identities, discarded languages and deities, and the attempt to create bonds with a new community against the ever-present fear of failure and betrayal. “The narrative of immigration,” Bharati Mukherjee once wrote, “is the epic narrative of this millennium.” Her stories and novels brilliantly add to that ongoing saga. In the story “The Lady from Lucknow,” a woman is pushed to the limit while wanting nothing more than to fit in. In “Hindus,” characters discover that breaking away from a culture has deep and unexpected costs. In “A Father,” the clash of cultures leads a man to an act of terrible violence. “How could he tell these bright, mocking women,” Mukherjee writes, “that in the darkness, he sensed invisible presences: gods and snakes frolicked in the master bedroom, little white sparks of cosmic static crackled up the legs of his pajamas. Something was out there in the dark, something that could invent accidents and coincidences to remind mortals that even in Detroit they were no more than mortal.” There is light in these stories as well. The collection’s closing story, “Courtly Vision,” brings to life the world within a Mughal miniature painting and describes a light charged with excitement to discover the immense intimacy of darkness. Readers will also discover that excitement, and the many gradations of darkness and light, throughout these pages from the mind of a master storyteller.Darkness is part of Godine’s Nonpareil series: celebrating the joy of discovery with books bound to be classics.

"Blaise is probably the greatest living Canadian writer most Canadians have never heard of."—Quill & Quire“If you want to understand something about what life was like in the restless, peripatetic, striving, anxiety-ridden, shimmer cultural soup of the late twentieth and early twenty-first centuries," writes Margaret Atwood, "read the stories of Clark Blaise." This Time, That Place draws together twenty-four stories that span the entirety of Blaise's career, including one never previously published. Moving swiftly across place and time, through and between languages—from Florida's Confederate swamps, to working-class Pittsburgh, to Montreal and abroad—they demonstrate Blaise's profound mastery of the short story and reveal the range of his lifelong preoccupation with identity as fallacy, fable, and dream. This Time, That Place: Selected Stories confirms Clark Blaise as one of the best and most enduring masters of the form—on either side of our shared borders.

"Engaging, stirring, and hard to put down."-The New York Times Book Review First published in 1979, Lunar Attractions is the story of David Greenwood, a whimsical boy from the Florida backwoods whose shocking sexual awakening propels him into the world of murder and extortion that roils beneath the surface of 1950s America.

Shortlisted for the 2011 Rogers Writers' Trust Fiction Prize 2011 Scotiabank Giller Prize Nominee Longlisted for the Frank O'Connor Short Story Award "Clark Blaise's brilliantly imagined The Meagre Tarmac is a novel in short-story form, warmly intimate, startling in its quick jumps and revelations, a portrait of individuals for whom we come to care deeply -- and a portrait of an Indo-American way of life that shimmers before our eyes with the rich and compelling detail for which Clark Blaise's fiction is renowned ...The Meagre Tarmac is a remarkable accomplishment."--Joyce Carol Oates An Indo-American Canterbury Tales, The Meagre Tarmac explores the places where tradition, innovation, culture, and power meet with explosive force. It begins with Vivek Waldekar, who refused to attend his father's funeral because he was "trying to please an American girl who thought starting a fire in his father's body too gross a sacrilege to contemplate." It ends with Pranab Dasgupta, the Rockefeller of India, who can only describe himself as "'a very lonely, very rich, very guilty immigrant.'" And in between is a cluster of remarkable characters, incensed by the conflict between personal desire and responsibility, who exhaust themselves in pursuit of the miraculous. Fearless and ferociously intelligent, these stories are vintage Blaise, whose outsider's view of the changing heart of America has always been ruthless and moving and tender.

Clark Blaise's Selected Essays brings together another aspect of his tremendous and courageous oeuvre: belle lettres, essays and occasional pieces which range over autobiography, his French-Canadan heritage, the craft of fiction, American fiction, Australian fiction, and the work of such individual writers and Jack Kerouac, V.S. Naipaul, Salmon Rushdie, Alice Munro, Leon Rooke, and Bernard Malamud, his friend and mentor.

It is difficult today to imagine life before standard time was established in 1884. In the middle of the nineteenth century, for example, there were 144 official time zones in North America alone. The confusion that ensued, especially among the burgeoning railroad companies, was an hourly comedy of errors that ultimately threatened to impede progress. The creation of standard time, with its two dozen global time zones, is one of the great inventions of the Victorian Era, yet it has been largely taken for granted. In Time Lord, Clark Blaise re-creates the life of Sanford Fleming, who struggled to convince the world to accept standard time. It's a fascinating story of science, politics, nationalism, and the determined vision of one man who changed the world. Set in a time marked by substantial technological and cultural transformation, Time Lord is also an erudite exploration of art, literature, consciousness, and our changing relationship to time