Dan Barry

Mestarillisen Dan Barryn piirtämät ja Harry Harrisonin käsikirjoittamat sunnuntaisarjat vievät Flash Gordonin Mongo-planeetalta Plutoon.Flash Gordon on Alex Raymondin luoma tieteissarjakuva, jonka vaikutus populaarikulttuuriin on ollut mittava: siitä ovat ammentaneet niin Tähtien sota kuin myöhemmät supersankarit Teräsmiehestä Batmaniin. Sarjakuvissa Flash Gordon tovereineen seikkailee ensin planeetta Mongolla mutta myöhemmin myös muualla avaruudessa valoa nopeammin liikkuvalla aluksellaan.Suomessa sarjakuvaa julkaistiin Uudessa Suomessa vuosikymmenten ajan, ja sarja ilmestyi myös muissa sanomalehdissä ja sarjakuvajulkaisuissa.DAN BARRY piirsi Flash Gordonia vuosina 1951-1990, vuodesta 1967 alkaen myös sunnuntaisarjaa. Tunnettu scifi-kirjailija HARRY HARRISON käsikirjoitti sarjaa vuosina 1958-1970. Tehtävä Plutossa -albumiin on koottu Harrisonin vuosina 1967-1970 käsikirjoittamat sarjat, joita pidetään parhaina Flash Gordonin pitkässä julkaisuhistoriassa. Niitä ei tiettävästi ole aikaisemmin julkaistu suomeksi.Mac Raboy piirsi kirjan ensimmäisen seikkailun ja hänen yllättävän kuolemansa jälkeen 12.13.1967 Dan Barry jatkoi sarjaa.

A must-have for Flash Gordon fans, and fans of comics history in general, this next Classic Collection highlights stories from one of the classic era's most consistent creators, Dan Barry, and features Flash's first visits to Atlantis and Mars. From the very depths of the ocean floor to self-imposed exile in outer space... From the post-apocalyptic world of New York City in the far-flung future to enslavement in an intergalactic space circus... Science fiction's most enduring icon, Flash Gordon, is back to continue his never-ending battle against intergalactic evil 'The Lost Continent' reprints all of Dan Barry's daily strips from October 26, 1953 to July 9, 1956, restored from the original tearsheets, and includes a feature on Flash Gordon written by newspaper comic strip expert, Rick Norwood.

In his inimitable prose, master storyteller Peter Quinn chronicles his odyssey from the Irish Catholic precincts of the Bronx to the arena of big-league politics and corporate hardball. Cross Bronx is Peter Quinn's one-of-a-kind account of his adventures as ad man, archivist, teacher, Wall Street messenger, court officer, political speechwriter, corporate scribe, and award-winning novelist. Like Pete Hamill, Quinn is a New Yorker through and through. His evolution from a childhood in a now-vanished Bronx, to his exploits in the halls of Albany and swish corporate offices, to then walking away from it all, is evocative and entertaining and enlightening from first page to last. Cross Bronx is bursting with witty, captivating stories. Quinn is best known for his novels (all recently reissued by Fordham University Press under its New York ReLit imprint), most notably his American Book Award–winning novel Banished Children of Eve. Colum McCann has summed up Quinn's trilogy of historical detective novels as "generous and agile and profound." Quinn has now seized the time and inspiration afforded by "the strange interlude of the pandemic" to give his up-close-and-personal accounts of working as a speechwriter in political backrooms and corporate boardrooms: "In a moment of upended expectations and fear-prone uncertainty, the tolling of John Donne's bells becomes perhaps not as faint as it once seemed. Before judgment is pronounced and sentence carried out, I want my chance to speak from the dock. Let no man write my epitaph. In the end, this is the best I could do." (from the Prologue) From 1979 to 1985 Quinn worked as chief speechwriter for New York Governors Hugh Carey and Mario Cuomo, helping craft Cuomo's landmark speech at the 1984 Democratic Convention and his address on religion and politics at Notre Dame University. Quinn then joined Time Inc. as chief speechwriter and retired as corporate editorial director for Time Warner at the end of 2007. As eyewitness and participant, he survived elections, mega-mergers, and urban ruin. In Cross Bronx he provides his insider's view of high-powered politics and high-stakes corporate intrigue. Incapable of writing a dull sentence, the award-winning author grabs our attention and keeps us enthralled from start to finish. Never have his skills as a storyteller been on better display than in this revealing, gripping memoir.

