Dairmid Gunn

Unlike most of Gunn's novels, The Lost Chart is set in a city - the city of Glasgow and its sea approaches. The untypical choice of background for the story is not the only departure from Gunn's usual approach to his novels. The book is also a thriller. The story unfolds in a social ambience of fear and speculation within which certain sinister political forces are at work. Nuclear war is a possibility, if not a certainty. Shipping executive Dermot Cameron gets involved in a street brawl, loses the chart of the approaches to a remote Hebridean island and finds himself in a tussle between the British Secret Service and a locally-based communist fifth-column. The plot turns almost exclusively on the date of a looming crisis, and the imminence of that date pervades the thoughts and feelings of those in conflict with a locally-based sinister and elusive enemy. This timeless work, from one of the most important writers of the twentieth century, has a remarkable relevance to the events of today. When it was written in 1949 there was an uneasiness in the West regarding changes to the 'old order' of society and the decline in certain moral standards and spiritual beliefs. Today the problems facing humanity have not changed. The threatening political situations in the Far East, Middle East and Eastern Europe and the concomitant danger of nuclear warfare are all too evident. Against such a background, the way of life on the remote Hebridean island depicted by the author has an almost irresistible appeal.

Neil M Gunn, one of Scotland's most distinguished 20th century authors, wrote over a period of 30 years, starting in 1926 and ending in 1956 with his so-called spiritual autobiography The Atom of Delight. Two years before this he wrote his last novel, The Other Landscape, the setting being the east coast of Scotland's most northerly mainland county. This provides the perfect backdrop - a fishing hotel and its English residents, the local ghillies who served them, and a solitary white house near the cliffs in which the occupant, a man from the South, lives alone. Add to this the Major, a retired military officer-cum-diplomat, who quickly shows himself to be an insensitive and overbearing man, disdainful of his fellows and aggressive towards those who challenge his views or show any form of disrespect towards him. His paternalistic behaviour towards the local community masks a contempt for it. Life in the hotel is lightened on a more mundane level by two incidents, both directly relating to the Major - a false alarm over a drowning incident and a fire in his bedroom, both of which end happily, but with a damaging loss of face for the Major and much amusement for the guests and staff at the hotel. Juxtaposed with the sporting life at the hotel, and in a subtle way connected to it, is the fate of the solitary and bereaved occupant of the white house. The shadow of death, both present and past, hangs over the house and blends with the palette of second sight and the strong phenomenon of 'recurrence', when patterns of events inexplicably repeat themselves. The reader is thus invited to consider the realities of life and death and the inherent tragedies that are contained within them, but in the end is presented with a glimpse of hope and renewal.

At the heart of The Silver Bough is a cairn on a knoll surrounded by standing stones. This is of professional interest to an archaeologist, around whom the story revolves. The life-enhancing qualities of the crofting family with whom he lodges and the quiet tenor of Highland life bear a curious similarity to his speculations on how 'the cairn people' lived in the distant past. His ideas spread outwards like ripples in a loch, fascinating his colleagues and giving some meaning to the life of a neighbouring landowner, who is mentally scarred from his experiences in the War. The plot of the book is imaginative and intricate, and includes the mystery of skeletons found in a cist in the cairn. As the dig proceeds, gold is discovered and then disappears. Has it been taken by the lad the archaeologist has been employing and, if so, where is it? The search is on and the standing stone claims its sacrificial victim.