Damien Broderick

Damien Broderick has had a major impact as an Australian SF writer since 1964. He is undoubtedly the leading Australian theorist of the SF genre' (Russell Blackford, Van Ikin, Sean McMullen, Strange Constellations). Now, Broderick draws upon his skills as both critic and novelist to analyze science fiction of the last two decades, and its earlier roots. The book proposes sf as a distinctive form of writing, the extreme narrative of difference, then closely reads authors such as John Barnes, Jamil Nasir, Wil McCarthy, Robert Grossbach and Poul Anderson. While concentrating on exciting work published in the USA and Britain, Broderick does not neglect his own country's contributions, discussing sf by George Turner and other Australians. His critical voice is wry, entertaining and occasionally scathing.

Damien Broderick has had a major impact as an Australian SF writer since 1964. He is undoubtedly the leading Australian theorist of the SF genre' (Russell Blackford, Van Ikin, Sean McMullen, Strange Constellations). Now, Broderick draws upon his skills as both critic and novelist to analyze science fiction of the last two decades, and its earlier roots. The book proposes sf as a distinctive form of writing, the extreme narrative of difference, then closely reads authors such as John Barnes, Jamil Nasir, Wil McCarthy, Robert Grossbach and Poul Anderson. While concentrating on exciting work published in the USA and Britain, Broderick does not neglect his own country's contributions, discussing sf by George Turner and other Australians. His critical voice is wry, entertaining and occasionally scathing.

The rate at which technology is changing our world-not just on a global level like space travel and instant worldwide communications but on the level of what we choose to wear, where we live, and what we eat-is staggeringly fast and getting faster all the time. The rate of change has become so fast that a concept that started off sounding like science fiction has become a widely expected outcome in the near future-a singularity referred to as the Spike. At that point of singularity, the cumulative changes on all fronts will affect the existence of humanity as a species and cause a leap of evolution into a new state of being.On the other side of that divide, intelligence will be freed from the constraints of the flesh; machines will achieve a level of intelligence in excess of our own and boundless in its ultimate potential; engineering will take place at the level of molecular reconstruction, which will allow everything from food to building materials to be assembled as needed from microscopic components rather than grown or manufactured; we'll all become effectively immortal by either digitizing and uploading our minds into organic machines or by transforming our bodies into illness-free, undecaying exemplars of permanent health and vitality.The results of all these changes will be unimaginable social dislocation, a complete restructuring of human society, and a great leap forward into a dazzlingly transcendent future that even science fiction writers have been too timid to imagine.

Transrealist writing treats immediate perceptions in a fantastic way, according to science fiction writer and mathematician Rudy Rucker, who originated the term. In the expanded sense argued in this book, it also intensifies imaginative fiction by writing the fantastic from the standpoint of richly personalized experience. Transrealism is also related to slipstream writing, another category introduced into studies of speculative fiction to account for texts that seem to follow trajectories mapped by the huge body of science fiction accumulated in the last century, while retaining a central interest in traditional literary strategies.This book examines a variety of work from the transrealist perspective, something that has not been done previously. It emphasizes the texts of Philip K. Dick and Rucker himself, while it additionally engages the texts of such slipstream writers as Kurt Vonnegut, J.G. Ballard, and John Barth. It places its argument against the antihumanist trend in science fiction and builds comparisons with more traditional varieties of science fiction works.

Reading by Starlight explores the characteristics in the writing, marketing and reception of science fiction which distinguish it as a genre.Damien Broderick explores the postmodern self-referentiality of the sci-fi narrative, its intricate coded language and discursive `encyclopaedia'. He shows how, for perfect understanding, sci-fi readers must learn the codes of these imaginary worlds and vocabularies, all the time picking up references to texts by other writers.Reading by Starlight includes close readings of paradigmatic cyberpunk texts and writings by SF novelists and theorists including Isaac Asimov, Arthur C. Clarke, Brian Aldiss, Patrick Parrinder, Kim Stanley Robinson, John Varley, Roger Zelazny, William Gibson, Fredric Jameson and Samuel R. Delaney.

Reading by Starlight explores the characteristics in the writing, marketing and reception of science fiction which distinguish it as a genre.Damien Broderick explores the postmodern self-referentiality of the sci-fi narrative, its intricate coded language and discursive `encyclopaedia'. He shows how, for perfect understanding, sci-fi readers must learn the codes of these imaginary worlds and vocabularies, all the time picking up references to texts by other writers.Reading by Starlight includes close readings of paradigmatic cyberpunk texts and writings by SF novelists and theorists including Isaac Asimov, Arthur C. Clarke, Brian Aldiss, Patrick Parrinder, Kim Stanley Robinson, John Varley, Roger Zelazny, William Gibson, Fredric Jameson and Samuel R. Delaney.