In his inimitable prose, master storyteller Peter Quinn chronicles his odyssey from the Irish Catholic precincts of the Bronx to the arena of big-league politics and corporate hardball. Cross Bronx is Peter Quinn’s one-of-a-kind account of his adventures as ad man, archivist, teacher, Wall Street messenger, court officer, political speechwriter, corporate scribe, and award-winning novelist. Like Pete Hamill, Quinn is a New Yorker through and through. His evolution from a childhood in a now-vanished Bronx, to his exploits in the halls of Albany and swish corporate offices, to then walking away from it all, is evocative and entertaining and enlightening from first page to last. Cross Bronx is bursting with witty, captivating stories. Quinn is best known for his novels (all recently reissued by Fordham University Press under its New York ReLit imprint), most notably his American Book Award–winning novel Banished Children of Eve. Colum McCann has summed up Quinn’s trilogy of historical detective novels as “generous and agile and profound.” Quinn has now seized the time and inspiration afforded by “the strange interlude of the pandemic” to give his up-close-and-personal accounts of working as a speechwriter in political backrooms and corporate boardrooms: “In a moment of upended expectations and fear-prone uncertainty, the tolling of John Donne’s bells becomes perhaps not as faint as it once seemed. Before judgment is pronounced and sentence carried out, I want my chance to speak from the dock. Let no man write my epitaph. In the end, this is the best I could do.” (from the Prologue) From 1979 to 1985 Quinn worked as chief speechwriter for New York Governors Hugh Carey and Mario Cuomo, helping craft Cuomo’s landmark speech at the 1984 Democratic Convention and his address on religion and politics at Notre Dame University. Quinn then joined Time Inc. as chief speechwriter and retired as corporate editorial director for Time Warner at the end of 2007. As eyewitness and participant, he survived elections, mega-mergers, and urban ruin. In Cross Bronx he provides his insider’s view of high-powered politics and high-stakes corporate intrigue. Incapable of writing a dull sentence, the award-winning author grabs our attention and keeps us enthralled from start to finish. Never have his skills as a storyteller been on better display than in this revealing, gripping memoir.

Experience firsthand policing in America's Playground. This book contains stories that are based on my thirty-year career with the Las Vegas Metropolitan Police Department. Despite all my "peaks and valleys," I never lost my love of policing, or passion for the people I served. While many of my experiences are amusing, they also are enlightening for people considering a career in law enforcement. My most important lesson learned is that decisions must be based on ethical soundness, as opposed to other motivations.The challenges facing American police officers have never been greater. Besides the dangers from criminals, they also need to navigate through administrations that are often more concerned about tomorrow's headline, than providing true leadership. As opposed to considering ethical soundness, agencies are often most concerned with only the politically popular path.My prayer is for police agencies to work in partnership with the citizens they serve in making our neighborhoods a safer place. For this to be achieved "Integrity-Based Policing" must become the new standard for all agencies to adopt.

A landmark collection by New York Times journalist Dan Barry, selected from a decade of his distinctive "This Land" columns and presenting a powerful but rarely seen portrait of America.In the wake of Hurricane Katrina and on the eve of a national recession, New York Times writer Dan Barry launched a column about America: not the one populated only by cable-news pundits, but the America defined and redefined by those who clean the hotel rooms, tend the beet fields, endure disasters both natural and manmade. As the name of the president changed from Bush to Obama to Trump, Barry was crisscrossing the country, filing deeply moving stories from the tiniest dot on the American map to the city that calls itself the Capital of the World.Complemented by the select images of award-winning Times photographers, these narrative and visual snapshots of American life create a majestic tapestry of our shared experience, capturing how our nation is at once flawed and exceptional, paralyzed and ascendant, as cruel and violent as it can be gentle and benevolent

Servitude and Salvation in the Heartland

Featuring two full years worth of non-stop exhilarating, science fiction action-adventure from October 1953-October 1955. The Lost Continent sees Flash and Doctor Zarkoff enjoying a rare day deep-sea fishing that sees them sucked into a vortex and deposited on the lost continent of Atlantis! Then, Flash and Dale are abducted by the psychic Circea and Flash is hynotised into falling in love with her! Alll this and even more stories!

Discover the thrilling world of Flash Gordon, the original protector of the Universe, as he encounters escaped convicts, frightening Frost Men, tyrannous kingdoms - and more! Collecting the first three years of Dan Barry's run on the iconic comic strip series, Flash Gordon Dailies Volume 1: The City of Ice is a must-read for all science fiction lovers!

