Conrad Murray

Two Postcodes, two streets apartIn dear Merton where our story starts.Beef from the past creates new tension.Innocent blood spilled they need an intervention.A boy and a girl, supposed to be ops;They chat, hold hands, secret meetings by the shops.A remixed tale of star-crossed lovers.How much would you risk for the person you love?Forced apart by generations of hatred, young eyes meet across a South London dancefloor on a fateful night that will change their lives forever. Shakespeare’s most famous story is re-told through rap, rhythms, and beautiful harmonies. It’s Romeo and Juliet, but as you’ve never heard it before. Put down your swords and pick up your mics, after all, the course of true love never did run smooth.From Conrad Murray, the creator behind the 2023 Offie award-winning Pied Piper: The Hip Hop Family Musical, comes this hip hop re-telling with contributions from Lakeisha Lynch-Stevens, Khai Shaw, and Kate Donnachie.This edition was published to coincide with the world premiere at London's Polka Theatre in March 2024.

Winner of Best Theatre for Young Audiences Music/Sound at the Offies Awards 2023Sometimes they eat cheeseSometimes they eat breadThey even eat the tiny crumbs that fall under the bedThey eat jellyThey eat egg!They eat peasAnd stinky old brie….A rat will eat anything… anything… anything.It’s the eve of the mayoral election, and the kids of Hamelin aren’t happy. The mayor and owner of the local pie factory has imposed a music ban, and to make matters worse, there’s a serious rat problem. But, there have been whispers of a mysterious rat catcher in town… people listen to the powerful message created by his singing… his pipes... Can this curious stranger help Hamelin to find its voice once more? Conrad Murray's Pied Piper is a raucous musical re-imagining of a medieval fairy-tale. The original production featured a hugely talented cast of beatboxers, musicians and special guest performances from the local community.A Battersea Arts Centre, Beatbox Academy & rODIUM co-production conceived, written and co-directed by Conrad Murray, this edition was published to coincide with the start of the UK tour at Battersea Arts Centre, London, in October 2023.

This collection of three hip hop plays by Conrad Murray and his Beats & Elements collaborators Paul Cree, David Bonnick Junior and Lakeisha Lynch-Stevens, is the first publication of the critically acclaimed theatre-maker’s work. The three plays use hip hop to highlight the inequalities produced by the UK’s class system, and weave lyricism, musicality and dialogue to offer authentic accounts of inner-city life written by working-class Londoners. The plays are accompanied by two introductory essays: The first gives a specific social and historical context that helps readers make sense of the plays, the second positions hip hop as a contemporary literary form and offers some ways to read hip hop texts as literature. The collection also includes a foreword by leading hip hop theatre practitioner Jonzi D, interviews with the Beats & Elements company, and a glossary of words for students and international readers.

Making Hip Hop Theatre is the essential, practical guide to making hip-hop theatre. It features detailed techniques and exercises that can guide creatives from workshops through to staging a performance. If you were inspired by Hamilton, Barber Shop Chronicles, Misty, Black Men Walking or Frankenstein: How to Make a Monster, this is the book for you.Covering vocal technique, use of equipment, mixing, looping, sampling, working with venues and dealing with creative challenges, this book is a bible for both new and experienced artists alike. Additionally, with links to online video material demonstrating and elaborating on the exercises included, it offers countless useful tools for teachers and facilitators of drama, music and other creative arts.Alongside this practical guidance is an overview of hip hop history, giving theoretical and historical context for the practice. From documentation of Conrad Murray’s major productions, to commentary from leading practitioners including Lakeisha Lynch-Stevens, David Jubb, Emma Rice, Tobi Kyeremateng and Paula Varjack, readers are treated to a detailed insight into the background of hip hop theatre.Edited by scholar Katie Beswick and genre pioneer Conrad Murray, Making Hip Hop Theatre is a vital teaching tool and provides a much-needed account of a burgeoning aspect of contemporary theatre culture.

This collection of three hip hop plays by Conrad Murray and his Beats & Elements collaborators Paul Cree, David Bonnick Junior and Lakeisha Lynch-Stevens, is the first publication of the critically acclaimed theatre-maker’s work. The three plays use hip hop to highlight the inequalities produced by the UK’s class system, and weave lyricism, musicality and dialogue to offer authentic accounts of inner-city life written by working-class Londoners. The plays are accompanied by two introductory essays: The first gives a specific social and historical context that helps readers make sense of the plays, the second positions hip hop as a contemporary literary form and offers some ways to read hip hop texts as literature. The collection also includes a foreword by leading hip hop theatre practitioner Jonzi D, interviews with the Beats & Elements company, and a glossary of words for students and international readers.

Making Hip Hop Theatre is the essential, practical guide to making hip-hop theatre. It features detailed techniques and exercises that can guide creatives from workshops through to staging a performance. If you were inspired by Hamilton, Barber Shop Chronicles, Misty, Black Men Walking or Frankenstein: How to Make a Monster, this is the book for you.Covering vocal technique, use of equipment, mixing, looping, sampling, working with venues and dealing with creative challenges, this book is a bible for both new and experienced artists alike. Additionally, with links to online video material demonstrating and elaborating on the exercises included, it offers countless useful tools for teachers and facilitators of drama, music and other creative arts.Alongside this practical guidance is an overview of hip hop history, giving theoretical and historical context for the practice. From documentation of Conrad Murray’s major productions, to commentary from leading practitioners including Lakeisha Lynch-Stevens, David Jubb, Emma Rice, Tobi Kyeremateng and Paula Varjack, readers are treated to a detailed insight into the background of hip hop theatre.Edited by scholar Katie Beswick and genre pioneer Conrad Murray, Making Hip Hop Theatre is a vital teaching tool and provides a much-needed account of a burgeoning aspect of contemporary theatre culture.

This is It, is the never-before told and often shocking inside story of the King of Pop, Michael Jackson and his personal physician Dr. Conrad Murray. Told by Murray who was far more than Jackson's doctor. He was one of Jackson's closest friends and his only confidante. It was to Dr. Murray that Jackson unloaded years of his and his family's deepest and darkest secrets. This is It, with its pages packed with explosive revelations and startling news, is a riveting and unprecedented accounting of Michael Jackson's final months. It is also Murray's fast paced story and how his life finally crossed with Jackson in a way that bound them together forever. Muray gives readers a thrilling ringside seat for the destructive wars fought for money and power by Michael's advisors, managers, lawyers and promoters. This is it expose show working for Michael was often a blood sport as so-called friends and advisors schemed to influence the star and controlled his rapidly evaporating fortune. In this no-holds-bar account. Conrad Murray answers all of the mysteries still swirling swirling around Michael Jackson, from whether or not he was a pedophile to what really happened during the last night of Jackson's life and how Dr. Murray was made a scapegoat for the recklessness and misbehavior of sycophants around the King of Pop. This is It is the last chapter of Jackson's life, told as no one else knows it. Conrad Murray is the man to whom the singer gave a key to to unlock the secrets and finally answer the riddle. "who was Michael Jackson