Nominated for the 2017 Hillman Prize and the Robert F. Kennedy Human Rights AwardWith this Dickensian tale from America's heartland, New York Times writer and columnist Dan Barry tells the harrowing yet uplifting story of the exploitation and abuse of a resilient group of men with intellectual disability, and the heroic efforts of those who helped them to find justice and reclaim their lives.In the tiny Iowa farm town of Atalissa, dozens of men, all with intellectual disability and all from Texas, lived in an old schoolhouse. Before dawn each morning, they were bussed to a nearby processing plant, where they eviscerated turkeys in return for food, lodging, and $65 a month. They lived in near servitude for more than thirty years, enduring increasing neglect, exploitation, and physical and emotional abuse--until state social workers, local journalists, and one tenacious labor lawyer helped these men achieve freedom.Drawing on exhaustive interviews, Dan Barry dives deeply into the lives of the men, recording their memories of suffering, loneliness and fleeting joy, as well as the undying hope they maintained despite their traumatic circumstances. Barry explores how a small Iowa town remained oblivious to the plight of these men, analyzes the many causes for such profound and chronic negligence, and lays out the impact of the men's dramatic court case, which has spurred advocates--including President Obama--to push for just pay and improved working conditions for people living with disabilities.A luminous work of social justice, told with compassion and compelling detail, The Boys in the Bunkhouse is more than just inspired storytelling. It is a clarion call for a vigilance that ensures inclusion and dignity for all.

"Bottom of the 33rd is chaw-chewing, sunflower-spitting, pine tar proof that too much baseball is never enough." --Jane Leavy, author of The Last Boy and Sandy Koufax From Pulitzer Prize-winning New York Times columnist Dan Barry comes the beautifully recounted story of the longest game in baseball history--a tale celebrating not only the robust intensity of baseball, but the aspirational ideal epitomized by the hard-fighting players of the minor leagues. On April 18, 1981, a ball game sprang eternal. For eight hours, the night seemed to suspend a town and two teams between their collective pasts and futures, between their collective sorrows and joys--the shivering fans; their wives at home; the umpires; the batboys approaching manhood; the ejected manager, peering through a hole in the backstop; the sportswriters and broadcasters; and the players themselves--two destined for the Hall of Fame (Cal Ripken and Wade Boggs), the few to play only briefly or forgettably in the big leagues, and the many stuck in minor-league purgatory, duty bound and loyal forever to the game.With Bottom of the 33rd, Barry delivers a lyrical meditation on small-town lives, minor-league dreams, and the elements of time and community that conspired one fateful night to produce a baseball game seemingly without end. An unforgettable portrait of ambition and endurance, Bottom of the 33rd is the rare sports book that changes the way we perceive America's pastime--and America's past.

"Bottom of the 33rd is chaw-chewing, sunflower-spitting, pine tar proof that too much baseball is never enough." --Jane Leavy, author of The Last Boy and Sandy Koufax "What a book--an exquisite exercise in story-telling, democracy and myth-making." --Colum McCann, winner of the National Book Award for Let The Great World Spin From Pulitzer Prize-winning New York Times columnist Dan Barry comes the beautifully recounted story of the longest game in baseball history--a tale celebrating not only the robust intensity of baseball, but the aspirational ideal epitomized by the hard-fighting players of the minor leagues. In the tradition of Moneyball, The Last Hero, and Wicked Good Year, Barry's Bottom of the 33rd is a reaffirming story of the American Dream finding its greatest expression in timeless contests of the Great American Pastime.

Dan Barry approaches New York from every angle, finding surprise in the familiar, beauty in the rusted, ruined, or paved-over, and intimacy between strangers thrown together by circumstance. Whether visiting the Fulton Fish Market on the day of its closing, watching octogenarian dancers as they re-capture the grace of their youths, or talking to cops, rabbis, hatmakers, bartenders, doctors, boat captains, cabdrivers, engineers, barbers, and other about their jobs and lives, Barry brings the eye of the journalist and the soul of a poet to everything he writes.

The Ultimate Tool for MINDSTORMS® Maniacs The new MINDSTORMS kit has been updated to include a programming brick, USB cable, RJ11-like cables, motors, and sensors. This book updates the robotics information to be compatible with the new set and to show how sound, sight, touch, and distance issues are now dealt with. The LEGO MINDSTORMS NXT and its predecessor, the LEGO MINDSTORMS Robotics Invention System (RIS), have been called "the most creative play system ever developed." This book unleashes the full power and potential of the tools, sensors, and components that make up LEGO MINDSTORMS NXT. It also provides a unique insight on newer studless building techniques as well as interfacing with the traditional studded beams. Some of the world's leading LEGO MINDSTORMS inventors share their knowledge and development secrets. You will discover an incredible range of ideas to inspire your next invention. This is the ultimate insider's look at LEGO MINDSTORMS NXT system and is the perfect book whether you build world-class competitive robots or just like to mess around for the fun of it. Featuring an introduction by astronaut Dan Barry and written by Dave Astolfo, Invited Member of the MINDSTORMS Developer Program and MINDSTORMS Community Partners (MCP) groups, and Mario and Guilio Ferrari, authors of the bestselling Building Robots with LEGO Mindstorms, this book covers: Understanding LEGO Geometry Playing with Gears Controlling Motors Reading Sensors What's New with the NXT? Building Strategies Programming the NXT Playing Sounds and Music Becoming Mobile Getting Pumped: Pneumatics Finding and Grabbing Objects Doing the Math Knowing Where You Are Classic Projects Building Robots That Walk Robotic Animals Solving a Maze Drawing and Writing Racing Against Time Hand-to-Hand Combat Searching for Precision

Rediscover the golden age of journalism, when columns were events, through this collection of more than 70 pieces by a master stylist and larger-than-life character on the New York and national scene from JFK to Trump Plus, on its 50th anniversary, revisit the Watergate summer in How the Good Guys Finally Won, an unforgettable portrait of the Congressional leaders who took down a rogue president "He opened us up to a world of possibilities. What we did with them was our concern. He had his own work to do. No one ever did it better." --John Schulian Across a career spanning six decades, Jimmy Breslin was the greatest newspaper columnist of his era. As quintessentially a New York figure as the memorable urban characters he portrayed, Breslin nonetheless transcended the confines of his local audience and became a national celebrity, writing with a novelist's awareness of the telling detail that reveals the depth of a person's, and a people's, character. The 72 columns selected here by editor Dan Barry, more than half of which have not been reprinted since initial publication, reveal Breslin at his best, addressing stories of national and global importance but more often uncovering tales of ordinary New Yorkers, by turns tragic or absurd but always gripping to read. Gathered here are the highlights of his consummate deadline artistry: his celebrated interview with the man who dug the grave for John F. Kennedy, his coverage of the assassination of Malcolm X, his dispatches from the South at the height of the Civil Rights movement and from Vietnam, accounts of his involvement with the "Son of Sam" case as the serial killer who terrorized New York City in 1977, his story about John Lennon's murder in 1980, his award-winning series about the AIDS crisis in 1986, and his disgusted glimpse of Donald Trump conning the press corps during a book promotion in 1990. These masterful columns are joined by two of Breslin's books: How the Good Guys Finally Won (1976), one of the best accounts of the Watergate scandal, centered on House Majority Leader Tip O'Neill and his allies, whose success in forcing Richard Nixon for office scored an unlikely victory for U.S. democracy; and The Short Sweet Dream of Eduardo Guti rrez (2002), the story of an immigrant laborer killed at a construction site in Brooklyn and of the malfeasance among developers, city officials, and others that enabled the accident to happen.

Photographer Barbara Mensch's rediscovered photo archives and interview tapes capture symbolic transformations of Lower Manhattan. Many of these images are published here for the first time. The photographs evoke the passage of time by dividing the images into three parts: the 1980s, the 1990s, and the new millennium (2000 and beyond). The photographer shares with the viewer: "I would shoot ruins of buildings, the demolition of famous waterfront saloons, ancient alleyways, and, in some cases, nineteenth-century buildings destroyed by mysterious fires. There were images of floods and other calamities/catastrophes in Lower Manhattan, culminating with 9/11. These photos captured what had been, what no longer exists. They served as my visual timeline. What did the passage of the many decades reveal to me? What dynamics were in my images of the same streets I repeatedly walked for years?" The author's images from the Fulton Fish Market in the 1980s document the generations of immigrants and their children pursuing a gritty American Dream next to the Brooklyn Bridge. Photos from the 1990s present images of floods and fires that paralyzed the area, juxtaposed with continued bulldozing to clear the way for luxury housing. Politics reshaped Manhattan's skyline by encouraging new commercial shopping, food, and restaurant destinations. This restructuring marked the beginning of the end of downtown's blue-collar origins and white-collar replacements, challenging us to ask, "What was lost?" The seminal event of the 2000s, September 11, 2001, reinforced downtown's rebirth as the global economic engine with no room for the past. Also included in this section is an interview with an insider privy to the Mafia leadership of the Fulton Fish Market during Mayor Rudolph Giuliani's opportunistic crusade against them in the 1980s. Dan Barry, Pulitzer Prize–winning journalist, offers a poetic and insightful tribute to the artist and photographer. "Definitions: 'falling off' suggests a decline in quality or quantity, 'falling off' suggests the passage of time or changes over time, 'falling off' suggests a detachment, an alternative path to a questionable destination, 'falling off' suggests a separation, 'falling off' suggests something that comes to pass."